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Adam, Eric ; Alvesen, Hans ; Anheim, Claude ; Ausfelder, Kurt ; Bauer, Werner ; Bentos, Acosta ; Besgen, Inge ; Bogdanovic, Nenad ; Bücker, Norbert ; Caraballo, Jorge ; Castmir, Kocar ; Crozier, Robin ; Deventer, Friedel ; Dressler, Uwe ; Dyckhoff, Diane ; Etkes, Nadine ; Fontaine, Viktor ; Franz, Michael ; Gerz, Jochen ; Gubbels, Klaar ; Hoc, Ulla ; etc.
Afrika --- Art --- art [fine art] --- apartheid --- hunger --- Africa --- art [discipline]
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Iconography --- Art --- Sculpture --- Painting --- painting [image-making] --- mixed media --- apartheid --- sculpting --- Bester, Willie --- South Africa
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Iconography --- Art --- Sculpture --- art [discipline] --- violence --- apartheid --- sculpting --- kunst en politiek --- mutatie (kunst) --- transformatie (kunst) --- Alexander, Jane --- South Africa
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Dutch literature --- African literature --- Hendrikse, Paul --- Jonker, Ingrid --- kunst --- eenentwintigste eeuw --- Nederland --- Hendrikse Paul --- artists' books --- kunstenaarsboeken --- literatuur --- poëzie --- kunst en literatuur --- Zuid-Afrika --- apartheid --- Jonker Ingrid --- 7.071 HENDRIKSE --- projects [artistic concepts]
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Art --- paintings [visual works] --- installations [visual works] --- photography [process] --- racial discrimination --- colonization --- camouflage --- video art --- apartheid --- postcolonialism --- human figures [visual works] --- Wa Lehulere, Kemang --- Nazareth, Paulo --- Mujinga, Sandra --- Self, Tschabalala
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Art --- mural paintings [visual works] --- art [discipline] --- performance art --- violence --- apartheid --- identity --- absurditeit (kunst) --- Rhode, Robin --- Iconography --- collages [visual works] --- installations [visual works] --- mixed media --- Langa, Moshekwa --- South Africa --- Painting --- painting [image-making] --- terrorism --- Kreutzfeldt, Dorothee --- Film --- video art --- Rose, Tracey --- Photography --- photography [process] --- culturele diversiteit (kunst) --- Searle, Berni
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drawing [image-making] --- art [fine art] --- apartheid --- multi-channel video installations --- Art --- Plato --- Kentridge, William --- South Africa --- Installations (Art) --- 7.07 --- 778.5.07 --- 77.092.07 --- 741.07 --- Beeldende kunst ; animatiefilm ; 2014-2015 ; William Kentridge --- Houtskooltekeningen --- Kunst en politiek ; Zuid-Afrika ; apartheid --- Kentridge, William °1955 (°Johannesburg, Zuid-Afrika) --- Tentoonstellingscatalogi ; Amsterdam ; EYE Filmmuseum --- Installation art --- Art, Modern --- Environment (Art) --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Kunst nieuwe technieken ; video, laser, computer, klank, ... --- Fotografen A - Z --- Tekenkunst ; tekenkunstenaars A - Z --- Kentridge, William, --- Exhibitions --- Installations (Art). --- 2000-2099. --- South Africa. --- Kunst nieuwe technieken ; video, laser, computer, klank, .. --- Kunst nieuwe technieken ; video, laser, computer, klank, . --- Kunst nieuwe technieken ; video, laser, computer, klank, --- art [discipline]
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Drawing --- sculpting --- Sculpture --- video art --- Film --- art [fine art] --- drawing [image-making] --- Art --- Kentridge, William --- South Africa --- Kentridge, William, --- Kentridge, William °1955 (°Johannesburg, Zuid-Afrika) --- Beeldende kunst ; animatiefilm ; 1980-2004 ; William Kentridge --- Tentoonstellingscatalogi ; Castello di Rivoli --- Kunst en politiek ; Zuid-Afrika ; apartheid --- Houtskooltekeningen --- Kortfilms --- Beeldhouwkunst ; brons --- Schaduwbeelden --- 7.07 --- (069) --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- (Musea. Collecties. Tentoonstellingen) --- art [discipline]
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South African-born Belgian artist Kendell Geers changed his date of birth to MAY 1968 as a performance, effectively giving birth to himself as a work of art. His artistic practice weaves together African animism, European mysticism, and socio-political activism with humor, irony, and contradiction. He uses his identity as a White African like a key to unlock and critique our understanding and reading of history, art, and language. This book, which focuses on his works created between 1988 and the present, looks at the influence of avant-garde traditions from Dada and Surrealism to Punk, intertwined with the powerful legacy of traditional African art on his work. Spiritually charged, politically poignant, and socially engaged, the work cannot be categorized as either European or African, but is rather a prolonged metaphysical dialogue between cultures, archetypal signs, and sacred symbols. Included are works in a diversity of media, including painting, sculpture, performance, photography, installation, and conceptual art.
Kendell Geers --- Art, South African --- 7.07 --- Geers, Kendell --- Conceptuele kunst --- Kunst; Zuid-Afrika --- South African art --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Geers, Kendell, --- Geers, Kendell °1968 (°Johannesburg, Zuid-Afrika) --- Beeldende kunst ; Zuid-Afrika --- Performances ; installaties --- Kunst en politiek --- Apartheid --- Art --- installations [visual works] --- painting [image-making] --- photography [process] --- terrorism --- rail fences --- African sculpture styles --- violence --- political art --- performance artists --- performance art
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Solidarity has re-entered the global zeitgeist with resounding force in the last decades and is especially urgent to consider today. Yet this concept – both a potent ideal and a slippery notion – is one of the least analysed within the arts. Why? It is perhaps because colonialism, Neoliberalism, hyper-individualism and Western-centred concepts of art have eroded visions of a care-based society. Creating a fair and vital social fabric inspired by mutual dependencies between living beings and all entities including fauna, flora, air, land and water, is fundamental for our collective existence. A critical toolbox with intersectional perspectives is needed to examine this minefield and reveal meaningful and inspiring narratives that can guide our future. Working with these complexities, this Reader considers the agency that artists, collectives and art institutions have generated from the 1970s to today to build the radical imaginaries of care and solidarity needed to transform the conditions of our collective existence in the face of local and global crises. Presenting new and historical material, the Reader narrates a series of stories of solidarity across geographies in relation to emergencies connected to ecocide, femicide, genocide, migration, neocolonialism, inter-religious conflicts, class divisions and heteronormativity, amongst others. It also gives a central place to Indigenous perspectives rarely considered when discussing solidarity in the arts.
Art --- art [fine art] --- sociology --- environments [object groupings] --- colonization --- migration [function] --- environmental art --- social classes --- political art --- cooperation --- Beschaving; Cultuur; Vooruitgang --- Kunst en politiek ; Zuid-Afrika ; apartheid --- Kunsttheorie ; postkolonialisme --- Kunsttheorie : over artistieke samenwerking ; werking --- Kunst en politiek ; solidariteit Palestijnse kwestie --- Kunst en politiek ; 21ste eeuw --- 7.01 --- Kunst ; theorie, filosofie, esthetica --- Développement social des quartiers --- Rapports sociaux --- Communauté --- Mouvement social --- kunst --- kunst en politiek --- twintigste eeuw --- eenentwintigste eeuw --- sociologie --- activisme --- postkolonialisme --- 7.038/039 --- politiek --- kunsttheorie --- art [discipline]
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