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kleurwaarneming --- kleurgebruik --- Graphic arts --- kleurenfotografie --- druktechnieken --- kleurenmonitoren --- kleurenscanning --- Photography --- Graphics industry --- Colour management
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Optics. Quantum optics --- Aesthetics of art --- kleurenleer --- Kleurenschalen --- Color --- 7.017 --- handboek --- kleur --- kleuratlas --- Chromatics --- Colour --- Atlases --- Chemistry --- Light --- Optics --- Colors --- Thermochromism --- Kleurenschaal
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"Totdat halverwege de negentiende eeuw door technische ontwikkelingen de meerkleurendruk mogelijk werd, werden prenten en kaarten met de hand ingekleurd door verfijnde ambachtslieden, 'const- en caertafsetters' genoemd. 'Afsetters en meester-afsetters' toont hun meesterlijke vakmanschap aan de hand van karakteristieke en fraaie voorbeelden. Dankzij de toevoeging van kleur konden geïllustreerde boeken en atlassen de allure krijgen van pronkstukken. Al in de eerste gedrukte boeken uit de late vijftiende eeuw waren anonieme kleurders aan het werk. Het ambacht ontwikkelde zich tot een kunst in de inventieve natuurverbeeldingen van Maria Sybilla Merian (1647-1717) en het letterlijk schitterende werk van 'meester-afzetter' Dirk Jansz van Santen (1637-1708)."--Back cover.
Book history --- Graphic arts --- hand coloring --- Santen, van, Dirk Jans --- anno 1500-1799 --- anno 1400-1499 --- book history --- 7.017.4 --- 75.017.4 --- 535.6 --- 535.6 Colours and their properties. Colour theory --- Colours and their properties. Colour theory --- 75.017.4 Schilderkunst: kleur; kleurharmonie --- Schilderkunst: kleur; kleurharmonie --- 7.017.4 Esthetica: kleur; kleurharmonie --- Esthetica: kleur; kleurharmonie --- Exhibitions
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-7123-5710-4
Chromolithography --- History. --- Graphic arts --- 655.3.024 --- 763 --- 76 <09> --- 76 <09> Geschiedenis van de grafische kunsten --- Geschiedenis van de grafische kunsten --- 763 Vlakdruktechnieken in de grafische kunsten. Lithografie --- Vlakdruktechnieken in de grafische kunsten. Lithografie --- Colour printing --- Steendruk --- Lithografie --- chromolithography
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In Printing Colour 1400–1700, Ad Stijnman and Elizabeth Savage offer the first handbook of early modern colour printmaking before 1700 (when most such histories begin), creating a new, interdisciplinary paradigm for the history of graphic art. It unveils a corpus of thousands of individual colour prints from across early modern Europe, proposing art historical, bibliographical, technical and scientific contexts for understanding them and their markets.The twenty-three contributions represent the state of research in this still-emerging field. From the first known attempts in the West until the invention of the approach we still use today (blue-red-yellow-black/‘key’, now CMYK), it demonstrates that colour prints were not rare outliers, but essential components of many early modern book, print and visual cultures.
Book history --- color prints [prints] --- Graphics industry --- color printing --- anno 1400-1499 --- anno 1600-1699 --- anno 1500-1599 --- Color prints --- Art and society --- Estampe en couleurs --- Art et société --- History --- History. --- Histoire --- 76.017.4 --- 76 "14/16" --- 655.3.024 --- Grafische kunsten. Grafiek. Prentkunst--Kleur --- Grafische kunsten. Grafiek. Prentkunst--15e-17e eeuw. Periode 1400-1699 --- Colour printing --- 76.017.4 Grafische kunsten. Grafiek. Prentkunst--Kleur --- Color prints, European --- Art et société --- Color prints, European. --- Art --- Art and sociology --- Society and art --- Sociology and art --- Social aspects
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