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kunst --- tekenkunst --- kunsttheorie --- 741.01 --- 741.03 --- 741 --- Tekenen --- tekeningen --- kunstgeschiedenis --- kunstfilosofie --- semiotiek --- praktijk van schilderen en tekenen, algemene handleiding en --- Tekenkunst --- tekenen en tekentechnieken --- Tekenkunst ; theorie, filosofie, esthetica --- Drawing --- drawing techniques --- drawing [image-making] --- Theys, Hans ; over tekenen

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741.071 CLEMENTE --- Clemente Francesco --- kunst --- tekenkunst --- twintigste eeuw --- Art --- pastels [visual works] --- human figures [visual works] --- Clemente, Francesco

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kunst --- grafiek --- tekenkunst --- Frankrijk --- posters --- affiches --- Ungerer Tomi --- 741.071 UNGERER --- 76.071 UNGERER --- 7.071 UNGERER --- beeldverhaal --- twintigste eeuw --- illustraties --- illustratie --- strips --- 741.571 UNGERER --- grafische vormgeving --- graphic design --- Ungerer, Tomi --- Ungerer, Tomi, --- Ungerer, Jean-Thomas, --- Ungerā, Tomi, --- ウンゲラー, トミ, --- אונגרר, טומי, --- Sculpture --- sculpture [visual works]

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Drawing is at the very forefront of contemporary art practice. The radical shift in the treatment and development of drawing since the 1960s has resulted in a renewed status and relevance for it within current practice, with some of the most exciting artistic ideas of the last fifty years indebted to its use. This brand new study into contemporary drawing structures itself around three broad subjects: abstraction and drawing, looking at the way drawing really came into its own at a time when notions of art and the employment of media were radically challenged; drawing as narrative, borrowing and developing ideas on illustration and cartoon art, and investigating the use of drawing with the moving image; and drawing as engagement, with its role in offering a visual description of our environment, as well as the notion of its own physical presence, particularly in relationship to landscape. Including work by artists such as Agnes Martin, Richard Serra, Philip Guston, Raymond Pettibon, Alison Wilding, Robin Rhode, Xu Bing, Gordon Matta-Clarke and Richard Long, the book explores how practitioners have addressed and redefined notions of medium specificity in relation to drawing, and how it has been particularly significant for artists pursuing an interdisciplinary practice. Katharine Stout contextualises the medium within history and with the current treatment of drawing by theoreticians, institutions, the art market, and education systems, concluding that drawing is a popular, diverse and ever evolving medium.--Tate Publishing.

Drawing --- 741.039 --- 741.038 --- Tekenkunst ; 20ste en 21ste eeuw ; 1960-2014 --- Tekeningen ; in installaties, film ; video --- Tekenkunst ; 2000 - 2050 --- Tekenkunst ; 1950 - 2000 --- video recordings --- installations [visual works] --- drawing [image-making] --- motion pictures [visual works] --- sculpting --- anno 1960-1969 --- anno 1970-1979 --- anno 1980-1989 --- anno 1990-1999 --- anno 2000-2009 --- anno 2010-2019 --- video recordings [physical artifacts]

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Al meer dan een halve eeuw woont en werkt tekenaar en rasverteller Koenraad Tinel in het Pajottenland, het glooiende landschap ten zuidwesten van Brussel, waar in de kleine dorpen een karakteristieke mengeling van koppigheid en bijgeloof, van achterdocht en bruegeliaanse gulheid heerst. Voor 'Verhalen van het Pajottenland' liet Tinel zich inspireren door kleurrijke figuren uit zijn omgeving: de postbode, de boer met zijn varkensbeer, de tuinman zonder benen... Bevriend auteur Stefan Brijs luisterde naar de indringende, vaak komische en tegelijkertijd tragische verhalen van Koenraad Tinel en schreef in zijn bekende sobere en trefzekere stijl tekst bij de intrigerende beelden.

journalistiek proza (genre) --- Dutch literature --- kunst --- eenentwintigste eeuw --- kunst en literatuur --- literatuur --- België --- tekenkunst --- inkttekeningen --- Tinel Koenraad --- Pajottenland --- 741.071 TINEL --- Kunst --- Drawing --- drawing [image-making] --- ink washes --- Tinel, Koenraad --- 706.8 --- 790 --- kunstenaars --- artistes