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Art, Latin American --- Modernism (Art) --- Art, Modernist --- Modern art --- Modernism in art --- Modernist art --- Aesthetic movement (Art) --- Art, Modern --- Art --- art [fine art] --- Modernist --- Rivera, Diego --- Lam, Wifredo --- Torres García, Joaquín --- Matta, Roberto --- Latin America --- art [discipline]
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This illustrated, edited collection of essays brings together for the first time some of the pioneering art historian Linda Nochlin's most important writings on modernism and modernity from across her six-decade career. Before the publication of her seminal tract on feminism in art, 'Why Have There Been No Great Women Artists?', Nochlin had already firmly established herself as a major practitioner of a politically sophisticated and class-conscious social art history, with her writings on modernism being transformative to the discipline. Nochlin embraced Charles Baudelaire's conviction that modernity meant to be of one's time - and that the role of an art historian was to understand the art of the past not only in its own historical context, but according to the urgencies of the contemporary world. From academic debates about the nude in the 18th century to the work of Robert Gober in the 21st, whatever she turned her analytic eye to was very much conceived as the art of the now - the art we need to look at to navigate the complexities and contradictions of the present.
Art --- art [fine art] --- art history --- philosophy of art --- anno 1900-1999 --- anno 2000-2099 --- Modernism (Art) --- Modernism (Aesthetics) --- Aesthetics --- Art, Modernist --- Modern art --- Modernism in art --- Modernist art --- Aesthetic movement (Art) --- Art, Modern --- art [discipline]
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Groundbreaking in both its content and its presentation, Art Since 1900 has been hailed as a landmark study in the history of art. Conceived by some of the most influential art historians of our time, this extraordinary book has now been revised, expanded and brought right up to date to include the latest developments in the study and practice of art. With a clear year-by-year structure, the authors present 130 articles, each focusing on a crucial event - such as the creation of a seminal work, the publication of an important text, or the opening of a major exhibition - to tell the myriad stories of art from 1900 to the present. All the key turning-points and breakthroughs of modernism and postmodernism are explored in depth, as are the frequent antimodernist reactions that proposed alternative visions. This expanded edition includes a new introduction on the impact of globalization, as well as essays on the development of Synthetic Cubism, early avant-garde film, Brazilian modernism, postmodern architecture, Moscow conceptualism, queer art, South African photography, and the rise of the new museum of art. Acclaimed as the definitive work on the subject, Art Since 1900 is essential reading for anyone seeking to understand the complexities of art in the modern age.
Modernist --- Postmodern --- anti-modernism --- art history --- art [fine art] --- Art --- anno 1900-1999 --- anno 2000-2099 --- Art, Modern --- Modernism (Art) --- Postmodernism --- 7.036 --- antimodernisme --- deconstructie --- deconstructivisme --- eenentwintigste eeuw --- formalisme --- kunst --- modernisme --- naslagwerk --- postmodernisme --- poststructuralisme --- pyschoanalyse --- structuralisme --- twintigste eeuw --- Post-modernism --- Postmodernism (Philosophy) --- Arts, Modern --- Avant-garde (Aesthetics) --- Philosophy, Modern --- Post-postmodernism --- Art, Modernist --- Modern art --- Modernism in art --- Modernist art --- Aesthetic movement (Art) --- Contemporary art --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- MAD-faculty 19 --- PXL-Handboeken --- kunstgeschiedenis --- 20ste-21ste eeuw --- art [discipline]
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Co-founder and co-editor of October magazine, a veteran of Artforum of the 1960s and early 1970s, Rosalind Krauss has presided over and shared in the major formulation of the theory of postmodernism.In this challenging collection of fifteen essays, most of which originally appeared in October, she explores the ways in which the break in style that produced postmodernism has forced a change in our various understandings of twentieth-century art, beginning with the almost mythic idea of the avant-garde. Krauss uses the analytical tools of semiology, structuralism, and poststructuralism to reveal new meanings in the visual arts and to critique the way other prominent practitioners of art and literary history write about art. In two sections, "Modernist Myths" and "Toward Postmodernism," her essays range from the problem of the grid in painting and the unity of Giacometti's sculpture to the works of Jackson Pollock, Sol Lewitt, and Richard Serra, and observations about major trends in contemporary literary criticism.
Avant-garde (Aesthetics) --- Creation (Literary, artistic, etc.) --- Modernism (Art) --- Art, Modernist --- Modern art --- Modernism in art --- Modernist art --- Aesthetic movement (Art) --- Art, Modern --- Aesthetics --- History --- Psychological aspects --- Themes, motives --- Psychological aspects. --- Themes, motives. --- Art styles --- anno 1900-1999 --- Avant-garde (esthétique) --- Modernisme (art) --- avant-garde --- style [critical concept] --- Modernist --- kunststijlen --- modernisme --- Iconography --- Art --- art [fine art] --- exoticism --- primitivism [artistic concept] --- Surrealist --- Postmodern --- LeWitt, Sol --- Picasso, Pablo --- Pollock, Jackson --- Serra, Richard --- Rodin, Auguste --- anno 2000-2099 --- kunst --- twintigste eeuw --- postmodernisme --- kunstkritiek --- rasters --- kunsttheorie --- grids --- fotografie --- Pollock Jackson --- LeWitt Sol --- Serra Richard --- 7.01 --- art [discipline]
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Art, German --- Exhibitions --- Art allemand --- Expositions --- History --- Histoire --- Abstract Expressionist --- Neo-Expressionist --- music [discipline] --- Entartete Kunst --- motion pictures [visual works] --- art galleries [institutions] --- Der Blaue Reiter --- video art --- Constructivist --- Expressionist [style] --- Die Brücke --- Neue Sachlichkeit --- Muller, Robert --- Dorazio, Piero --- Hartung, Hans --- Graubner, Gotthard --- Tuggener, Jacob --- Boezem, Marinus --- Wildemann, Heinrich --- Wiene, Robert --- Johnson, Tore --- Winquist, Rolf --- Flanagan, Barry --- Stettner, Louis --- Motherwell, Robert --- Doisneau, Robert --- Burri, Alberto --- Heldt, Werner --- Rothko, Mark --- Riley, Terry --- Wauer, William --- Merfels, Helga --- Mathieu, Georges --- Albiker, Karl --- Hassner, Rune --- Richier, Germaine --- von Stroheim, Erich --- Strüwe, Carl --- Marini, Marino --- Hofer, Karl --- Bischof, Werner --- Maxfield, Richard --- Kunz, Karl --- Schnebel, Dieter --- Castellani, Enrico --- Reisewitz, Wolfgang --- Vedova, Emilio --- Rzewski, Frederic --- Grundig, Lea --- Abbott, Berenice --- Lange, Reinhard --- Dornhege, Hans-Georg --- Corner, Philip --- Coppens, Martien --- Kirchner, Ernst Ludwig --- Piene, Otto --- Kricke, Norbert --- Heizer, Michael --- Hoehme, Gerhard --- Burggaller, Hans-Jürgen --- Schultze, Bernhard --- Hiltmann, Jochen --- Luther, Adolf --- Schmidt-Rottluff, Karl --- Laurens, Henri --- Gaul, Winfred --- Nolde, Emil --- Woldringh, Meinardus --- Camaro, Alexander --- Smithson, Robert --- Poliakoff, Serge --- Schum, Gerry --- Odulf, Tor-Ivan --- Trökes, Heinz --- vonreba --- Amiet, Cuno --- Greis, Otto --- Patterson, Ben --- Ichiyanagi, Toshi --- Volwahsen, Herbert --- Rebay von Ehrenwiesen, Hilla --- Denninghoff, Brigitte --- Strelow, Liselotte --- Auerbach, Erna --- Tone, Yasunao --- Urson, Frank --- Kosugi, Takehisa --- Guston, Philippe --- Watts, Robert --- Goller, Bruno --- Lam, Wifredo --- Knubel, Rudolf --- Gifford, D. F. --- Wols --- Windstosser, Ludwig --- Schneiders, Toni --- Maciunas, Georg --- Barlach, Ernst H. --- Arkhipov, Abram Yefimovich --- Thiemann, Hans --- Jennings, Terry --- Ludwig, Wolfgang --- Götz, Karl Otto --- Zadkine, Ossip --- Schneiderow, Wladimir --- Vertov, Dziga --- Goepfert, Hermann --- Veronesi, Luigi --- Altman, Nathan Isajevitsj --- Lazi, Adolf --- Petrick, Wolfgang --- Schmit, Thomas --- Fietz, Gerhard --- Müller, Otto --- Bussotti, Sylvano --- Hajek-Halke, Heinz --- Brassaï --- Butler, Reginald --- Steinert, Otto --- Ende, Edgar --- Lasch, Kary H. --- Higgins, Dick --- Facchetti, Paul I. --- Boubat, Edouard --- Hödicke, Karl Horst --- Spadoni, Aldo --- Trier, Hann --- Chargesheimer --- Scheibe, Richard --- Mercure, Pierre --- Winter, Fritz --- Dahmen, K.F. (Karl Fred) --- Vostell, Wolf --- Spoerri, Daniel --- Sorge, Peter --- Schumacher, Emil --- Ono, Yoko --- Køpcke, Arthur --- Young, La Monte --- Oppenheim, Dennis --- Groebli, René --- Hofmann, Hans --- Matta, Roberto --- Elkan, Benno --- Diehl, Hans-Jürgen --- Hammarskiöld, Hans --- Sonderborg, K.R.H. --- Orsi, Arrigo --- Keetmann, Peter --- Heckel, Erich --- Cage, John --- Kline, Franz --- Spengler, Arnulf --- Lardera, Berto --- Maria, de, Walter --- Kreutz, Heinz --- Bissier, Julius Heinrich --- Soulages, Pierre --- Hardy, Bert --- Tobey, Mark --- Angenendt, Erich --- Lauterwasser, Siegfried --- Masclet, Daniel --- Finsler, Hans --- Heckroth, Hein --- Kooning, de, Willem --- Nicholson, Ben --- Chadwick, Lynn --- Geiger, Rupprecht --- González, Julio --- Uhlmann, Hans --- Donnan, Leiv Warren --- Matschinsky, Martin --- Koberling, Bernd --- Ynasa, George --- Werner, Theodor --- Nerlinger, Oskar --- Paik, Nam June --- Hebbe, Caroline --- Wilhelm, Jean-Pierre --- Thieler, Fred --- Staël, de, Nicolas --- Baehr, Ulrich --- Williams, Emmett --- Cavael, Rolf --- Rose, Griffith --- Graevenitz, von, Gerhard --- Mack, Heinz --- Strömholm, Christer --- Bellander, Sten Didrik --- Wintersberger, Lambert Maria --- Grzimek, Waldemar --- Imkamp, Wilhelm --- Manessier, Alfred --- Gorky, Arshile --- Ligeti, György --- Rössing, Carl/Karl --- Blum, Kurt --- Uecker, Günther --- Zen 49 --- Mannheim --- Stuttgart --- Dresden --- Berlin --- Munich --- Weimar --- Kunsttentoonstellingen ; Duitsland ; 20ste eeuw --- Modernisme ; belangrijke tentoonstellingen ; Duitsland --- Kunstgeschiedenis ; 1950 - 2000 --- Art --- anno 1900-1999 --- Germany --- earthworks [sculpture] --- photography [process] --- Dada --- Film --- Fluxus --- music [performing arts] --- Iconography --- Museology --- Art styles --- Drawing --- art [fine art] --- drawing [image-making] --- Painting --- Photography --- painting [image-making] --- Music --- art history --- museology --- Corinth, Lovis --- Meistermann, Georg --- Schlemmer, Oskar --- Francis, Sam --- Long, Richard --- Hajek, Otto Herbert --- Bill, Max --- Calder, Alexander --- Felixmüller, Conrad --- Picasso, Pablo --- Pollock, Jackson --- Archipenko, Alexander --- Frankenthaler, Helen --- Nay, Ernst Wilhelm --- Appel, Karel --- Klein, Yves --- Man Ray --- Dix, Otto --- Fautrier, Jean --- Rauschenberg, Robert --- Manzoni, Piero --- Fontana, Lucio --- Marcks, Gerhard --- Bacon, Francis --- Moore, Henry --- Dibbets, Jan --- Smith, David --- Giacometti, Alberto --- Lüpertz, Markus --- Corneille --- Wotruba, Fritz --- Brecht, George --- Lipchitz, Jacques --- anno 1970-1979 --- anno 1960-1969 --- anno 1920-1929 --- anno 1900-1909 --- anno 1950-1959 --- anno 1940-1949 --- anno 1980-1989 --- anno 1910-1919 --- anno 1930-1939 --- anno 2000-2099 --- Russia --- Paris --- London --- moderne kunst --- tentoonstellingen --- 20ste eeuw --- Duitsland --- Modernism (Art) --- Art, Modern --- Dahmen, Karl Fred --- Rössing, Karl --- Schmit, Tomas --- Exhibitions. --- Rebay, Hilla --- (069) --- 7.038 --- Art, Modernist --- Modern art --- Modernism in art --- Modernist art --- Aesthetic movement (Art) --- (Musea. Collecties) --- Müller, Robert --- Rebay, von, Hilla --- Art, Modern - 20th century --- Modernism (Art) - Germany --- Art, German - 20th century --- 20ste eeuw. --- Duitsland. --- tentoonstellingsorganisme --- zero
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