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Painting --- anno 1600-1699 --- Antwerp

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congres / 1999 --- Dyck, van, Anthony --- Willeboirts Bosschaert, Thomas --- Thys, Pieter [sr.] --- Rubens, Peter Paul --- Holbein, Hans [Younger] --- Barok (stijl) --- Baroque (style) --- Renaissance (art) --- Renaissance (kunst) --- Van Dyck, Antoine --- Van Dyck, Antoon --- Painting, Flemish --- Painters --- Peinture flamande --- Peintres --- Biography --- Biographies --- Van Dyck, Anthony, --- Criticism and interpretation --- Congresses. --- hofkunst --- portretten --- Dyck, Anthony van --- Balen, Hendrik van (I) --- Gerbier, Balthazar --- Holbein, Hans (de Jonge) --- Charles I (Koning van Engeland) --- Russell, Francis --- Porters, Olivia --- Bosschaert, Thomas Willeboirts --- Thys, Pieter --- Rembrandt van Rijn --- Lievens, Jan --- 17de eeuw --- Academic collection --- 75 VAN DYCK, ANTOON --- 759.9493 --- 759.04 --- Schilderkunst--VAN DYCK, ANTOON --- Arts Painting Belgium --- Arts Painting 1600 - 1800 --- Van Dyck, Anthony Sir --- -Van Dyck, Anthony Sir --- -Authorship --- 75 VAN DYCK, ANTOON Schilderkunst--VAN DYCK, ANTOON --- Authorship --- Van Dyck, Anthony --- van Dyck, Anthony --- van Balen, Hendrick I --- Rembrandt --- hofkunst. --- portretten. --- van Dyck, Anthony. --- van Balen, Hendrick I. --- Rubens, Peter Paul. --- Gerbier, Balthazar. --- Holbein, Hans (de Jonge). --- Charles I (Koning van Engeland). --- Russell, Francis. --- Porters, Olivia. --- Bosschaert, Thomas Willeboirts. --- Thys, Pieter. --- Rembrandt. --- Lievens, Jan. --- 17de eeuw.

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sculpting --- Architecture --- painting [image-making] --- architecture [discipline] --- Art --- Rubens, Peter Paul --- anno 1600-1699 --- anno 1500-1599 --- Flanders --- Art [Flemish ] --- Art flamand --- Kunst [Vlaamse ] --- Art, Flemish --- 7 <493> --- -Art, Flemish --- Kunst ; architectuur ; Zuidelijke Nederlanden ; 1585-1700 --- Vlaamse kunst ; architectuur ; 16de en 17de eeuw --- 7.035 --- 709.493 --- 709.031 --- 709.032 --- 7.034 --- 75.034 --- stillevens --- landschapsschilderkunst --- portretschilderkunst --- genreschilderkunst --- Janssen Abraham --- Jordaens Jacob --- van Dyck Antoon --- Rubens Peter Pauwel --- renaissance --- zestiende eeuw --- Flemish art --- Architecture, Western (Western countries) --- Building design --- Buildings --- Western architecture (Western countries) --- Building --- Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--België --- Kunstgeschiedenis ; Classicisme. Romantiek. Historicisme. Eclectisme --- Arts Europe Belgium --- Arts 16th century (1500 - 1600) --- Arts Baroque (1600 -1700) --- Design and construction --- 7 <493> Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--België --- Academic collection --- architectuur --- barok --- België --- kunst --- portret --- schilderkunst --- zeventiende eeuw --- 620 Kunst --- Construction --- Art, Modern --- Painting, Flemish --- 16th century --- Flanders (County) --- Art [Modern ] --- 17th-18th centuries --- Architecture, Primitive --- Art - 16th century --- Art, Modern - 17th century --- Architecture - Flanders --- Painting, Flemish - 17th century --- Vlaamse school

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Painting --- Schut, Cornelis --- Schut, Cornelis, --- 7 <06> --- 759.9493 --- 759.04 --- 759.03 --- 7 <06> Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--?<06> --- Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--?<06> --- Arts Painting Belgium --- Arts Painting 1600 - 1800 --- Arts Painting 1400 - 1600 --- Painters --- Peintres --- Biography --- Catalogues raisonnés --- Belgium --- Antwerp (Belgium) --- History --- 17th century

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This collection of essays presents a status quaestionis concerning the dissemination of Flemish and Dutch art during the period 1500-1800, and highlights the role art auctions and dealers have played in this process. Auctions emerged as the primary channel for art sales at the end of the seventeenth century in the Low Countries and started a trent whereby countless local art collections were broken up and sold to the highest bidder. Especially (old master) paintings exchanged hands in great numbers at these public sales, and the finest pieces frequently ended up in foreign holdings. The activities of the professional art dealer form the focus of several essays. These intermediaries played an instrumental role in the commercialization and expansion of the art trade in early modern Europe. They had a profound impact on the history of collecting as they mediated and even influenced taste. Naturally, the role of art dealers changed over time. Therefore, the historians, art historians and economists who contributed to this volume have approached this phenomenon in an interdisciplinary fashion in order to properly understand how art markets functioned. In doing so, these essays explore the various ways in which art dealers helped shape markets for art, and how they facilitated the increasing volume of exports of Netherlandish art from the sixteenth century onwards.

Art auctions --- Art dealers --- Art --- History --- Collectors and collecting --- art market --- auctions --- Marchands d'oeuvres d'art --- Vente aux enchères --- Collectionneurs et collections --- 7.075 Kunsthandel. Kunstbemiddeling. Activiteiten van promotors; managers; producers --- Kunsthandel. Kunstbemiddeling. Activiteiten van promotors; managers; producers --- Vente aux enchères --- Histoire --- 7.075 --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Dealers (Retail trade) --- Auctions --- Collectors and collecting&delete& --- History of the Low Countries --- anno 1500-1799 --- History. --- Netherlands --- Kunst --- Geschiedenis van de Nederlanden --- veilingen --- kunstmarkt --- Art, Primitive --- Art auctions - Netherlands - History --- Art dealers - Netherlands - History --- Art - Collectors and collecting - Netherlands - History --- auctions [sales events] --- Nederlandse school --- Vlaamse school