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Kawara, On --- dating [measuring] --- time --- words --- Conceptual --- Art --- serial art --- dating [measuring process] --- words [layout features]

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Art --- inscriptions --- art [discipline] --- poetry --- words [layout features] --- pebble [rock] --- Finlay, Ian Hamilton

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As ludic and non-authoritarian as John Baldessari's art, this new monograph on the 'father of Conceptual art' is dedicated to his practice as an artist and a teacher, and the many ways in which both practices intertwine in his life. Having been trained as an arts educator, John Baldessari is today renowned for his work as much as for his innovative post studio class at CalArts, Los Angeles, where he has formed many generations of artists and participated in shaping the West Coast art scene.

Conceptual art --- Words in art --- Baldessari, John, --- Baldessari, John --- art education --- letters [signs] --- collages [visual works] --- alphabets [symbols] --- photography [process] --- Art --- Art conceptuel --- Photographie

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Graphic signs --- Art --- design [discipline] --- letters [signs] --- language [general communication] --- propaganda --- advertisements --- typography --- words [layout features] --- public spaces --- ruimtelijke kunst --- ruimtelijke kunst --- typografie

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"Accompanies a retrospective of Carl Andre's work at Dia:Beacon, New York. Presents a range of sculpture made from 1958 to 2010, as well as a selection of previously unpublished poems, ephemera, and documentation of installations. Includes texts by international authors and scholars"-- "Carl Andre (b. 1935) redefined the parameters of abstract sculpture in the 1960s and 1970s. He was a highly influential voice in the American minimalist movement, recognized for his ordered linear and grid formats. In the early 1960s, Andre's creative focus shifted to writing poetry when he took a job as a freight brakeman and conductor for the Pennsylvania Railroad. His poems echoed and extended the themes in his sculptural work, and his experience with the railroad significantly influenced his choice of materials in later years. In this stunning catalogue, which accompanies the first retrospective of Andre's work since 1970, the artist's legacy is examined in eleven essays by international scholars. The book presents a broad range of sculpture made over the past fifty years, including Andre's emblematic floor and corner pieces, highlighting his radical use of standardized units of industrial material such as timber planks, concrete blocks, and metal plates. A vast selection of Andre's previously unpublished concrete poems, together with letters, postcards, ephemera, and documentation of important installations, further complements our understanding of an essential figure in the history of contemporary art."--

sculpting --- Minimal --- poetry --- Art --- Andre, Carl --- kunst --- 73.071 ANDRE --- 7.071 ANDRE --- minimalisme --- conceptuele kunst --- concept art --- minimal art --- Andre Carl --- beeldhouwkunst --- Verenigde Staten --- Exhibitions --- Andre, Carl, --- ART --- American poetry --- American poetry. --- Installation --- Installations (Art) --- Installations (Art). --- Lettering in art --- Lettering in art. --- POETRY --- Plastik. --- Sculpture, Modern --- Sculpture, Modern. --- Themes, motives. --- Words in art --- Words in art. --- Collections, Catalogs, Exhibitions --- General. --- Sculpture & Installation. --- American --- Themes, motives --- 1900-1999. --- 7.07 --- 73.07 --- André, Carl °1935 (°Quincy (Massachusetts, Verenigde Staten) --- Conceptuele kunst --- Beeldhouwkunst ; Minimal Art --- Minimalisme --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Beeldhouwkunst ; beeldhouwers A - Z --- sculpture [visual works]