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The moral satires of van Havre introduced and translated for the first time. After a long career in the Ghent administration under the reign of the Archdukes, Jean van Havre (1551-1625) made his contribution to the field of literature with a triple satire in which he stigmatized vices and eulogized the virtues leading to 'La citadelle de la vertu'. After the original publication in 1621, van Havre revised and extended the book but it was his Antwerp friend Gaspard Gevaerts who took care of the definitive edition of the text published by Plantin-Moretus in 1627 after van Havre's sudden death. The moral satires of van Havre and his eulogy to his contemporary Burgundius are here introduced and translated for the first time, and compared to the original published text. An appendix dedicated to the correspondence between van Havre and Gevaerts closes this volume.
Neo-Latin literature --- Satire, Latin (Medieval and modern) --- Satire latine médiévale et moderne --- Satire, Latin --- Translations into French --- Academic collection --- Satire latine médiévale et moderne --- neo-Latin [language] --- Satire --- 17th century --- Early works to 1800 --- Satire, Latin (Medieval and modern) - Translations into French --- Satire, Latin - Translations into French
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satire [artistic device] --- Griekse literatuur --- antieke cultuur --- Latijnse literatuur
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Graphic arts --- exhibition catalogs --- satire [artistic device] --- graphic arts --- caricatures
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82-7 --- 017.43 <44> BERES --- 82-7 Humor. Satire --- Humor. Satire --- 82-7 Prose satire. Humour, epigram, parody etc. --- Prose satire. Humour, epigram, parody etc. --- 017.43 <44> BERES Antiquariaatscatalogi. Antiquariaten--Frankrijk--BERES --- Antiquariaatscatalogi. Antiquariaten--Frankrijk--BERES --- Book history --- graphic arts --- book history
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L'épigramme latine Uirgo parens, qui eut - cette étude le montre - un réel succès durant de longs siècles, a aujourd'hui subi un sort bien injuste. Il est donc intéressant de la revisiter et de lui redonner son lustre. C'est à cette tâche que s'emploie Annette Brasseur en établissant l'édition complète de toutes les rédactions connues de l'épigramme, soigneusement replacées dans leur contexte et accompagnées de leur traduction, de commentaires historiques, littéraires, ainsi que d'index exhaustifs. Une réflexion doctrinale très profonde, brillante illustration de la foi en l'unité de Dieu et en la virginité de sa Mère, y est formulée avec beaucoup d'élégance. Tout en rendant palpable la dévotion des premières générations de chrétiens, elle ne peut manquer de retenir l'attention de nos contemporains que les grandes questions traitées dans ce texte n'ont pas fini de tourmenter. La part de mystère qui entoure encore son auteur (Grégoire le Grand, saint Jérôme, un certain Andreas Orator, un anonyme ?) fait le charme de sa lecture et lui donne un goût d'éternité.
Medieval Latin literature --- Epigrams, Latin --- Epigrammes latines --- History and criticism. --- Histoire et critique --- History and criticism --- 871-7 --- Latijnse literatuur: humor; satire --- 871-7 Latijnse literatuur: humor; satire --- Medieval Latin [language] --- epigrams --- Epigrams, Latin - History and criticism --- Maria Deipara
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Drawing --- Sculpture --- Painting --- Graphic arts --- Feininger, Lyonel --- Daumier, Honoré --- Kubin, Alfred --- Klee, Paul --- Ensor, James --- satire --- karikaturen --- grotesken --- historische gebeurtenissen en situaties (spotprent, satire van een historische gebeurtenis) --- historische gebeurtenissen en situaties (spotprent, satire van een historische gebeurtenis). --- karikaturen. --- grotesken. --- Daumier, Honoré. --- Ensor, James. --- Feininger, Lyonel. --- Klee, Paul. --- Kubin, Alfred.
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"This book establishes a fresh and expansive view of the grotesque in Western art and culture, from 1500 to the present day. Following the non-linear evolution of the grotesque, Frances S. Connelly analyzes key works, situating them within their immediate social and cultural contexts, as well as their place in the historical tradition. By taking a long historical view, the book reveals the grotesque to be a complex and continuous tradition comprised of several distinct strands: the ornamental, the carnivalesque and caricatural, the traumatic, and the profound. The book articulates a model for understanding the grotesque as a rupture of cultural boundaries that compromises and contradicts accepted realities. Connelly demonstrates that the grotesque is more than a style, genre, or subject; it is a cultural phenomenon engaging the central concerns of the humanistic debate today. Hybrid, ambivalent, and changeful, the grotesque is a shaping force in the modern era"--
Iconography --- History of civilization --- grotesques --- Grotesque --- Grotesque in art --- 7.04 --- 930.85 --- Aesthetics --- Arabesques --- Burlesque (Literature) --- Caricature --- Comedy --- Satire --- 7.04 Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding --- Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding --- 930.85 Cultuurgeschiedenis. Kultuurgeschiedenis --- Cultuurgeschiedenis. Kultuurgeschiedenis --- westerse visie
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Classical Latin literature
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Documentation and information
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Horace
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Latin poetry
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Poésie latine
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Bibliography
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Catalogs.
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Bibliographie
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Catalogues
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Rijksuniversiteit te Groningen.
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Rome
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Rome dans la littérature
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In literature
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Epistolary poetry, Latin
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Laudatory poetry, Latin
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Verse satire, Latin
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094 HORATIUS FLACCUS, QUINTUS
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017.2 <492> RIEDEL, HENDRIK
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094.2 <492 GRONINGEN>
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-Laudatory poetry, Latin
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-Verse satire, Latin
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-Latin verse satire
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Latin laudatory poetry
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Latin epistolary poetry
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Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora--HORATIUS FLACCUS, QUINTUS
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Catalogi van persoonsbibliotheken--Nederland--RIEDEL, HENDRIK
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Oude drukken: bibliotheekcatalogi--
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Wie er acht op slaat, kan niet anders dan vaststellen: de vos is terug van weggeweest. We ontmoeten de vulpes vulpes op het platteland én in de stad, in de media, in romans, poëzie en kinderboeken. Maar waar komt die fascinatie voor de vos vandaan? Is het zijn wilde schoonheid die blijft fascineren? Of zit zijn grote succes eerder in zijn veelzijdigheid?00In de collectie van de Erfgoedbibliotheek Hendrik Conscience duikt de vos in talloze gedaanten op, van de oudheid tot vandaag. Gefascineerd door vos probeert die vele facetten van het sluwe dier in dertig bijdragen te vangen. Naast de rijke Vlaamse en internationale traditie rond Reynaert verschijnt de vos in zeer uiteenlopende genres: boekillustraties, drukkersmerken, fabels, sprookjes, spreekwoorden, vroegmoderne leerboeken, natuurwetenschappelijke werken, schilderijen, gedichten en satirische kranten. Van de literatuur, beeldhouwkunst, mode en film tot het stijldansen: de vos laat zich op verrassende plekken zien.
Book history --- Thematology --- foxes [animals] --- book history --- Hendrik Conscience Heritage Library [Antwerp] --- 094:59 --- 76.042 --- 09 <082> --- 09 <082> Handschriften. Oude en merkwaardige drukken. Curiosa--Feestbundels. Festschriften --- Handschriften. Oude en merkwaardige drukken. Curiosa--Feestbundels. Festschriften --- 76.042 Iconografie: dieren; fabeldieren in de prentkunst --- Iconografie: dieren; fabeldieren in de prentkunst --- 094:59 Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Zoologie. Dierkunde --- Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Zoologie. Dierkunde --- Erfgoedbibliotheek Hendrik Conscience. --- dieren. --- fabels. --- educatie. --- iconografie. --- satire. --- aasdieren, roofdieren: vos. --- De La Fontaine, Jean. --- Poels, Albert. --- Cats, Jacob. --- Streuvels, Stijn. --- Broucke, Koen. --- von Goethe, Johann Wolfgang. --- Erfgoedbibliotheek Hendrik Conscience --- dieren --- fabels --- educatie --- iconografie --- satire --- aasdieren, roofdieren: vos --- De La Fontaine, Jean --- Poels, Albert --- Cats, Jacob --- Streuvels, Stijn --- Broucke, Koen --- von Goethe, Johann Wolfgang
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From Leonardo’s drawings of grotesque heads to contemporary prints lampooning American political figures, the Metropolitan Museum has a vast and largely unknown collection of caricatures and other satirical works. This volume, the first to feature that collection, offers 160 such examples dating from about 1500 to the present— many of them previously unpublished—that reflect the age-old tradition of employing exaggeration and humor to convey personal, social, or political meaning. Stressing the continuity of certain artistic approaches, it examines the development of the genre across a broad expanse of centuries. The basic visual components of caricature are discussed and illustrated, as are themes such as physical types, people as animals or objects, social satire (food, fashion, and foreigners), and politics (British, French, and American). Artists as diverse as Pieter Bruegel the Elder, Gian Lorenzo Bernini, William Hogarth, Thomas Rowlandson, Francisco de Goya, Eugène Delacroix, Honoré Daumier, and David Levine contribute their distinctive talents to this fascinating—and very amusing—compilation.
Drawing --- caricatures --- Graphic arts --- satire [artistic device] --- Metropolitan Museum of Art [New York, N.Y.] --- 741.5 --- 76.041 --- Spotprenten. Karikaturen. Cartoons. Striptekeningen. Satirische tekeningen --- Iconografie: de mens; portret; handeling; genre in de prentkunst --- 76.041 Iconografie: de mens; portret; handeling; genre in de prentkunst --- 741.5 Spotprenten. Karikaturen. Cartoons. Striptekeningen. Satirische tekeningen --- Caricatures and cartoons --- Cartoons --- Humorous illustrations --- Illustrations, Humorous --- Pictures, Humorous --- Pictures --- Caricature --- Wit and humor, Pictorial --- Metropolitan Museum of Art (New York, N.Y.) --- Museo Metropolitano de Arte de Nueva York --- Muzeĭ Metropoliten (New York, N.Y.) --- New York (City). --- New York (N.Y.). --- Khudozhestvennyĭ muzeĭ Metropoliten (New York, N.Y.) --- Metropolitan Museum of Arts di New York --- Metoroporitan Bijutsukan (New York, N.Y.) --- MMA --- Miguk Met'ŭrop'ollit'an Misulgwan --- 미국 메트로 폴리탄 미술관 --- The Met --- karikaturen --- beeldverhalen
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