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"Art21" est une série de portraits documentaires d'artistes contemporains de tous horizons. Avec leurs mots, ils évoquent leur démarche, les processus de création et les techniques ou dispositifs mis en place pour répondre à leur approche esthétique. Chaque épisode propose trois ou quatre artistes à l'oeuvre réunis sous un même thème."Compassion" - Un travail artistique est-il capable de nous amener à tempérer nos pulsions les plus destructrices ? Comment le sentiment d'empathie des artistes peut-il se transmettre à travers des oeuvres qui abordent des sujets problématiques et se penchent sur la condition humaine ? Cet épisode s'attaque à ces questions à travers le travail de trois artistes.1. William Kentridge, né en 1955 à Johannesburg (Afrique du Sud).2. Carrie Mae Weems, née en 1953 à Portland (Oregon, États-Unis).3. Doris Salcedo, née en 1958 à Bogotá (Colombie).
Art --- Weems, Carrie Mae --- Kentridge, William --- Salcedo, Doris --- anno 2000-2009 --- anno 2010-2019 --- Réalisatrice --- Portrait --- Art graphique --- Dessin --- Animation --- Installation-art --- Optique --- Photographie --- États-Unis --- Colombie --- Afrique du sud
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scripts [writing] --- Art --- art [fine art] --- Iconography --- Weiner, Lawrence --- anno 1900-1999 --- United States --- Words in art --- Wall drawing (Conceptual art) --- Performance art --- Mots dans l'art --- Dessin mural (Art conceptuel) --- Art de performance --- Exhibitions --- Expositions --- Etats-Unis --- Exhibitions. --- texts [documents] --- art [discipline]
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motion pictures [visual works] --- Photography --- scripts [writing] --- Iconography --- Homo sapiens [species] --- Simpson, Lorna --- anno 1900-1999 --- United States --- Women photographers --- Photography, Artistic --- Feminism in art --- Femmes photographes --- Photographie artistique --- Féminisme dans l'art --- Exhibitions --- Expositions --- Simpson, Lorna, --- Etats-Unis --- Social conditions --- Pictorial works --- Conditions sociales --- Ouvrages illustrés --- Féminisme dans l'art --- Ouvrages illustrés --- Exhibitions. --- Pictorial works. --- human figures [visual works] --- United States of America
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The lack of common style in American art since 1970 has generally been explained as a function of the avant-garde's confused diversity, its willful eclecticism - in short, its "pluralism." In *The Object of Performance*, Henry M. Sayre instead defines this art in terms of its shared, distinctly postmodern concerns, showing for the first time how the entire range of contemporary art - including dance, photography, oral poetry, performance art, and earth sculpture - is associated in a collective avant-garde project. What artists like Cindy Sherman, Andy Warhol, Laurie Anderson, David Antin, and Robert Smithson have in common, Sayre convincingly argues, is a view of art as primarily performative. Sayre's title, *The Object of Performance*, is a suggestive paradox, for contemporary art's antiformalist, experience-oriented stance has rendered the art object per se dispensable. The element of performance that exists in all avant-garde arts has shifted the site of art's presence from the object to the audience, deliberately undermining any claim to formal autonomy. The consequences of this shift include the opening of art to a multiplicity of interpretation, the valorization of popular art forms over high art, and the emergence of ever more politically oriented work. The denial of authority to the object has inevitably opened avant-garde art to exploitation and misuse, but it has also forwarded the idea of the establishment of community as an alternative end of art. Such an art, finally, has profound implications of criticism itself, transforming the critic from a mere interpreter of an autonomous object to an active participant in the ongoing history of the work itself. In keeping with performance's deferral to its audience, Sayre is candid about his own responses to the art he discusses, and his style of writing is refreshingly personal. Sayre combines this accessibility with a critical sophistication and range of reference that make *The Object of Performance* a singular contribution to our understanding of contemporary culture.
dances [performance events] --- easel paintings [paintings by form] --- -Performance art --- -Avant-garde (Aesthetics) --- -7.036 --- 7.036 --- Avant-garde (Aesthetics) --- 7.036 Moderne kunststijlen --- Moderne kunststijlen --- History --- Performance art --- performance art --- avant-garde --- installations [visual works] --- feminism --- sculpture [visual works] --- photographs --- Art --- anno 1970-1979 --- United States --- Avant-Garde (Aesthetics) --- 20th century --- social criticism --- United States of America --- ARTS DU SPECTACLE --- AVANT-GARDE (ESTHETIQUE) --- ETATS-UNIS --- paintings [visual works]
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"Published to accompany the first US retrospective exhibition of Donald Judd's sculpture in more than 30 years, Judd explores the work of a landmark artist who, over the course of his career, developed a material and formal vocabulary that transformed the field of modern sculpture. Donald Judd was among a generation of artists in the 1960s who sought to entirely do away with illusion, narrative and metaphorical content. He turned to three dimensions as well as industrial working methods and materials in order to investigate 'real space,' by his definition. Judd surveys the evolution of the artist's work, beginning with his paintings, reliefs and handmade objects from the early 1960s; through the years in which he built an iconic vocabulary of works in three dimensions, including hollow boxes, stacks and progressions made with metals and plastics by commercial fabricators and continuing through his extensive engagement with color during the last decade of his life. This richly illustrated catalog takes a close look at Judd's achievements, and, using newly available archival materials at the Judd Foundation and elsewhere, expands scholarly perspectives on his work. The essays address subjects such as his early beginnings in painting, the fabrication of his sculptures, his site-specific pieces and his work in design and architecture"--
Art --- sculpture [visual works] --- geometric figures --- Minimal --- design drawings --- monochrome --- wall pieces --- Judd, Donald --- 7.07 --- 73.07 --- 749.07 --- Beeldende kunst ; installaties ; 20ste eeuw ; Donald Judd --- Minimalisme --- Minimal Art --- Judd, Donald 1928-1994 (°Excelsior Springs, Missouri, Verenigde Staten) --- kunst --- schilderkunst --- beeldhouwkunst --- installaties --- design --- twintigste eeuw --- minimal art --- minimalisme --- Verenigde Staten --- Judd Donald --- 7.071 JUDD --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Beeldhouwkunst ; beeldhouwers A - Z --- Meubelontwerpers ; designers ; interieurarchitecten A - Z --- Judd, Donald, --- Judd, Don, --- Jaddo, Donarudo, --- Exhibitions --- Sculpture --- Art minimal --- Etats-Unis --- Judd, Donald, - 1928-1994 - Exposition --- Judd, Donald, - 1928-1994
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installaties --- Weiner Lawrence --- Yeats W.B. --- Patchen Kenneth --- Verenigde Staten --- conceptuele kunst --- concept art --- woord en beeld --- kunst --- twintigste eeuw --- 7.071 WEINER --- scripts [writing] --- Sculpture, American --- Words in art --- Peinture américaine --- Sculpture américaine --- Mots dans l'art --- Wall drawing (Conceptual art) --- Dessin mural (Art conceptuel) --- Lawrence Weiner (° 1942, South Bronx, New York) leeft en werkt in Amsterdam --- Beeldende kunst 2de h. 20ste eeuw Lawrence Weiner --- Beeldende kunst teksten woorden --- Weiner, Lawrence. --- Peinture américaine --- Sculpture américaine --- Weiner, Lawrence --- Yeats W.B --- Art, American --- Painting, American --- Installations (Art) --- Conceptual art --- Performance art --- Art américain --- Art conceptuel --- Art de performance --- Criticism and interpretation --- Interviews --- sculpting --- Sculpture --- public art --- art [fine art] --- Conceptual --- Art styles --- Iconography --- Art --- anno 1900-1999 --- United States --- Artists --- Exhibitions --- Expositions --- Etats-Unis --- Criticism and interpretation. --- Interviews. --- Weiner, Lawrence Charles --- Kunststijlen --- Iconografie --- Kunst --- Beeldhouwkunst --- openbare kunst --- schriften [schrijven] --- beeldhouwen --- conceptueel --- Verenigde Staten van Amerika --- Typographie --- Interview --- 7.07 --- Beeldende kunst ; 2de h. 20ste eeuw ; Lawrence Weiner --- Beeldende kunst ; teksten ; woorden --- Conceptuele kunst --- Lawrence Weiner (° 1942, South Bronx, New York) ; leeft en werkt in Amsterdam --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Exhibitions. --- 73.07 --- Weiner, Lawrence 1942-2021 (°South Bronx, New York, Verenigde Staten) --- Beeldhouwkunst ; beeldhouwers A - Z --- sculpture [visual works] --- texts [documents] --- art [discipline]
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Sociology of culture --- Art --- anno 1900-1999 --- America --- Europe --- Sloan, John --- Rivers, Larry --- Hopper, Edward --- Dine, Jim --- Coleman, Glenn O. --- Rothko, Mark --- Davis, Stuart --- Gilbert and George --- Marin, John --- Tomlin, Bradley Walker --- Hartley, Marsden --- Bluemner, Oscar --- Marsh, Reginald --- Glackens, William J. --- Avery, Milton --- Saura, Antonio --- Dove, Arthur Garfield --- Bruce, Patrick Henry --- Thiebaud, Wayne --- Storrs, John --- Kent, Rockwell --- Prendergast, Maurice --- Guston, Philippe --- Gottlieb, Adolph --- McLaughlin, John --- Sheeler, Charles --- Byars, James L. --- Kelly, Ellsworth --- Förg, Günther --- Luks, George Benjamin --- Burchfield, Charles --- Bell, Larry --- du Bois, Guy Pène --- Stella, Joseph --- Mangold, Robert Peter --- Hofmann, Hans --- Kline, Franz --- Noland, Kenneth --- Warhol, Andy --- Ruscha, Ed --- Shapiro, Joel --- Oldenburg, Claes --- Kooning, de, Willem --- Benton, Thomas Hart --- Reinhardt, Ad --- Gaylor, Wood --- Gorky, Arshile --- Demuth, Charles Henry --- Stedelijk Museum [Amsterdam] --- Whitney Museum of American Art [New York, N.Y.] --- Art museum directors --- Directeurs de musée d'art --- Opinion publique étrangère --- Amerikaanse kunst ; 20ste eeuw ; in Nederland --- Kunstgeschiedenis ; 1950 - 2000 --- Rudi Fuchs & Adam D. Weinberg ; with an essay by = met een essay van Hayden Herrera --- Directeurs de musée d'art --- Opinion publique étrangère --- art [fine art] --- Johns, Jasper --- Kounellis, Jannis --- Kirkeby, Per --- Baldessari, John --- Newman, Barnett --- Polk Smith, Leon --- Pollock, Jackson --- Stella, Frank --- Andre, Carl --- Serra, Richard --- Judd, Donald --- Still, Clyfford --- Rainer, Arnulf --- Appel, Karel --- Salle, David --- Jorn, Asger --- Rauschenberg, Robert --- Chamberlain, John --- Marden, Brice --- O'Keeffe, Georgia --- Copley, William --- Mitchell, Joan --- Twombly, Cy --- Dibbets, Jan --- Nauman, Bruce --- Smith, David --- Dubuffet, Jean --- LeWitt, Sol --- Lüpertz, Markus --- Ryman, Robert --- Lichtenstein, Roy --- Fischl, Eric --- Schnabel, Julian --- anno 2000-2099 --- United States --- art criticism --- kunstgeschiedenis --- art history --- kunstbeschouwing --- Art, American --- Attitudes. --- Public opinion. --- Foreign public opinion. --- Glackens, William James --- Art américain --- Exhibitions. --- Public opinion --- Attitudes --- Expositions --- Opinion publique --- Etats-Unis --- Bois, du, Guy Pène --- 7.038 --- (069) --- (Musea. Collecties) --- kunst --- Verenigde Staten --- twintigste eeuw --- Burchfield, Charles E. --- United States of America
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colonization --- Colonial Latin American fine arts styles --- exoticism --- Art --- Latin America --- America --- History of civilization --- history [discipline] --- geschiedenis --- art [fine art] --- Evangelista, Roberto --- Bedia Valdés, José --- Orozco, Gabriel --- Durham, Jimmie --- Caldas, Waltércio --- Agois, Mariella --- Lublin, Lea --- Camnitzer, Luis --- Capelán, Carlos --- Fontana, Lucio --- Solar, Xul --- Clark, Lygia --- Vater, Regina --- Arango, Débora --- Obregón, Roberto --- Meireles, Cildo --- Lamelas, David --- Kahlo, Frida --- Paternosto, César --- Goeritz, Mathias --- González, Beatriz --- Dávila, Juan --- Mendieta, Ana --- Vicuña, Cecilia --- Goeldi, Oswaldo --- Wenemoser, Alfred --- Grippo, Victor --- Orozco, José Clemente --- Muñoz, Oscar --- Dittborn, Eugenio --- Maiolino, Anna Maria --- Torres Garcia, Joaquin --- Barney, Alicia --- anno 1800-1999 --- anno 1500-1799 --- Belgium --- Netherlands --- Amérique Latine --- Antwerpen --- Exposition --- Histoire --- Pays-Bas (anciens) --- Peinture --- USA Etats-Unis d'Amérique --- kunst --- kunstgeschiedenis --- Latijns-Amerika --- Amerika --- Nederlanden --- kolonisatie --- missionering --- zestiende eeuw --- zeventiende eeuw --- achttiende eeuw --- Kunst Zuid-Amerika en de Lage Landen --- Tentoonstellingscatalogi Antwerpen Koninklijk Museum voor Schone Kunsten --- Spaanse kolonisatie conquistadores ontdekkingsreizigers --- negentiende eeuw --- (069) --- Beeldende kunst Latijns-Amerika --- twintigste eeuw --- schilderkunst --- (7/8) --- beeldhouwkunst --- kunstnijverheid --- graafische kunsten --- exotisme --- 7.03 --- (Musea. Collecties) --- (Amerika) --- Arts, Latin American --- Arts latino-américains --- Zuid-Amerika --- Indiaanse kunst --- toegepaste kunsten --- 094:970/980 --- 949.19 --- 980 =6 --- -Latin American arts --- Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Geschiedenis van Noord-Amerika en Zuid-Amerika --- Geschiedenis van de Nederlanden, van de Benelux --- Geschiedenis van Latijns-Amerika --- Asociación Latinoamericana de Libre Comercio countries --- Neotropical region --- Neotropics --- New World tropics --- Spanish America --- -#KVHA:Geschiedenis; Latijns-Amerika --- Latin American arts --- |03436/B --- -Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Geschiedenis van Noord-Amerika en Zuid-Amerika --- 980 =6 Geschiedenis van Latijns-Amerika --- 949.19 Geschiedenis van de Nederlanden, van de Benelux --- 094:970/980 Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Geschiedenis van Noord-Amerika en Zuid-Amerika --- Amerika. --- Zuid-Amerika. --- -980 =6 Geschiedenis van Latijns-Amerika --- Arts latino-américains --- Espanja --- Spanien --- Hiszpania --- Spanish State --- España --- Estado Español --- Hispania --- Sefarad --- Sepharad --- Shpanye --- Shpanie --- Reino de España --- Kingdom of Spain --- #gsdbA --- #GGSB: Kunst (cataloog tentoonstelling) --- Exhibitions --- #A0005H --- Spain --- Espagne --- Reino d'Espanya --- Reinu d'España --- Espainiako Erresuma --- Regne d'Espanya --- Reiaume d'Espanha --- Espanya --- Espanha --- スペイン --- Supein --- イスパニア --- Isupania --- Civilization --- -Exhibitions. --- Colonies --- -History --- Exhibitions. --- History --- Beeldende kunst ; Latijns-Amerika --- Kunst ; Zuid-Amerika en de Lage Landen --- Spaanse kolonisatie ; conquistadores ; ontdekkingsreizigers --- Tentoonstellingscatalogi ; Antwerpen ; Koninklijk Museum voor Schone Kunsten --- #KVHA:Geschiedenis; Latijns-Amerika --- kunstgeschiedenis (algemeen) --- hedendaagse kunst --- grafiek --- -Exhibitions --- Expositions --- Amérique latine --- Civilisation --- Relations --- Flanders (Belgium) --- Xul Solar, Alejandro --- Torres García, Joaquín --- 980 --- emigratie --- Zuidelijke Nederlanden --- Kunst (cataloog tentoonstelling) --- bookselling --- Découverte et exploration --- Arts, Latin American - Exhibitions --- Latin America - Civilization - Exhibitions --- Spain - Colonies - America - History - Exhibitions --- dekolonisatie --- emigratie. --- Latijns-Amerika. --- Zuidelijke Nederlanden. --- art [discipline] --- Amerique latine --- Pays-bas --- Relations exterieures
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