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Antiquities. --- Archaeology. --- Europe --- Archaeology --- Archeology --- Flanders --- Archéologie --- Vlaanderen --- Revue, histoire --- Periodicals --- Arts and Humanities --- History

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Dessin --- Collections privées --- Catalogues d'exposition. --- Drawing --- 16th century --- Flanders (Belgium) --- Exhibitions --- 17th century --- Drawing, Flemish --- Drawing, Dutch

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History of the law --- anno 1500-1799 --- Flanders --- Baillis --- History --- Histoire --- Flanders (Belgium) --- Flandre (Belgique) --- Bailiffs --- Criminal law --- Politics and government --- Droit pénal --- Flandre (Comté) --- Politique et gouvernement --- 34 <09> <493> --- Rechtsgeschiedenis --(algemeen)--België --- 34 <09> <493> Rechtsgeschiedenis --(algemeen)--België --- Flandre --- Courts --- Crime --- Crimes and misdemeanors --- Criminals --- Law, Criminal --- Penal codes --- Penal law --- Pleas of the crown --- Public law --- Criminal justice, Administration of --- Criminal procedure --- Officials and employees --- Law and legislation --- Legal status, laws, etc. --- Belgium --- 17th century --- 18th century --- Netherlands [Southern ] --- 16th century --- Flanders (County) --- Baljuws Vlaanderen --- Criminal law - Belgium - History - 16th century --- Criminal law - Belgium - History - 17th century --- Bailiffs - Flanders - History - 16th century --- Bailiffs - Flanders - History - 17th century --- Flanders - Politics and government - 16th century --- Flanders - Politics and government - 17th century

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Français - Nederlands. 34 H

Archeology --- Flanders --- Archeologie --- Archéologie --- Périodiques --- Tijdschriften --- Belgium --- Belgique --- Antiquities --- Antiquités --- Histoire --- Revue, histoire --- Antiquités --- Vlaanderen --- Archaeology --- Arts and Humanities --- History --- Antiquities. --- Archaeology.

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Jan Cox (1919-1980) was born in The Hague and spent his youth in Amsterdam. Shortly before World War II, he moved to Antwerp with his parents and his brother, the composer Harry Cox, and studied History of Art at the State University of Ghent. After the war he settled down in Brussels to become a co-founder of the Jeune Peinture Belge (Young Belgian Painting). He had contacts with the members of Cobra and became close friends with Hugo Claus and Pierre Alechinsky. In 1956 Jan Cox left for the USA where he was appointed Head of the Painting Department at the School of the Museum of Fine Arts in Boston. In 1974 he returned to Belgium and found a new home in the circle of the Gallery De Zwarte Panter (The Black Panther) in Antwerp. Jan Cox thought of his artistic calling as an artistic and a humanist project. His painting has a strong surreal and magical bias but he also created imposing expressionist images. He liked classical themes: the myth of Orpheus, Homer's Iliad, Judith and Holofernes, the Calvary. Jan Cox managed to merge autobiographical elements with the universal problems of human existence. His paintings invite the beholder to reflect on the human condition, hope and the terrors of the modern world.

Belgique --- Cox, Jan --- Peintres --- Peinture --- 75.071 --- Jan Cox --- schilderkunst --- schilders --- 759.94931 --- 759.06 --- Arts Painting Belgium Flanders --- Arts Painting 1900 --- -Exhibitions --- kunst --- twintigste eeuw --- België --- 75.071 COX --- Homerus --- Jeune Peinture Belge --- Ilias --- oudheid --- grafiek --- schidlerkunst --- Cox Jan --- Exhibitions --- -Arts Painting Belgium Flanders --- Cox, Jan, --- Criticism and interpretation. --- Criticism and interpretation --- 75.071(493) --- Belgische schilders