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sculpting --- History --- Sculpture --- sculpture techniques --- techniques [processes] --- art theory --- Art --- materials [matter] --- Sculpture materials --- -Sculpture materials --- Cappadocian Fathers --- Macrina --- Beeldhouwmaterialen --- 73.023 --- Beeldhouwkunst ; grondstoffen, materiaalkeuze --- 230.2 "00/05" --- -Natural religion --- Fathers, Cappadocian --- Theologische scholen--(verder in te delen zoals 28)--?"00/05" --- -Theodicee. Natuurlijke godsleer. Natuurlijke theologie --- -Macrina the Younger, Saint --- Cappadocian Fathers. --- Sculpture materials. --- -Griekse patrologie --- 230.2 "00/05" Theologische scholen--(verder in te delen zoals 28)--?"00/05" --- 276 =75 --- Christianity and culture --- -Civilization, Classical --- 21 --- Natural theology --- -Artists' materials --- Classical civilization --- Civilization, Ancient --- Classicism --- Fathers of the church --- Natural religion --- Theology, Natural --- Apologetics --- God --- Religion --- Religion and science --- Theology --- Philosophy of nature --- Contextualization (Christian theology) --- Culture and Christianity --- Inculturation (Christian theology) --- Indigenization (Christian theology) --- Culture --- Griekse patrologie --- History of doctrines --- Christian fundamental theology --- Christian church history --- -History of doctrines --- Civilization, Classical --- Civilization, Classical. --- Matériaux --- materials [substances] --- -Fathers, Cappadocian --- Artists' materials --- Natural theology - - History of doctrines - - Early church, ca. 30-600 --- Christianity and culture - History - Early church, ca 30-600 --- -Beeldhouwmaterialen --- -History --- -Cappadocian Fathers.
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The idea that women are dangerous ? individually or collectively ? runs throughout history and across cultures. Behind this label lies a significant set of questions about the dynamics, conflicts, identities and power relations with which women live today.0'The Art of Being Dangerous' offers many different images of women, some humorous, some challenging, some well-known, some forgotten, but all unique. In a dazzling variety of creative forms, artists and writers of diverse identities explore what it means to be a dangerous woman.0With almost 100 evocative images, this collection showcases an array of contemporary art that highlights the staggering breadth of talent among today?s female artists. It offers an unparalleled gallery of feminist creativity, ranging from emerging visual artists from the UK to multi-award-winning writers and translators from the Global South.
Danger in literature. --- Danger in art. --- Feminism in literature. --- Feminism in art. --- Women in literature. --- Women in art. --- Women --- Social conditions. --- Feminism --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- Feminist theory in literature --- Women in art --- Women in literature --- Feminism in art --- Feminism in literature --- Danger in art --- Danger in literature --- #SBIB:316.346H29 --- #SBIB:316.7C200 --- #SBIB:39A5 --- Social conditions --- Positie van de vrouw in de samenleving: andere topics --- Sociologie van de cultuuruitingen: algemeen --- Kunst, habitat, materiële cultuur en ontspanning --- 82:396 --- 7.04 --- 7.039 --- 7.039 Hedendaagse kunststromingen.Post-moderne kunst --- Hedendaagse kunststromingen.Post-moderne kunst --- 7.04 Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding --- Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding --- 82:396 Literatuur en feminisme --- Literatuur en feminisme --- Art --- art [fine art] --- hazards --- power --- gender [sociological concept] --- women [female humans] --- Sociology of the family. Sociology of sexuality --- Iconography --- Thematology --- English literature --- art [discipline]
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