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Museology --- museology --- Royal Museums of Art and History [Brussels] --- anno 1800-1999
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Royal Museums of Art and History [Brussels] --- Sculpture --- Painting --- retables [altar appendage] --- anno 1400-1499 --- anno 1500-1599 --- Belgium
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Applied arts. Arts and crafts --- lace [needlework] --- Royal Museums of Art and History [Brussels] --- anno 1500-1799 --- anno 1800-1999 --- Belgium
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Legs Homès - Van Schoor : voir [57.829], 36e année (1964), 4e série et 59e année (1989)
Art. --- Belgium --- Muséologie --- Archéologie --- Art --- Museology --- Archeology --- archaeology --- museumwerk --- musea --- Royal Museums of Art and History [Brussels] --- Brussels --- Periodicals. --- Periodicals --- Périodiques --- Musées royaux d'art et d'histoire (Belgium)
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Regional documentation
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Brabant (Prov.)
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Brabant
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Périodiques
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Tijdschriften
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Toerisme
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Tourisme
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Art and history
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Art, Belgian
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Art belge
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Periodicals
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#bsch
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949.32 <05>
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Geschiedenis van België: hertogdom Brabant; provincie Brabant--
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Lace and lace making --- Tulle embroidery --- Crocheting --- Decorative arts --- Fancy work --- Needlework --- Textile industry --- Weaving --- Musées royaux d'art et d'histoire (Belgium) --- Musées royaux du Cinquantenaire (Belgium) --- Musées royaux des arts décoratifs et industriels (Belgium) --- Musée du Cinquantenaire (Belgium) --- Königliche Museen für Kunst und Geschichte (Belgium) --- Brussels. --- Royal Museums of Art and History (Belgium) --- Muzeele Regale de Artă și Istorie (Belgium) --- Koninklijke Musea voor Kunst en Geschiedenis (Belgium) --- Musea voor Kunst en Geschiedenis, Koninklijke --- Museums of Art and History, Royal --- Museen für Kunst und Geschichte, Königliche --- Belgium. --- Buryusseru Ōritsu Bijutsu Rekishi Hakubutsukan --- Korolevskie muzei iskusstva i istorii v Bri︠u︡ssele --- Berugī Ōritsu Bijutsu Rekishi Hakubutsukan --- Musei reali di arte e storia (Belgium) --- MRAH (Musées royaux d'art et d'histoire) --- Exhibitions --- Applied arts. Arts and crafts --- lace [needlework] --- Europe --- Musées royaux d'art et d'histoire --- Koninklijke Musea voor Kunst en Geschiedenis
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Non-fiction --- Neo-Latin literature --- English literature --- French literature --- anno 1600-1699 --- anno 1500-1599 --- 937/938 --- 7.034 --- Geschiedenis van de Klassieke Oudheid --- Kunst van de renaissance; barok; rococo; koloniale stijl --- 7.034 Kunst van de renaissance; barok; rococo; koloniale stijl --- 937/938 Geschiedenis van de Klassieke Oudheid --- humanists [people] --- classics [discipline] --- Arts, Modern --- Civilization, Classical, in art --- History in art --- Modern arts --- Historical art --- Art and history --- neo-Latin [language]
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Stefan Jonsson uses three monumental works of art to build a provocative history of popular revolt: Jacques-Louis David's The Tennis Court Oath (1791), James Ensor's Christ's Entry into Brussels in 1889 (1888), and Alfredo Jaar's They Loved It So Much, the Revolution (1989). Addressing, respectively, the French Revolution of 1789, Belgium's proletarian messianism in the 1880s, and the worldwide rebellions and revolutions of 1968, these canonical images not only depict an alternative view of history but offer a new understanding of the relationship between art and politics and the revolutionary nature of true democracy. Drawing on examples from literature, politics, philosophy, and other works of art, Jonsson carefully constructs his portrait, revealing surprising parallels between the political representation of "the people" in government and their aesthetic representation in painting. Both essentially "frame" the people, Jonsson argues, defining them as elites or masses, responsible citizens or angry mobs. Yet in the aesthetic fantasies of David, Ensor, and Jaar, Jonsson finds a different understanding of democracy-one in which human collectives break the frame and enter the picture.Connecting the achievements and failures of past revolutions to current political issues, Jonsson then situates our present moment in a long historical drama of popular unrest, making his book both a cultural history and a contemporary discussion about the fate of democracy in our globalized world.
History --- Social change --- Community organization --- Art --- David, Jacques-Louis --- Ensor, James --- Jaar, Alfredo --- Europe --- Art and history --- Social classes in art. --- Social movements --- Revolutions --- Art et histoire --- Classes sociales dans l'art --- Mouvements sociaux --- Révolutions --- 922 Sociale geschiedenis --- 620 Kunst --- History, Modern, in art. --- History and art --- History in art --- Movements, Social --- Social history --- Social psychology --- Révolutions --- History, Modern, in art --- Social classes in art --- ART / History / General. --- UmU kursbok
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