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Art --- emotion --- passion [emotion] --- art [fine art] --- Exhibitions --- passies, emoties, affecties --- religie en magie --- politiek --- erotiek --- menselijk lichaam --- passies, emoties, affecties. --- religie en magie. --- politiek. --- erotiek. --- menselijk lichaam. --- art [discipline]
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Art --- art [fine art] --- dance [discipline] --- music [performing arts] --- emotion --- love [emotion] --- sexuality --- iconography --- sports --- drugs --- Bacchus [Mythological character] --- extase, vervoering, verrukking --- passies, emoties, affecties --- iconografie --- dansen --- muziek --- beeldende kunsten --- extase, vervoering, verrukking. --- passies, emoties, affecties. --- iconografie. --- dansen. --- muziek. --- beeldende kunsten. --- art [discipline] --- dance [performing arts genre] --- music [performing arts genre] --- extase --- Ecstasy in art --- Ecstasy --- Ecstatic dance --- Emotions in music --- Arts
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Art --- drawings [visual works] --- sculpture [visual works] --- emotion --- pain [sensation] --- human figures [visual works] --- Beuys, Joseph --- Lehmbruck, Wilhelm --- beeldhouwkunst --- passies, emoties, affecties --- documenta (Kassel) --- Steiner, Rudolf --- sculptuur. --- passies, emoties, affecties. --- documenta (Kassel). --- Beuys, Joseph. --- Lehmbruck, Wilhelm. --- Steiner, Rudolf. --- sculptuur
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History --- art theory --- passion [emotion] --- emotion --- Art --- Brun, le, Charles --- emoties --- Le Brun, Charles --- 17de eeuw --- 18de eeuw --- Drawing --- Emotions in art. --- Early works to 1800. --- Technique. --- Emotions in art --- -Drawing --- -Drawings --- Sketching --- Graphic arts --- Illustration of books --- Manual training --- Technique --- Early works to 1800 --- Brun, Charles Le --- -Technique --- Drawings --- Le Brun, Charles, --- passies, emoties, affecties --- passies, emoties, affecties. --- Le Brun, Charles. --- 17de eeuw. --- 18de eeuw.
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Graphic arts --- love --- prints [visual works] --- Metamorfosen (Ovidius) --- Cupid --- Psyche --- Wallraf-Richartz-Museum & Fondation Corboud --- Wallraf-Richartz-Museum & Fondation Corboud (Keulen)-Graphische Kabinett --- grafiek --- mythologie --- Liefde --- Amor --- love [emotion] --- Psyche [Mythological character] --- Cupid [Mythological character] --- liefde --- Wallraf-Richartz-Museum & Fondation Corboud (Keulen)-Graphische Kabinett. --- mythologie. --- liefde. --- Amor. --- Psyche.
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self-portraits --- love --- mothers --- sepulchral monuments --- wars --- Graphic arts --- sculpture [visual work] --- prints [visual works] --- children [people by age group] --- Sculpture --- Tweede Wereldoorlog --- preparatory studies --- catalogues raisonnés --- suffering --- Eerste Wereldoorlog --- drawings [visual works] --- Kollwitz, Käthe --- love [emotion] --- sculpture [visual works] --- beeldhouwwerken --- techniek --- pietàs --- sculpturen --- sculpturen. --- techniek. --- Kollwitz, Käthe. --- dood --- oorlogstrauma (kunst)
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With prestigious loans from the National Gallery London, the Prado Museum and the Louvre among others, the exhibition Blood & Tears. Albrecht Bouts and the Image of the Passion brings together for the first time exceptional works from the late 15th and early 16th centuries. Albrecht Bouts (1451/55-1549) is the son of Dirk Bouts (ca. 1415-1475), a renowned Early Netherlandish painter with a pan-European reputation. He takes over his father's workshop in 1475 and runs it until his death in 1549. Albrecht specializes in portraits of Christ, the Holy Virgin and Saint John the Baptist for contemplation. This movement, known as Devotio Moderna, encourages the faithful to pray in private in front of devotional images to stimulate empathy. In order to satisfy a growing demand for such images, Albrecht Bout's workshop expands into a large enterprise, producing paintings in great number. While some are based on famous prototypes by Dirk Bouts, Albrecht creates a number of successful new compositions. Exhibition: Musée National d'Histoire et d'Art, Luxembourg City, Luxemburg (07.10.2016-12.02.2017) / Suermondt-Ludwig-Museum, Aachen, Germany (08.03.-11.06.2017).
Man van Smarten --- Sculpture --- Painting --- iconography --- passion [emotion] --- Iconography --- Bouts, Albrecht --- Exhibitions --- Plastik --- Devotio moderna --- Passionsdarstellung --- Schmerzensmutter --- Malerei --- Bouts, Aelbrecht --- religieuze kunst --- oude meesters --- Bouts, Dieric --- Johannes de Doper --- 15de eeuw --- 16de eeuw --- Bouts, Albrecht, --- Plastik. --- Malerei. --- religieuze kunst. --- oude meesters. --- Bouts, Albrecht. --- Bouts, Dieric. --- Johannes de Doper. --- 15de eeuw. --- 16de eeuw. --- Bouts, Albert
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iconography --- thema's in de kunst --- Iconography --- Liefde --- Petrarca, Francesco --- 15de eeuw --- 16de eeuw --- 17de eeuw --- 18de eeuw --- 19de eeuw --- 20ste eeuw --- 21ste eeuw --- love --- allegory [artistic device] --- love [emotion] --- liefde --- liefde. --- Petrarca, Francesco. --- 15de eeuw. --- 16de eeuw. --- 17de eeuw. --- 18de eeuw. --- 19de eeuw. --- 20ste eeuw. --- 21ste eeuw. --- cultuurgeschiedenis
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Some artworks do something to you. They leave you feeling bereft, give you new insights, offer a new way of seeing things, make you happy, hopeful or despairing. This was true in the past, and it remains true today. It is this universal experience that art brings about that is the subject of the exhibition 'Encounters/Ontmoetingen'. KMSKA-curator Paul Vandenbroeck has selected a hundred works from all over the world, from early antiquity to the present day, by well-known and lesser-known artists, from paintings and sculptures to video, installations and textiles. 'Encounters/Ontmoetingen' is not a conventional exhibition. You need no prior knowledge before you walk in. On the contrary, the most important thing is to enter the MAS without preconceptions, and let the art speak for itself. The works are not exhibited according to traditional categories, but grouped into intuitive clusters: sometimes on the basis of aesthetic conventions, sometimes on the basis of a tension between works of diverse origins. The exhibition starts from the notion that art, separately from any idea, thought or belief, has the capacity to touch you, even if you have no idea who the artist is and where the work comes from. To keep the experience pure, there is no text or explanation accompanying the exhibits. All you get as a spectator is the names of the works and the artists. Exhibition: MAS Museum aan de Stroom, Antwerp, Belgium (19.05.-20.08.2017).
art [fine art] --- Affective and dynamic functions --- emotion --- Art --- Exhibitions --- human figures [visual works] --- art theory --- bodies [human and animal components] --- form [composition concepts] --- perception --- Philosophy --- Psychological aspects --- MAD-faculty 17 --- kunst en lichaam --- kunst en cultuur --- bodies [animal components] --- Histoire de l'art --- Esthétique --- Analyse de l'art --- Philosophie de l'art --- art [discipline] --- kunstfilosofie --- kunststromingen --- symbolen --- kunstbeleving
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Rome omstreeks 1600: de kosmopolitische arena van oude adel, eerzuchtige geestelijken, geniale kunstenaars en briljante geleerden, maar ook een stad van list en bedrog, straatvechters en prostituees. Kortom, het toneel van de barok. Hoofdrolspelers op het artistieke podium waren de schilder Caravaggio en de beeldhouwer Bernini. Zij vertegenwoordigen het nieuwe kunstzinnige elan dat Rome liet uitgroeien tot het zinderende culturele hart van Europa. Ze staan voor de intensieve wisselwerking tussen schilders en beeldhouwers, en voor een nieuwe kunst die zich meer dan ooit richtte op het uitbeelden en oproepen van affetti, menselijke emoties. Een kunst van beweging en schijnbeweging, van drama en klassieke reserve, van scherts, schoonheid en afschuw. Deze publicatie bevat verhelderende essays van internationale barokspecialisten en toont de vele meesterwerken van Caravaggio, Bernini en hun tijdgenoten in volle glorie.
Sculpture --- Painting --- painting [image-making] --- emotion --- Baroque --- Caravaggio --- Bernini, Giovanni Lorenzo --- anno 1600-1699 --- Rome --- barok --- passies, emoties, affecties --- Bernini, Gian Lorenzo --- 17de eeuw --- Art baroque --- Art --- Caravaggio, Michelangelo Merisi da, --- Bernini, Giovanni Lorenzo, --- Catalogs. --- barok. --- passies, emoties, affecties. --- Caravaggio. --- Bernini, Gian Lorenzo. --- 17de eeuw. --- Rome. --- beeldhouwkunst, barok
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