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"Thomas Hirschhorn's Deleuze monument was conceived for 'La beauté' in Avignon in 2000. It comprised four elements: a rock inscribed with a quotation, an altar, a monumental sculpture and a library including books by and about Deleuze. Located in the Cité Champfleury, outside Avignon's historical walls, Deleuze monument embodied Hirschhorn's desire to put his work 'in a difficult situation' between reality, politics and aesthetics, and marks a significant turning point in his approach to producing and maintaining public works"--P. 4 of cover.

Hirschhorn, Thomas. --- sculpting --- public spaces --- outdoor sculpture --- Art --- monuments --- Hirschhorn, Thomas --- Installations (Art) --- Monuments --- Interactive art --- Hirschhorn, Thomas, --- Installation-art --- Rapport du spectateur à l'objet créé --- Deleuze, Gilles --- Deleuze, Gilles, --- Monument commémoratif --- Deleuze, Gilles, - 1925-1995 --- Hirschhorn, Thomas, - 1957 --- -Hirschhorn, Thomas, 1957 --- -Installations (Art) --- -Hirschhorn, Thomas. --- Hirschhorn, Thomas, 1957 --- -Deleuze, Gilles, - 1925-1995

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The most exciting rising stars in contemporary art ? who?s who and what?s next ? featuring 107 artists born since 1980, as chosen by a new generation of art experts and leadersThis stunningly illustrated survey brings together more than 100 of the most innovative and interesting contemporary artists working across all media and spanning the globe. These are tomorrow?s art superstars as chosen by the future leaders of the art world: the curators, writers, and academics with their fingers on the pulse of contemporary art and culture. Artists featured include: Lawrence Abu Hamdan; Farah Al Qasimi; Korakrit Arunanondchai; Firelei Báez; Meriem Bennani; Amoako Boafo; Danielle Brathwaite-Shirley; Jordan Casteel; Jesse Darling; Jadé Fadojutimi; Louis Fratino; Lauren Halsey; Kudzanai-Violet Hwami; Joy Labinjo; Lina Lapelyte; Carolyn Lazard; Ad Minoliti; Tyler Mitchell; Toyin Ojih Odutola; Ima-Abasi Okon; Thao Nguyen Phan; Christina Quarles; Tschabalala Self; Paul Mpagi Sepuya; Shen Xin; Avery Singer; Martine Syms; Salman Toor; Zadie XaThe 100+ nominators originate from institutions including: Baltimore Museum of Art; Bellas Artes Projects (Manila); ESPAC (Mexico City); The Factory Contemporary Arts Centre (Ho Chi Minh City); KW Institute for Contemporary Art (Berlin); MoMA (New York); Museo de Arte Moderno (Medellín); Museums Victoria (Melbourne); RAW Material Company (Dakar); Sharjah Art Foundation; Studio Museum in Harlem (New York); Tai Kwun Contemporary (Hong Kong); Tate Modern (London); Whitechapel Gallery (London); Whitney Museum of American Art (New York); and X Museum (Beijing)https://www.phaidon.com/store/art/prime-arts-next-generation-9781838662448/

Kunst --- Hedendaagse kunst --- Art, Modern --- 7.039 --- Beeldende kunst ; 21ste eeuw ; kunstenaars geboren tussen 1980 en 1995 --- Contemporary art --- Modernism (Art) --- Kunstgeschiedenis ; 2000 - 2050 --- Art --- art [discipline] --- anno 2000-2009 --- anno 2010-2019

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It is already three years since the Belgian artist Anne-Mie Van Kerckhoven (AMVK, b. 1951) expressed the wish to assemble material from her extensive HeadNurse Project which she describes as a Sex and Technology project in a publication that puts the whole project into perspective. This was made possible by intensive cooperation between AMVK, the NeuerAachenerKunstverein (NAK), the Kunsthalle Bern and objectif\_exhibitions of Antwerp. 

The publication is the result of a research project, carried out by Patrick Van Rossem for objectif\_exhibitions in co-operation with Anne-Mie Van Kerckhoven over the last two years. It accompanies the exhibitions How Reliable is the Brain? (NAK) and AMVK EZFK (Kunsthalle Bern). The two exhibitions are dealt with separately at the end of the publication. The publication of the HeadNurse-files responds to the international interest in a body of work that is unjustly still little-known. The layers of content and interdisciplinary work and the multimedia experimentation AMVK has been carrying out since the Seventies form a major point of reference in relation to the ever more pressing enquiries regarding the specific character of a contemporary medium-specific way of thinking. 

By means of installation shots, film stills and artistic images, the HeadNurse-files present an overview of the project's development from 1995 to 2004 and beyond. They are interspersed with articles, quotations and film scripts by AMVK, by theoretical reflections published in the course of the HeadNurse activities (Filip Luyckx, Corinne Melin, Renate Puvogel, Ronald Van De Sompel and Wim Van Mulders) and new articles (Susanne Titz, Dorothea Olkowski, Philippe Pirotte, Patrick Van Rossem). 

The extensive amount of theoretical contributions gathered in the book is the result of a well-considered decision. The aim was to create a dialogical situation between different theoretical interpretations of the HeadNurse project and its visualisation in the book. The accumulation coincides with the concept of the 'file' in its archival use. The book is designed by the artist herself, conceived as an aesthetic bath from which the many theoretical contributions unfold. 

The files should be seen rather as an in-depth questioning of the artistic significance of AMVK's visual idiom and the complexity of content her media experiment involves. Throughout it the authors explore drawing and painting, pictorial thinking, the digital, multimedia working method and the spatial negotiation between image and support, architecture and installation, viewer and work of art. The positioning of the artistic identity throughout AMVK's style, her fascination for the image of woman and the many references to her own self in image and words form an enduring outline of an artist's position. Incarnation is in this instance located between existence and artistic creation. This too is one of the main focuses of this publication.


Van Kerckhoven, Anne-Mie °1951 (°Antwerpen, België) --- Beeldende kunst videokunst 1995-2005 A-M. Van Kerckhoven --- Fotografie digitaal gemanipuleerde --- Belgische kunstenaars --- Kunst van vrouwen --- 7.07 --- (069) --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- (Musea. Collecties) --- installations [visual works] --- mixed media --- art [fine art] --- public spaces --- Art --- Kerckhoven, Van, Anne-Mie --- Belgium --- Konzept = concept Anne-Mie Van kerckhoven ; herausgegeben von = edited by Patrick Van Rossem --- kunst --- twintigste eeuw --- installaties --- eenentwintigste eeuw --- Van Kerckhoven Anne-Mie --- kunst en technologie --- film --- erotiek --- 7.071 VAN KERCKHOVEN --- Beeldende kunst ; videokunst ; 1995-2005 ; A-M. Van Kerckhoven --- Fotografie ; digitaal gemanipuleerde --- Kunst ; van vrouwen --- Van Kerckhoven, Anne-Mie --- art [discipline] --- Artists --- Book

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Higashijima, Tsuyoshi ; Hirose, Satoshi ; Homma, Takashi ; Kanemura, Osamu ; Kato, Go ; Kobayashi, Masato ; Nakahashi, Katsushige ; Nara, Yoshimoto ; Sawayanagi, Hideyuki ; Shinoda Taro ; Takeoka, Yuji ; Yanagi Miwa ; Yanobe Kenji ; Yokomizo, Shizuka

Art --- Painting --- Photography --- Sculpture --- installations [visual works] --- art [fine art] --- painting [image-making] --- sculpting --- motion pictures [visual works] --- Homma, Takashi --- Yokomizo, Shizuka --- Kobayashi, Masato --- Nara, Yoshitomo --- Kato, Go --- Yanagi, Miwa --- Hirose, Satoshi --- Kanemura, Osamu --- Higashijima, Tsuyoshi --- Sawayanagi, Hideyuki --- Nakahashi, Katsushige --- Yanobe, Kenji --- Shinoda, Taro --- Takeoka, Yuji --- Japan --- Beeldende kunst ; Japan ; 1995-2001 --- 7.038 --- (069) --- Kunstgeschiedenis ; 1950 - 2000 --- (Musea. Collecties) --- Art, Japanese --- art [discipline]

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painting [image-making] --- Painting --- Schiess, Adrian --- Noiret-Thomé, Xavier --- Bustamante, Jean-Marc --- Frize, Bernard --- Oppenheim, Yves --- Bertrand, Jean Pierre --- France --- Bertrand, Jean-Pierre --- Tentoonstellingscatalogi ; Museum Dhondt-Dhaenens ; Deurle --- Bustamente, Jean-Marc --- Schilderkunst ; 1995-2000 ; 'depaysement' --- 75.038 --- (069) --- Schilderkunst ; 1950 - 2000 --- (Musea. Collecties)