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Lemonnier, Camille --- Zola, Émile --- Gavroche --- Flaubert, Gustave --- Baudelaire, Charles
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iconografie --- vogels --- Rembrandt --- Vondel, Joost van den --- Flaubert, Gustave
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Drawing --- Painting --- drawings [visual works] --- watercolors [paintings] --- easel paintings [paintings by form] --- Cézanne, Paul --- Delacroix, Eugène --- Flaubert, Gustave --- Cézanne, Paul. --- Delacroix, Eugène. --- Flaubert, Gustave.
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« C'était à Mégara, faubourg de Carthage, dans les jardins d'Hamilcar. » La première phrase de Salammbô, roman de Gustave Flaubert publié en 1862, a marqué pour des générations de lecteurs le début d'une expérience unique. Dans une tentative démiurgique de restituer la cité perdue, l'écrivain met en scène les passions humaines et donne naissance à un tourbillon d'images et de sensations qui déchaîneront l'imaginaire des artistes de la fin du XIXe siècle jusqu'à nos jours. Peintres, sculpteurs, photographes, musiciens, cinéastes, auteurs de bande dessinée : tous s'emparent de Salammbô pour transposer les mots que Flaubert ne voulait pourtant pas voir illustrés. A l'occasion du bicentenaire de la naissance de l'écrivain, cet ouvrage et l'exposition qu'il accompagne entreprennent de révéler la portée considérable de ce chef-d'œuvre de la littérature moderne et son héritage dans l'histoire de la Méditerranée.
Fouilles archéologiques --- Flaubert, Gustave (1821-1880). --- Carthage (Tunisie) --- Exhibitions --- Flaubert, Gustave --- Performing arts and literature --- Art and literature --- Flaubert, Gustave, --- Carthage (Extinct city) --- oudheid --- literatuur --- Salons (Parijs) --- kunsten --- film --- muziek --- iconografie --- fictieve personages --- archeologie --- Salammbô --- Tunesië --- Orientalisme --- geschiedenis en archeologie --- oudheid. --- literatuur. --- Salons (Parijs). --- kunsten. --- film. --- muziek. --- iconografie. --- fictieve personages. --- geschiedenis en archeologie. --- Flaubert, Gustave. --- Salammbô. --- Tunesië.
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Isgró, Emilio --- Colet, Louise --- Bouilhet, Louis --- Flaubert, Gustave --- 20ste eeuw --- Italië
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literatuur --- tekeningen --- Le Breton, André --- Flaubert, Gustave --- De Maupassant, Guy --- Huysmans, Camille --- Verlaine, Paul --- Rops, Félicien
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Literature --- 82:316 --- #SBIB:309H515 --- #SBIB:316.7C213 --- sociologie, cultuur --- Literatuursociologie --- Literatuurwetenschap, literatuursociologie --- Cultuursociologie: letterkunde, literatuur --- 82:316 Literatuursociologie --- geschiedenis --- literatuur --- cultuurgeschiedenis --- sociale geschiedenis --- Flaubert, Gustave --- Baudelaire, Charles --- geschiedenis. --- literatuur. --- cultuurgeschiedenis. --- sociale geschiedenis. --- Flaubert, Gustave. --- Baudelaire, Charles.
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Société des Artistes Français (Parijs) --- musée départemental Anne-de-Beaujeu (Moulins) --- historiestukken --- symbolisme --- literatuur --- wagnerisme --- Rochegrosse, Georges-Antoine --- Banville, Théodore de --- Flaubert, Gustave
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"Manet, Flaubert, and the Emergence of Modernism weaves together art history and literary criticism in a joint study of the canonical "fathers" of modernism. In this work, Arden Reed contests the Greenbergian view that equates modernism with purity of formal means. Modernism, he argues, is a matter of genre bending and hybridization, as well as movements between text and image. Focusing on key works by Manet and Flaubert, Reed articulates a novel understanding of the cultural imagination of early modernism. He shows how Manet and Flaubert actively mix and contaminate their work: Flaubert with images, Manet with narration. Moreover, Reed extends the argument another hundred years, to the late 1960s, claiming we cannot understand twentieth-century modernism so long as we remain locked within single disciplines."--Jacket.
Aesthetics --- Manet, Edouard --- Flaubert, Gustave --- anno 1800-1899 --- France --- modernisme --- 19de eeuw --- Frankrijk --- Manet, Édouard --- Ut pictura poesis (Aesthetics) --- Modernism (Aesthetics) --- Manet, Édouard --- Manet, Édouard, --- Flaubert, Gustave, --- Criticism and interpretation. --- Art and literature --- Humanism in art --- Flaubert, Gustaw, --- Flober, Gi︠u︡stav, --- Fu-lou-pai, --- Fu, Lou-pai, --- Fu-lou-pai, Chü-ssu-tʻa fu, --- Fuloubai, --- Phlōmper, Gkystav, --- Phlōmper, Goustauos, --- Флобер, Гюстав, --- פלאבער, ג. --- פלאבער, גוסטאוו, --- פלובר, גוסטאב --- 福樓拜, --- Flūbir, Gūstāv, --- Flūbir, Gūstāw, --- فلوبر، گوستاو --- Manė, Eduard --- Manet, Éduard --- מאנה, אדוארד, --- Manet, Édouard. --- Flaubert, Gustave. --- 19de eeuw. --- Frankrijk.
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Hommage de Catheline Périer-D'Ieteren
landschapsschilderkunst --- fantastic art --- Mannerist [Renaissance-Baroque style] --- fantastische kunst --- maniërisme --- Painting --- anno 1500-1599 --- Flanders --- Painting, Flemish --- Peinture flamande --- Exhibitions. --- Expositions --- Bosch, Hieronymus, --- Bles, Henri, --- Bruegel, Jan, --- Bril, Paul, --- landschappen --- fabels --- literatuur --- mythologie --- Bosch, Jheronimus --- Herri met de Bles --- Brueghel, Pieter (de Oude) --- Bril, Paul --- Flaubert, Gustave --- Erasmus, Desiderius --- 16de eeuw --- Vlaanderen --- Zuidelijke Nederlanden --- 839.3-34 --- 75.046 --- Landschapsschilderkunst ; 16de en 17de eeuw --- Vlaamse schilderkunst ; landschappen ; 16de eeuw ; 17de eeuw --- Tentoonstellingscatalogi ; Rijsel ; Palais des Beaux-Arts --- 839.3-34 Nederlandse literatuur: sprookje; legende; mythe --- Nederlandse literatuur: sprookje; legende; mythe --- Schilderkunst ; epische, mythologische, religieuze voorstellingen --- Exhibitions --- Peinture de paysages de la Renaissance -- Flandre --- Paysage --- landschappen. --- fabels. --- literatuur. --- fantastische kunst. --- mythologie. --- Bosch, Jheronimus. --- Herri met de Bles. --- Bruegel, Pieter I. --- Bril, Paul. --- Flaubert, Gustave. --- Erasmus, Desiderius. --- 16de eeuw. --- Vlaanderen. --- Zuidelijke Nederlanden. --- Vlaamse school --- landschap, Nederlanden --- Bruegel, Pieter I
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