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The beeldenstorm, or the Iconoclastic Fury, that raged throughout the Low Countries in 1566 is a key concept in Netherlandish history. This popular uprising, which was partially grafted on Protestant ideas, has traditionally and unquestioningly been considered a turning point in the history of the Low Countries. It is all the more striking, therefore, that this occurrence has received scant attention in art history and that there has been little interest in the development of painting just after the beeldenstorm and before the advent of the great Baroque masters.Featuring previously unpublished materials, "Antwerp Art after Iconoclasm" investigates how the esteemed painters of the period - including Adriaen Thomasz Key, Maarten de Vos, Frans Pourbus the Elder, and Michiel Coxcie - sought a new visual idiom. This study explains why this period of Netherlandish history should be considered an important turning point in the broader context of art history. It demonstrates that the era's paintings represent a subtle but nonetheless important reinterpretation of the traditional, religious iconography and style, which served as the starting point of Netherlandish Baroque style.

History of Antwerp --- Art --- anno 1500-1599 --- History of civilization --- Painting, Flemish --- Counter-Reformation in art. --- Peinture flamande --- Contre-Réforme dans l'art --- Peinture --- Iconoclasme --- Contre-Réforme dans l'art --- Counter-Reformation in art --- Painting, Netherlandish --- Netherlandish painting --- Flemish painting --- beeldenstorm --- geschiedenis --- cultuurgeschiedenis --- religieuze geschiedenis --- christelijke iconografie --- 1566 - 1585 --- 16de eeuw --- Antwerpen --- Zuidelijke Nederlanden --- Painting, Netherlandish. --- Contre-Réforme dans l'art. --- Painting, Flemish. --- 1500-1599. --- Belgium

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Christian religion --- Iconography --- History of civilization --- Greco, el --- Barocci, Federico --- Caravaggio, da, Michelangelo M. --- Tintoretto --- Titian --- Michelangelo --- christelijke kunst --- renaissance --- religieuze geschiedenis --- contrareformatie --- Titiaan --- El Greco --- Caravaggio --- 16de eeuw --- Painting, Renaissance. --- Christian art and symbolism --- -Counter-Reformation in art. --- 246 "15/17" --- 75.034 --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Religious art, Christian --- Sacred art --- Symbolism and Christian art --- Art --- Symbolism --- Christian antiquities --- Church decoration and ornament --- Paintings, Renaissance --- Renaissance painting --- Christelijke kunst en symbolisme--Nieuwe Tijd --- Schilderkunst van de renaissance; barok; rococo --- 75.034 Schilderkunst van de renaissance; barok; rococo --- Counter-Reformation in art --- Painting, Renaissance --- Religious art --- Symbolism in art --- renaissance (historisch tijdvak, doorheen de 16e eeuw) --- Buonarroti, Michelangelo --- christelijke kunst. --- religieuze geschiedenis. --- contrareformatie. --- Titiaan. --- Tintoretto. --- Barocci, Federico. --- El Greco. --- Caravaggio. --- Michelangelo. --- 16de eeuw.

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Baroque --- Christian religious orders --- Art styles --- Art --- Society of Jesus --- anno 1600-1699 --- Contra-reformatie in de kunst --- Contre-réforme dans l'art --- Counter-Reformation in art --- Jezuïtenorde --- religieuze kunst --- barok --- 16de eeuw --- 17de eeuw --- Jesuit painting --- Painting, European --- Painting, Baroque --- 271.5-7 --- Jezuïeten: liturgie en spiritualiteit --- 271.5-7 Jezuïeten: liturgie en spiritualiteit --- Baroque painting --- Paintings, Baroque --- Jesuit art --- Painting --- Painting [Baroque ] --- Europe --- Exhibitions --- Painting [European ] --- 17th century --- Jesuit painting - Europe --- Painting, European - 17th century - Exhibitions --- Painting, Baroque - Europe - Exhibitions --- Jésuites --- Art baroque --- Saints --- Iconographie --- 16de eeuw. --- 17de eeuw. --- Christelijke kunst --- religieuze propaganda

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Richard Verstegan is the usual English name of a man who went through early life as Richard Rowlands, before reverting to his ancestral Dutch surname in exile. Born in Mid-Tudor London around 1550 and dying in the Baroque Antwerp of 1640, his ninety-odd years of life saw numerous religious, political and military conflicts, in some of which he was a minor player and on almost all of which he commented in his writings. After studying at Oxford without taking a degree, training as a goldsmith and illegally printing a Catholic book, he fled to France, where he worked as a propagandist for the faction of the Duke of Guise. Imprisoned in France for these activities, he fled to Rome, and eventually settled in Antwerp, where he worked for almost fifty years as, variously, a newswriter, engraver, publisher, editor, translator, polemicist, antiquarian, cloth merchant, poet and satirist. He is one of the earliest identifiable European newspaper journalists, having worked on Abraham Verhoeven's Nieuwe Tijdinghen (Antwerp, 1620-1629). (kaft)

History of Antwerp --- Verstegan, Richard --- Counter-Reformation --- Church history --- Contre-Réforme --- Eglise --- Histoire --- Verstegan, Richard, --- Antwerp (Belgium) --- Anvers (Belgique) --- Hstoire religieuse --- reformatie --- journalistiek --- poëzie --- Antwerpen --- Netherlands --- History --- 940.22 --- Academic collection --- Geschiedenis van Europa: Reformatie--(1517-1555) --- 940.22 Geschiedenis van Europa: Reformatie--(1517-1555) --- Contre-Réforme --- Anti-Reformation --- Church renewal --- Reformation --- B., I., --- B., J., --- I. B., --- J. B., --- R. U. --- R. V. --- Rowlands, Richard, --- RU --- RV --- U., R. --- V., R. --- Verstegen, Richard, --- Anṿerśah (Belgium) --- Anṭṿerpen (Belgium) --- Antwerpen (Belgium) --- Antuerpia (Belgium) --- Anvers (Belgium) --- Anversa (Belgium) --- Antwerpia (Belgium) --- Anwerpia (Belgium) --- Andowerpia (Belgium) --- Amberes (Belgium) --- Antverpia (Belgium) --- Ambivaritum (Belgium) --- Anderpus (Belgium) --- Andevorpum (Belgium) --- Andoverpis (Belgium) --- Andoverpum (Belgium) --- Antwerpha (Belgium) --- Antwerpium (Belgium) --- Antwerpo (Belgium) --- Antwerpum (Belgium) --- Handoverpia (Belgium) --- Andwerpa (Belgium) --- Antverpis (Belgium) --- Antverpo (Belgium) --- Antverpum (Belgium) --- printers [people] --- publishers --- Contre-réforme --- Pays-Bas --- אנטווערפען --- Church history. --- booksellers --- pers, journalistiek --- Counter-Reformation - Netherlands --- Verstegan, Richard, - ca. 1550-1640 --- Netherlands - History - 1556-1648 --- Antwerp (Belgium) - History - 16th century --- Antwerp (Belgium) - History - 17th century --- reformatie. --- pers, journalistiek. --- poëzie. --- Verstegan, Richard. --- Antwerpen. --- politieke geschiedenis --- booksellers [people]

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Painting --- Christian religion --- Reformation --- Roman Catholicism --- History of the Low Countries --- istoria --- anno 1600-1699 --- Netherlands --- Christianity and art --- Counter-Reformation --- Church decoration and ornament --- Painting, Dutch --- Christianisme et art --- Contre-Réforme --- Eglises --- Peinture hollandaise --- Catholic Church --- History --- Eglise catholique --- Histoire --- Décoration et ornement --- religieuze kunst --- katholicisme --- protestantisme --- contrareformatie --- Bloemaert, Abraham --- Grebber, Pieter Fransz. de --- Wit, Jacob de --- 17de eeuw --- 18de eeuw --- Noordelijke Nederlanden --- Contre-Réforme --- Décoration et ornement --- Anti-Reformation --- Church history --- Church renewal --- Church ornament --- Ecclesiastical decoration and ornament --- Decoration and ornament --- Interior decoration --- Religious articles --- Christian art and symbolism --- Art and Christianity --- Art --- de Wit, Jacob --- de Grebber, Pieter Fransz. --- istoria [critical concept] --- Hollandse school --- religieuze kunst. --- katholicisme. --- protestantisme. --- contrareformatie. --- Bloemaert, Abraham. --- de Wit, Jacob. --- 17de eeuw. --- 18de eeuw. --- Noordelijke Nederlanden.