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Art --- Rubens, Peter Paul --- Rubens, Peter Paul, --- Exposition --- Lille --- Peintres --- Peinture --- Rubens, Pierre Paul --- Rubens, --- Rubens, P. P. --- Rubens, Pierre-Paul, --- Rubens, Pieter Paul, --- Rubens, Pieter-Pauwel, --- Rubens, Pietro Paolo, --- רובנס, פטר פאול, --- Rubens, Pieter Paul --- Rubens --- Rubens, Pierre-Paul --- Rubens, Pieter-Pauwel --- Rubens, Pietro Paolo --- Exhibitions --- Rubens, Peter Paul, - 1577-1640 - Exhibitions --- Rubens, Peter Paul. --- Rubens, Peter Paul, - 1577-1640

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Painted altarpieces form an important and familiar part of Peter Paul Rubens?s substantial oeuvre. Much less widely known is the fact that Rubens?s involvement in such commissions sometimes went beyond the paintings themselves, and that he also designed sculptural framing and decorative surrounds for his patrons. There are several examples of designs by Rubens for sepulchral monuments too.00These altar surrounds and tombs belong to the category of ?architectural sculpture?, comprising the elements of the orders of architecture and their free application on the one hand, and monumental figurative or ornamental sculptural elements on the other. This was a visual language in which Rubens was especially well versed, and he drew on it not only in his paintings but also in his designs for tapestries, title-pages, book illustrations and ephemeral decorations.00Rubens?s designs for architectural sculpture were more than just a natural extension of his own artistic activities: they fulfilled a need in the design practice of the sculptors and architects of the period who executed the works. Hans van Mildert, for example, regularly turned to designs by his friend Rubens. Evidence is found in both Van Mildert?s own work and that of Rubens himself of a design and workshop practice with, at its core, a collection of models that represented the intellectual capital of each of the artists concerned.00The architectural sculpture that Rubens designed is also an expression and application of his personal views on art theory, which centred on the study of sculpture by painters and defined how they ought to render it in their own work. As elsewhere in his oeuvre, Rubens?s inspiration for the visual language he brought to bear in this area was frequently drawn from celebrated examples from antiquity and sixteenth-century Italy.

Rubens, Peter Paul --- Architecture --- Sculpture --- architectural ornament --- Rubens, Peter Paul, --- Architecture-sculpture --- Rubens, Petrus Paulus --- Rubens, --- Rubens, P. P. --- Rubens, Pierre-Paul, --- Rubens, Pieter Paul, --- Rubens, Pieter-Pauwel, --- Rubens, Pietro Paolo, --- רובנס, פטר פאול, --- Rubens, Peter Paul, - 1577-1640 - Catalogues raisonnés --- Architecture-sculpture. --- Rubens, Petrus Paulus, --- Rubens, Peter Paul, - 1577-1640

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"This book draws from both public and private collections to present in full color more than forty of Rubens's oil sketches. Viewers will find in these informal paintings an enchanting intimacy and gain a new appreciation of Rubens's capacity for invention, improvisation, and his special genius for dramatic design and coloristic brilliance." "The authors investigate the role of the oil sketch in Rubens's work, the development of the artist's themes and narratives in his multiple sketches; the history of the appreciation of his oil sketches, and they explore some of the unique aspects of his techniques and materials. By revealing the oil sketches as the most direct record of Rubens's creative process, the book presents Rubens as the greatest and most fluent practitioner of this vibrant and vital medium."--Jacket.

olieverfschetsen --- Rubens, Peter Paul --- Oil sketches --- Rubens, Peter Paul, --- Criticism and interpretation --- Painted sketches --- Artists' preparatory studies --- Painting --- Rubens, Pieter Paul --- Rubens --- Rubens, P. P. --- Rubens, Pierre-Paul --- Rubens, Pieter-Pauwel --- Rubens, Pietro Paolo --- רובנס, פטר פאול, --- Criticism and interpretation. --- Art --- oil sketches --- Rubens, --- Rubens, Pierre-Paul, --- Rubens, Pieter Paul, --- Rubens, Pieter-Pauwel, --- Rubens, Pietro Paolo, --- Rubens, Peter Paul, - 1577-1640 - Criticism and interpretation --- olieverfschetsen. --- Rubens, Peter Paul. --- Rubens, Peter Paul, - 1577-1640

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Drawing --- Rubens, Peter Paul --- Musée du Louvre --- Drawing, Flemish --- Drawing, Belgian --- Dessin flamand --- Dessin belge --- Exhibitions --- Expositions --- Rubens, Peter Paul, --- 741.9493 --- Flemish drawing --- Arts Drawings Belgium --- Rubens, Peter Paul Sir --- Rubens, --- Rubens, P. P. --- Rubens, Pierre-Paul, --- Rubens, Pieter Paul, --- Rubens, Pieter-Pauwel, --- Rubens, Pietro Paolo, --- רובנס, פטר פאול, --- Rubens, Pieter Paul --- Rubens --- Rubens, Pierre-Paul --- Rubens, Pieter-Pauwel --- Rubens, Pietro Paolo --- Exhibitions. --- Drawing, Flemish - 16th century - Exhibitions --- Drawing, Flemish - 17th century - Exhibitions --- Rubens, Peter Paul, - 1577-1640 - Exhibitions --- tekenkunst, Nederlanden --- Vlaamse school --- Rubens, Peter Paul, - 1577-1640

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"Cet ouvrage richement illustré présente une vision inédite des relations entre la peinture baroque flamande et l'art classique français. Pour évoquer le renversement d'influence qui s'opéra au xviie siècle entre ces deux courants, cette publication rassemble de soixante-dix tableaux d'artistes renommés (Rubens, Poussin, Pourbus, Champaigne, les frères Le Nain, Le Brun, La Hyre...), issus de prestigieuses collections privées et de grands musées européens. Les premières années du xviie siècle sont marquées par la forte influence qu'exercent les peintres flamands sur la scène artistique parisienne. Si ces modèles baroques inspirent largement les Français, c'est ensuite à Paris et à Rome que s'élabore le style classique qui, à son tour, séduit les artistes jusque dans les Flandres. Ce catalogue, qui accompagne l'exposition présentée au Musée...Jacquemart-André, témoigne de la richesse des échanges culturels entre les provinces du Nord et la France." P. [4] of cover.

Baroque --- Art styles --- classicism --- Rubens, Peter Paul --- Poussin, Nicolas --- anno 1600-1699 --- schilderkunst --- barok --- classicisme --- Brun, Pierre de --- 17de eeuw --- Vlaanderen --- Frankrijk --- Painting, European --- Rubens, Peter Paul, --- Poussin, Nicolas, --- Exhibitions --- Pusan, Niḳolah, --- Pussen, Nikola, --- Rubens, --- Rubens, P. P. --- Rubens, Pierre-Paul, --- Rubens, Pieter Paul, --- Rubens, Pieter-Pauwel, --- Rubens, Pietro Paolo, --- רובנס, פטר פאול, --- Rubens, Pieter Paul --- Rubens --- Rubens, Pierre-Paul --- Rubens, Pieter-Pauwel --- Rubens, Pietro Paolo --- Painting [Baroque ] --- Flanders (Belgium) --- Classicism in art --- France --- Painting --- History --- 17th century --- Art --- Neoclassical --- anno 1700-1799 --- Painting, European - 17th century - Exhibitions --- Rubens, Peter Paul, - 1577-1640 - Exhibitions --- Poussin, Nicolas, - 1594?-1665 - Exhibitions --- Vlaamse school --- schilderkunst. --- barok. --- classicisme. --- Rubens, Peter Paul. --- Poussin, Nicolas. --- Brun, Pierre de. --- 17de eeuw. --- Vlaanderen. --- Frankrijk. --- Rubens, Peter Paul, - 1577-1640 --- Poussin, Nicolas, - 1594?-1665