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L’Istituto centrale per la grafica e l’Academia Belgica presentano una mostra di disegni e stampe provenienti dalle collezioni pubbliche e private delle maggiori istituzioni culturali del Belgio. La mostra è posta sotto l’Alto Patronato del Presidente della Repubblica Italiana e di Sua Maestà il Re dei Belgi. L’esposizione illustra attraverso materiali grafici la multiforme varietà scenografica del Barocco fiammingo nei secoli XVII e XVIII, alla luce del Barocco romano, cuore e motore della cultura artistica dell’Europa di quei secoli. Nel Museo dell’Istituto centrale per la grafica saranno esposte oltre 100 opere, tra cui fogli di Giovan Lorenzo Bernini, Alessandro Algardi, Pieter Verbruggen, Philipp Schor, Pieter De Jode, e incisioni da invenzioni di Pieter Paul Rubens, Andrea Pozzo, Domenico Fontana, provenienti dalla Biblioteca Reale del Belgio e dal Musée de la Ville di Bruxelles, dal Museum Plantin-Moretus di Anversa e dal Musée des Beaux-Arts di Liegi; da archivi ecclesiastici belgi; dalla Bibliotheca Hertziana di Roma, e una selezione di disegni, stampe, matrici appartenenti alle collezioni dell’Istituto centrale per la grafica. La mostra invita il visitatore a scoprire la ricchezza dell’architettura e della scultura fiamminga attraverso opere grafiche che rivelano l’influenza decisiva della Roma barocca come fonte di ispirazione per gli artisti fiamminghi. Le sezioni tematiche sono dedicate alle scenografie barocche di chiese, con altari, confessionali, pulpiti; al soggiorno romano degli scultori fiamminghi e alle opere di figura; alle celebrazioni religiose e civili e alle feste, con cavalcate, parate, sfilate di carrozze, e alla celebrazione della Morte con catafalchi e monumenti funebri. Il catalogo, con numerosi saggi di studiosi del Barocco internazionale e le schede delle opere esposte, è edito da De Luca Editori d’Arte. L’iniziativa fa parte di un più ampio progetto triennale (2015 – 2017) dal titolo I fiamminghi e l’Italia, finanziato dal Fonds Baillet Latour di Lovanio, teso a sottolineare l’importanza storica del contributo del Belgio allo sviluppo della cultura italiana, e viceversa, con lo scopo di promuovere la ricerca scientifica e le relazioni tra l’Italia e il Belgio. La collaborazione istituzionale tra l’Istituto centrale per la grafica e l’Academia Belgica, centrata sulla formazione, la divulgazione, la museologia della grafica, è nata nell’estate del 2015 in occasione delle iniziative didattiche a cura del servizio educativo nell’ambito della Summer School con lezioni e visite guidate alle collezioni dell’Istituto sul tema Il mercato delle Stampe in Italia e il contributo “fiammingo” XVI – XVII secolo. Durante il periodo della mostra sono previste attività divulgative e didattiche, seminari e conferenze sul Barocco romano e fiammingo.

Sculpture, Baroque --- Drawing --- Sculpture --- design drawings --- anno 1600-1699 --- Exhibitions --- Art, Baroque --- Drawing, Baroque --- Drawing, Belgian --- Drawing, Flemish --- Influence

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Art --- anno 1600-1699 --- Eastern and Central Europe --- Baroque --- Történeti Muzeum (Budapest) --- barok --- schilderkunst --- tekeningen --- grafiek --- beeldhouwkunst --- 17de eeuw --- Centraal-Europa --- sculptuur --- 17de eeuw. --- Centraal-Europa. --- Oost- en Centraal Europa (scholen) --- Art baroque --- Europe centrale

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caricatures --- mismaakte mens --- dwarfs --- groteske fysionomie --- Iconography --- courts [social groups] --- Laer, van, Pieter --- Rubens, Peter Paul --- Steen, Jan --- Carreño de Miranda, Juan --- Molenaer, Jan Miense --- Callot, Jacques --- Ribera, de, Jusepe --- Velázquez, da Silva y, Diego --- Venne, van de, Adriaen Pietersz. --- Art, Baroque - Themes, motives. --- Abnormalities, Human, in art.

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Christian church history --- Iconography --- anno 1600-1699 --- Belgium --- Netherlands --- Art, Baroque --- Catholic Church and art --- Christian art and symbolism --- Art baroque --- Eglise catholique et art --- Art et symbolisme chrétiens --- 7.034.7 --- 7.046.3 --- -Art --- -Art, Dutch. --- Counter-Reformation in art. --- Counter-Reformation --- -Catholic Church and art --- Dutch art --- Anti-Reformation --- Baroque art --- 7.046.3 Iconografie: religieuze voorstellingen --- Iconografie: religieuze voorstellingen --- 7.034.7 Barokkunst --- Barokkunst --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Occidental art --- Visual arts --- Western art (Western countries) --- Art, Dutch --- Counter-Reformation in art --- Ploeg (Group of artists) --- iconography --- Contre-Réforme et art --- Contre-Réforme --- Art, Dutch. --- Christianity and art --- Art et symbolisme chrétiens --- Catholic Church. --- Nieuwe Ploeg (Group of artists) --- iconografie --- contrareformatie

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This is the second volume in the series 'Rubens unveiled,' in which the Rubens Research Project of the Royal Museum of Fine Arts Antwerp shares the fruits of its research with a wider public. It follows a first book on Rubens's painting technique. This second publication explores the physical, spiritual and cultural context of several major Rubens paintings in the Antwerp museum's collection, drawn from four once-prominent houses of worship in the city. The Norbertine Abbey of St. Michael, the Franciscan Church, and the churches of the Calced and the Discalced Carmelites were all suppressed during the French occupation that began in 1794. The book describes the history of these religious institutions and reveals how they looked, inside and out. We learn about the works they owned by Rubens, the patrons who commissioned them, the paintings' original locations, and the other important works of art that adorned the same churches.

Antwerpen, Minderbroedersklooster --- Rubens, Peter Paul --- Sint-Michielskerk [Antwerpen] --- Antwerp --- Christian art and symbolism --- Belgium --- Antwerp (Belgium) --- Modern period, 1500 --- -Art [Baroque ] --- Painting [Baroque ] --- Criticism and interpretation --- Painting, Flemish --- Church decoration and ornament --- Lost architecture --- History --- Rubens, Peter Paul, --- Church history --- Rubens, Petrus Paulus, --- Painting, Flemish - Belgium - Antwerp - 17th century --- Church decoration and ornament - Belgium - Antwerp - History --- Lost architecture - Belgium - Antwerp --- Rubens, Petrus Paulus, - 1577-1640 --- Antwerp (Belgium) - Church history --- kerkelijk kunstbezit