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Is art criticism losing ground, because of the Internet and art blogs? Do people still consider the authoritative art critic (in newspapers, magazines) as their most important source to filter what they want to see, read and listen to? Most recent discussions revolve around the question ‘what is art criticism?’; this book explores the question: ‘Where is art criticism?’ It looks at new ways and new spaces where art critics may interact with the public, works of art, artists and scholars. This book suggests that criticism has shifted to different places and different stages: a ‘displacement’, not only with regard to media (from journalism to blogs, catalogues, and such) but also a displacement in the geographical and institutional sense.
art criticism --- Aesthetics of art --- Philosophy and psychology of culture --- Mass communications --- Art criticism --- Critique d'art --- Art, Modern --- Art criticism. --- 7.01 --- Kunstkritiek, hedendaagse --- Kunst ; theorie, filosofie, esthetica --- Analyse de l'art --- Profession artistique --- Presse spécialisée --- Mass media --- Communication --- Art contemporain --- Internet --- Sociologie de la communication --- mass media --- massacommunicatie --- cultuurfilosofie
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The artist's magazine as a place where new ideas and forms can be imagined and created, from the eighteenth century to the twenty-first. The multiple platforms of the digital era have not diminished the role of the magazine for artists as an alternative medium and experimental space. Whether printed on paper or electronically generated, the artist's magazine continues to be a place where new ideas and forms can be imagined as well as a significant site of artistic production. Intrinsically collaborative, including readers' active engagement, the magazine is an inherently open form that generates constantly evolving relationships. It was integral to the emergence of art criticism in the Enlightenment period and to the development of artistic dialogues around notions of culture, politics, and the public from the modern era avant-gardes to the present. This collection contextualizes the current condition and potential of the artist's magazine, surveying the art worlds it has created and then superseded; the commercial media forms it has critically appropriated, intervened in, or subverted; the alternative DIY cultures it has brought into being; and the expanded fields of cultural production, exchange, and distribution it continues to engender. In addition to surveying case studies of transformational magazines from the early 1960s onwards, The Magazine includes a wide-ranging archive of key editorial statements, from eighteenth-century Weimar to twenty-first century Bangkok, Cape Town, and Delhi.
art theory --- periodicals --- Art --- anno 2000-2009 --- anno 1900-1999 --- anno 2010-2019 --- 7.05 --- Kunst ; het boek als kunstobject ; Kunstenaarsboeken, geïllustreerde boeken, boekbanden --- art criticism --- magazines [periodicals] --- Conceptual --- Contemporary [style of art] --- kunst --- visual culture --- 7.01 --- Kunsttheorie ; over kunsttijdschriften ; productie en impact --- Kunst ; theorie, filosofie, esthetica --- Art criticism --- Art publishing --- Conceptual art. --- History --- Periodicals --- Conceptual art --- Iconographie --- Art contemporain --- Art conceptuel --- Ecrit d'artiste --- Revue --- Presse spécialisée --- Kunst --- kunstkritiek --- kunsttheorie --- magazines --- hedendaagse kunst --- conceptueel --- visuele cultuur --- 130.2 --- 7.039 --- 766.045 --- tijdschriften --- kunsttijdschriften --- 7.038/039 --- 7.038 --- cultuurfilosofie --- twintigste eeuw --- eenentwintigste eeuw --- artists' periodicals --- Art - Periodicals --- Histoire de l'art --- Information - communication --- Art numérique
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