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History of Germany and Austria --- History of Belgium and Luxembourg --- anno 1700-1799 --- Cabinet officers --- Ministres --- Correspondence --- Indexes --- Correspondance --- Index --- Starhemberg, Georg Adam von, --- Belgium --- Brussels (Belgium) --- Austria --- Vienna (Austria) --- Belgique --- Bruxelles (Belgique) --- Autriche --- Vienne (Autriche) --- History --- Sources --- Relations --- Histoire --- Relations extérieures --- 930.25 <493> --- Archiefwetenschap. Archivistiek--België --- 930.25 <493> Archiefwetenschap. Archivistiek--België --- Sources. --- Relations extérieures

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Museums --- Museums and community. --- Musées --- Relations musée-collectivité --- Collection management. --- History --- Social aspects. --- Gestion des collections --- Histoire --- Aspect social --- museology --- Museology --- anno 2000-2099 --- Musées --- Relations musée-collectivité --- museologie --- 21ste eeuw --- museologie. --- 21ste eeuw.

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"No museum in the world is like the Metropolitan Museum of Art - and no man has ever run it, or revolutionized it, quite like Thomas Hoving. In a decade, Hoving changed almost everything people had grown accustomed to from the Met, shaking the institution out of royal repose and transforming it into the most vital cultural presence in the country. Now, the irrepressible former director delivers a fearless account of his life at the pinnacle of the art world - a modern Vanity Fair, a true story of masterpieces and money, society and scandal, intrigue and international theft." "The Met is more than a dazzling art showplace. The museum is a vibrant if quietly influential community, inhabited and run by singular sorts of people: trustees and curators, connoisseurs and conservators. It is steeped in history and tradition and seems to move in a serene and elegant world of impeccable manners and the finest taste." "Behind the proper social veneers and pristine marble galleries, Hoving reveals the cutthroat precincts where the real business of the Met is carried out. From seducing important patrons like Robert Lehman, Nelson Rockefeller, Walter Annenberg, and Brooke Astor to spiriting ancient treasures across international borders; from striking secret agreements with the world's most powerful dealers to sidestepping rivals; from securing blockbuster exhibitions, like "Tut" and "The Glory of Russian Costume," to seizing the most phenomenal Velazquez portrait, Hoving shares not only the nimbleness and brashness that made him so effective, but also the zeal and passion that made the Met so exciting." "Making the Mummies Dance is told in the head-on, even naughty, way that is trademark Hoving. This is an important, shocking museum story and more - an unforgettable tale of power struggles and one-upmanship, fame, big money, and, of course, great art."--Jacket.

kunst --- musea --- museologie --- 069 --- 7.078 --- verzamelingen --- collecties --- Metropolitan museum of art --- Verenigde Staten --- New York --- Art museum directors --- Directors of art museums --- Art museums --- Museum directors --- Employees --- Hoving, Thomas, --- Hoving, Thomas Pearsall Field, --- Metropolitan Museum of Art (New York, N.Y.) --- Museo Metropolitano de Arte de Nueva York --- Muzeĭ Metropoliten (New York, N.Y.) --- New York (City). --- New York (N.Y.). --- Khudozhestvennyĭ muzeĭ Metropoliten (New York, N.Y.) --- Metropolitan Museum of Arts di New York --- Metoroporitan Bijutsukan (New York, N.Y.) --- MMA --- Miguk Met'ŭrop'ollit'an Misulgwan --- 미국 메트로 폴리탄 미술관 --- Management. --- 069. --- 7.078. --- Metropolitan museum of art. --- New York. --- Verenigde Staten. --- collecties. --- kunst. --- musea. --- museologie. --- verzamelingen. --- The Met

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Au cours des 25 dernières années, le Fonds du Patrimoine de la Fondation Roi Baudouin a rassemblé des milliers d’œuvres qui, chacune à leur manière, ont une importance pour notre patrimoine. Ces œuvres, de toutes les périodes et de tout genre, véritables d’ambassadrices de notre histoire, ont été mise en dépôt dans une vingtaine d’institutions publiques partout dans le pays. Pour fêter cet événement le Fonds publie un florilège de sa collection. Pour une trentaine d’œuvres, il a été fait appel à un expert, un conservateur, un amateur d’art ou un mécène qui a participé à son sauvetage. Ainsi la parole est donnée à tous ceux et celles qui nous permettent de remplir notre mission, mais qui opèrent souvent en toute discrétion. Ils présentent leur point de vue personnel et s’étendent sur l’œuvre concernée à partir leur propre vécu.

tangible cultural heritage --- collections [object groupings] --- acquisition --- King Baudouin Foundation [Brussels] --- Belgium --- Sociology of culture --- acquisition [collections management] --- Patrimoine --- Mobilier d'architecte --- Métier d'art