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medalists --- Artistic and decorative craftsmen --- anno 1400-1499 --- anno 1500-1599

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The art Bruegel produced between 1559 and 1563 presents a rare opportunity to investigate a concentrated period of productivity by one of the world's greatest artists. In this brief period Bruegel produced some of his most original works-the first pictorial collection of contemporary customs in Carnival and Lent, the first painting with children's activities as its subject in Children's Games, the first large-scale painting of a proverb collection, the unique and enigmatic Dulle Griet (Mad Meg), and the extraordinary Triumph of Death, his disturbing vision of men and women fighting off the onslaught of death. In this comprehensive study, Margaret Sullivan accounts for this burst of creativity, its intensity, innovation and brevity, by taking all aspects of the creative process into consideration-from the technical demands of picture-making to the constraints imposed by the dangerous religious and political situation. (erasmusbooks.nl)

Creation (Literary, artistic, etc.) --- Bruegel, Pieter, --- Criticism and interpretation. --- Bruegel, Pieter [Elder] --- Création (Arts) --- Brueghel, Pieter (de Oude) --- Création (Arts) --- Bruegel, Pieter I. --- Bruegel, Pieter I

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C5 --- jubileum --- onderzoekscentra --- kunstpatrimonium --- Maatschappelijke organisaties en maatschappelijk leven --- Conservation. Restoration --- research centers [institutions] --- patrimony --- Royal Institute for the Study and Conservation of Belgium's Artistic Heritage [Brussels]

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easel paintings [paintings by form] --- Painting --- iconography --- liberal arts [cross-disciplinary studies] --- Iconography --- allegory [artistic device] --- Vos, de, Maarten --- 625.1 Schilderkunst --- 75.034 --- schilderkunst --- barok --- Maerten de Vos --- schilderkunst - barok, koloniale stijl, renaissance en rococo --- iconografie --- de Vos, Maerten --- 16de eeuw --- Symbolism in art --- Allegories --- De Vos, Maarten --- iconografie. --- de Vos, Maerten. --- 16de eeuw.

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Alabaster was a popular material in European sculpture, especially from the fourteenth to the seventeenth century. Its relative availability and easy to sculpt characteristic made it a highly suitable material for both large monuments and small objects, for mass production and individual works, from England to Spain and France to the Netherlands, Germany and Poland. This material has been the subject of multidisciplinary research in various European countries for several decades. The research combines material analyses with historical and art-historical approaches. This publication, made for the occasion of the large exhibition on the theme at M Leuven opening on October 14th, brings together all renown specialists on the material and sheds light on the many facets of alabaster, such as its physical and chemical properties as well as its translucency, its whiteness, its softness, and its beautiful sheen, all of which made it a popular material used in different types of sculpture from the middle ages to the baroque, all throughout Europe, ranging from bespoke tombs, funerary monuments and commissioned sculptures and altarpieces to commercially interesting formulas such as English or Mechelen alabaster reliefs.--éd.

Sculpture --- sculpture [visual works] --- alabaster [mineral] --- anno 1300-1399 --- anno 1400-1499 --- anno 1500-1599 --- anno 1600-1699 --- Europe --- Sculpture en albâtre --- Monuments funéraires. --- Histoire. --- Matériaux. --- M - Museum Leuven (Louvain, Belgique). --- Artistic techniques and materials --- Medieval sculpture --- Baroque & Rococo sculpture --- Renaissance sculpture --- 7 <09> --- 73 --- 73 Beeldhouwkunst. Sculptuur --- Beeldhouwkunst. Sculptuur --- 73 Plastic arts --- Plastic arts --- 7 <09> Kunstgeschiedenis. Kunsthistorie --- Kunstgeschiedenis. Kunsthistorie --- Kunstgeschiedenis --- Religieuze kunst --- Beeldhouwkunst --- Middeleeuwen --- sculptuur. --- albasten beelden. --- 1300 - 1650. --- Europa. --- sculptuur --- albasten beelden --- 1300 - 1650 --- Europa