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This book draws together for the first time the self-­portraits of French Surrealist artist Claude Cahun (1894–1954) and British contemporary artist Gillian Wearing (b.1963). Although they lived almost one hundred years apart, their work shares similar themes: gender, identity, masquerade and performance. Beginning with a visit to Jersey, where Cahun lived and worked until her death, and where the Cahun archive is housed, Wearing’s journey of discovery is examined in this beautiful book.

kunst --- twintigste eeuw --- eenentwintigste eeuw --- 77.071 CAHUN --- 7.071 CAHUN --- 77.071 WEARING --- 7.071 WEARING --- portretfotografie --- portret --- surrealisme --- lichamelijkheid --- gender studies --- performances --- identiteit --- Frankrijk --- fotografie --- Wearing Gillian --- Cahun Claude --- Groot-Brittannië --- Exhibitions --- performance art --- self-portraits --- identity --- photographs --- life masks --- masks [costume] --- Photography --- Art --- Wearing, Gillian --- Cahun, Claude --- Art and Design. --- Art, British --- Art, British. --- Art, French --- Art, French. --- Art, Modern --- Art, Modern. --- Influence (Literary, artistic, etc.). --- Photography. --- Selbstbildnis. --- Self-portraits --- Self-portraits. --- Cahun, Claude, --- Wearing, Gillian, --- Influence. --- 1900-2099. --- Great Britain. --- 761.2 fotografen afzonderlijk --- sexualiteit --- cultuurgeschiedenis --- gender --- transsexualiteit (transseksualiteit) --- androgynie --- seksualiteit --- Performance --- Masque --- Cahun, Claude, 1894-1954

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Art styles --- Iconography --- Photography --- photography [process] --- human figures [visual works] --- artists' portraits --- Surrealist --- Magritte, René --- Mariën, Marcel --- Bellmer, Hans --- Bellon, Denise --- Boiffard, Jacques-André --- Parry, Roger --- Penrose, Roland --- Tabard, Maurice --- Mesens, E.L.T. --- Cahun, Claude --- Breton, André --- Brassaï --- Ubac, Raoul --- Nougé, Paul --- Lefrancq, Marcel-G. --- Maar, Dora --- Miller, Lee --- Man Ray --- Kertész, André --- anno 1900-1999

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De negen essays die in dit boek te vinden zijn hebben telkens een andere kunstenares als onderwerp. De centrale vraag die bij hun werk gesteld wordt is de volgende: "zijn er voor de beoordeling van het werk van vrouwelijke kunstenaars specifieke criteria nodig?". Vertrekkend van de misogynie van veel surrealistische werken wordt hier nagegaan hoe vrouwen hun plaats bepalen binnen kunst als vormentaal die grotendeels door mannen bepaald wordt. In veel werken wordt er van uitgegaan dat vrouwen hun positie bepalen ofwel door te conformeren aan die mannelijke norm ofwel door een marginale positie in te nemen. De auteur van dit boek meent dat vrouwen wel degelijk binnen een stroming als het surrealisme hun plaats verdienen zonder dat die tweedeling gehanteerd moet worden.

Kunsttheorie ; 20ste eeuw ; feminisme --- Rosalind E. Krauss --- Kunst ; van vrouwen ; 20ste eeuw --- kunst --- Surrealisme ; invloeden --- gender studies --- Cahun, Claude --- feminisme --- Maar, Dora --- Beeldhouwkunst ; environments ; tekeningen ; Louise Bourgeois --- cultuurfilosofie --- surrealisme --- Hesse, Eva --- Cahun Claude --- Sherman, Cindy --- Maar Dora --- Woodman, Francesca --- Levine, Sherrie --- kunstfilosofie --- esthetica --- Lawler, Louise --- Bourgeois Louise --- Ecriture féminine --- 7.01 --- Martin Agnes --- Hesse Eva --- Sherman Cindy --- Woodman Francesca --- Levine Sherrie --- Lawler Louise --- 7.038 --- Kunst ; theorie, filosofie, esthetica --- women [female humans] --- feminism --- art [fine art] --- Iconography --- Art --- Bourgeois, Louise --- Martin, Agnes --- Feminism and the arts. --- Originality in art. --- Surrealism --- Women artists --- Influence. --- Psychology. --- Philosophy and psychology of culture --- Feminism and the arts --- Originality in art --- Superrealism --- Surrealism in art --- Arts, Modern --- Arts and feminism --- Arts --- Influence --- Psychology --- art [discipline] --- vrouwelijke kunstenaar --- Artists --- Book --- Cultural movements

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sculpture [visual works] --- installations [visual works] --- photography [process] --- self-expression --- video art --- identity --- Broodthaers, Marcel --- Rainer, Arnulf --- Fischer, Urs --- McQueen, Steve --- Abdessemed, Adel --- Kippenberger, Martin --- Coplans, John --- Frazier, LaToya Ruby --- Gonzales-Torres, Felix --- Reynaud-Dewar, Lili --- Stingel, Rudolf --- Paolini, Giulio --- Nazareth, Paulo --- Rosenbach, Ulrike --- Bascoulard, Marcel --- Cahun, Claude --- Sherman, Cindy --- Ray, Charles --- Horn, Roni --- Cattelan, Maurizio --- Boetti, Alighiero --- Gilbert and George --- Goldin, Nan --- Hirst, Damien --- Nauman, Bruce --- Gober, Robert --- Hammons, David --- Kranz, Kurt --- Lüthi, Urs --- Friedlander, Lee --- Szapocznikow, Alina --- Sekula, Allan --- Pinault Collection

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Art --- primitive art --- niet-westerse kunst --- Surrealist --- Arp, Hans --- Moos, von, Max --- Richter, Hans --- Ernst, Max --- Camacho, Jorge --- Laloy, Yves --- Laughlin, Clarence John --- Maisonneuve, Pascal-Désir --- Klee, Paul --- Brauner, Victor --- Tabard, Maurice --- Benoit, Jean --- Lam, Wifredo --- Masson, André --- Tanguy, Yves --- Fronsac, Coco --- Landshoff, Hermann --- Miré, de, Georges --- Grindat, Henriette --- Saulnier, Tony --- Seigle, Henri-Julien --- Senadji, Magdi --- Sylvain, Vaea --- Tingaud, Jean-Marc --- Prévert, Jacques --- Cahun, Claude --- Breton, André --- Dalí, Salvador --- Ubac, Raoul --- Gray, Eileen --- Oppenheim, Meret --- Agar, Eileen --- Höch, Hannah --- Herold, Jacques --- Hugnet, Georges --- Janco, Marcel --- Kassák, Lajos --- Paalen, Wolfgang --- Charchoune, Serge --- Man Ray --- Giacometti, Alberto --- Derain, André --- Seligmann, Kurt --- Doisneau, Robert --- South Asia --- Africa --- North America --- Central America --- Oceania with Australia