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Après le succès de Raphaël et Botticelli, Skira présente le catalogue de l'exposition exceptionnelle consacrée à un autre répresentant très significatif de la peinture italienne : Paolo Caliari, dit Véronèse. Pour le XVIème siècle italien, Véronèse est le peintre « profane » par excellence, car il réunit en lui les deux grandes traditions picturales qui marquent en profondeur l'histoire de la peinture profane du Cinquecento : la tradition toscano-romaine et la tradition vénitienne. Véronèse emprunte à l'école romaine le goût de la représentation mythologique et allégorique que Julio Romano (l'élève le plus célèbre de Raphaël) avait apporté à Mantoue ; de l'école vénitienne, il tient la splendeur et la magnificence des couleurs qui font de lui l'artiste « royal » dont l'œuvre est destinée à célébrer le bonheur de vivre et à illustrer les merveilles du monde, la beauté des hommes et des femmes. En somme, Véronèse exprime une vision laïque et progressiste qui, de ce fait, heurte les hiérarchies ecclésiastiques (comme l'attestent nombre de documents et témoignages qui seront largement analysés dans le catalogue de l'exposition), au point d'en faire un véritable symbole de l'art moderne. Véronèse profane veut souligner tout particulièrement ce facteur, en laissant de côté le Véronèse peintre d'œuvres religieuses et de retables, non que l'on considère cette activité comme mineure, mais parce que, pour splendide qu'elle soit, elle le caractérise moins. Ce qui ne veut pas dire, bien entendu, que soient exclues les œuvres à sujet biblique, car Véronèse aborde la Bible dans le même esprit que le narrateur «profane», en voulant mettre en évidence les aspects émotifs de la Bible plutôt que ses côtés symboliques et évocateurs comme le feront d'autres artistes vénitiens de son temps.
Veronese, Paolo --- Painting, Italian --- Renaissance --- Peintre --- Veronese, --- Italie --- CDL --- 75.071 VERONESE --- Italian painting --- 16th century --- Painting, Italian - 16th century - Exhibitions --- Veronese, - 1528-1588 --- Veronese, Paolo.
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Mannerism (Art) --- -Mannerism (Art) --- -Painting, Baroque --- -Painting, Italian --- -Italian painting --- Baroque painting --- Paintings, Baroque --- Art --- Exhibitions --- Carracci family --- -Exhibitions --- Emilia-Romagna --- Carracci (familie) --- Emilië --- Painting --- anno 1600-1699 --- anno 1500-1599 --- Painting, Baroque --- Painting, Italian --- Italian painting --- Exhibitions. --- schilderkunst --- Correggio, Antonio Allegri --- 16de eeuw --- 17de eeuw --- Painting [Italian ] --- Bologna (Italy) --- Art [Renaissance ] --- Carraci family --- Painting [Baroque ] --- Italy --- Correggio, Antonio Allegri. --- Carracci (familie). --- 16de eeuw. --- 17de eeuw. --- Emilië.
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art criticism --- painting techniques --- Art --- Picturesque, the --- Boschini, Marco --- anno 1700-1799 --- anno 1600-1699 --- Painting, Italian --- Peinture italienne --- Technique --- Boschini, Marco, --- pittoresco --- schildertechnieken --- Rosa, Salvator --- Bellori, Giovanni Pietro --- Malvasia, Carlo Cesare --- Baldinucci, Filippo --- Scaramuccia, Luigi --- Passeri, Giovanni Battista --- Maffei, Scipione --- Baruffaldi, Gerolamo --- Zanetti, Antonio Maria --- 17de eeuw --- 18de eeuw --- Venetië --- Italië --- -Painting, Italian --- -Italian painting --- -Criticism and interpretation --- -Technique --- Italian painting --- Criticism and interpretation. --- schildertechnieken. --- Boschini, Marco. --- Rosa, Salvator. --- Bellori, Giovanni Pietro. --- Malvasia, Carlo Cesare. --- Baldinucci, Filippo. --- Scaramuccia, Luigi. --- Passeri, Giovanni Battista. --- Maffei, Scipione. --- Baruffaldi, Gerolamo. --- Zanetti, Antonio Maria. --- 17de eeuw. --- 18de eeuw. --- Venetië. --- Italië. --- kunstliteratuur --- receptiegeschiedenis
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landscapes [representations] --- Art --- pastoral --- landschappen --- classicisme --- rococo --- moderne kunst --- fête galante --- Giorgione --- Rembrandt van Rijn --- Watteau, Antoine --- Venetië --- Noordelijke Nederlanden --- #gsdbA --- Landscape painting --- Painting, Italian --- Painting, Renaissance --- Paintings, Renaissance --- Renaissance painting --- Italian painting --- Painting --- Exhibitions --- Influence&delete& --- Influence --- Rembrandt --- Venetiaanse school --- landschappen. --- classicisme. --- rococo. --- moderne kunst. --- fête galante. --- Giorgione. --- Rembrandt. --- Watteau, Antoine. --- Venetië. --- Noordelijke Nederlanden.
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Painting --- anno 1500-1799 --- Naples --- Painting, Italian --- Peinture italienne --- Exhibitions. --- Expositions --- schilderkunst --- barok --- classicisme --- stillevens --- 17de eeuw --- Napels --- Histoire de la peinture --- % 9611AR --- 17e siècle --- Italie --- Italian painting --- CDL --- 75.071 CARAVAGGIO --- 75.071 GIORDANO --- Painting, Italian - Italy - Naples - 17th century - Exhibitions --- Pineda (don) --- 17de eeuw. --- Napels.
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Byzantijnse kunst --- gotiek --- Duccio --- 13de eeuw --- 14de eeuw --- Siena --- Painting, Italian --- Duccio, --- Italian painting --- Boninsegna, Duccio di, --- Buoninsegna, Duccio di, --- Duccio di Buoninsegna, --- Ducio, --- Duccio da Buoninsegna --- Painting, Italian - Italy - Siena - 14th century --- Duccio, - di Buoninsegna, - d. 1319 --- Byzantijnse kunst. --- gotiek. --- Duccio. --- 13de eeuw. --- 14de eeuw. --- Siena.
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Quels liens l’art et la mort entretiennent-ils à la Renaissance ? Comment montrer la mort en peinture ? Quelles sont les œuvres les plus exemplaires produites en Italie ? Afin d’apporter quelques éléments de réponse, l’auteur s’est appuyé sur la littérature artistique des xve et xvie siècles. Le rassemblement des textes a permis de dégager les enjeux théoriques de la figure de la mort, de détecter les types figuratifs prônés par les théoriciens, et de repérer les œuvres les plus célébrées à la Renaissance. L’enquête débouche sur un constat surprenant : au trépas individuel réfléchi par la peinture s’oppose la Mort universelle dans les œuvres éphémères et la gravure, comme si deux imaginaires entraient en concurrence.
Physiology: reproduction & development. Ages of life --- Art --- anno 1400-1499 --- anno 1500-1599 --- Death in art --- Painting, Italian --- Painting, Renaissance --- Mort dans l'art --- Peinture italienne --- Peinture de la Renaissance --- Themes, motives --- Thèmes, motifs --- renaissance --- Dood --- literatuur --- schilderkunst --- 15de eeuw --- 16de eeuw --- Italië --- Thèmes, motifs --- renaissance (historisch tijdvak, doorheen de 16e eeuw) --- Death in art. --- Italian painting --- Death --- Renaissance --- art --- peinture --- mort --- Dood. --- literatuur. --- schilderkunst. --- 15de eeuw. --- 16de eeuw. --- Italië. --- Artistes --- Mort --- Et la mort --- 15e-16e siècles --- Dans l'art
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Raised to the status of an international luminary by her contemporaries and now revered as one of the defining talents of the seventeenth century, Artemisia Gentileschi poses urgent questions for today’s scholars. The recent outpouring of new attributions and archival discoveries has profoundly enriched our knowledge of the artist, but it has also complicated, and sometimes contradicted, the former storyline. If she was illiterate and unschooled, how did she befriend Galileo and court playwright Jacopo Cicognini? If she could not pay her bills, why did she continue to spend lavishly? How can we define her authorship if we admit workshop productions to her oeuvre? In these essays, an international cast of scholars and experts grapples with these problems, opening new paths of inquiry and laying bare their methodologies in fields as diverse as laboratory analysis, archival research, cultural history, literary analysis, and feminist art history. Among these approaches, connoisseurship takes center stage. By reconstructing the chronology and rationale of Artemisia’s artistic iter, connoisseurship reveals the richness of her visual dialogues, including those with prominent contemporaries such as Caravaggio, Annibale Carracci, Vouet, Cristofano Allori, and Stanzione; with past artistic giants like Donatello and Michelangelo; and with the various hands who passed through her workshop as collaborators and assistants. These essays infuse our understanding of Artemisia with complexity and nuance, yet they also trace her characteristic mix of intelligence and verve in her art, her correspondence, and her deft social maneuvering, running like a thread through all stages of her life
Women painters --- Painting, Italian --- Italian painting --- Gentileschi, Artemisia, --- Gentileschi Lomi, Artemisia, --- Lomi, Artemisia Gentileschi, --- Criticism and interpretation. --- Italy --- Intellectual life --- Gentileschi, Artemisia --- Pictorial works. --- art criticism --- Painting --- Aesthetics of art --- easel paintings [paintings by form] --- Painters --- Women artists --- vrouwelijke kunstenaars --- Bricci, Plautilla --- Corvini, Maddalena --- Sirani, Elisabetta --- Vaiani, Anna Maria --- Vezzi, Virginia --- 17de eeuw --- Italië --- vrouwelijke kunstenaars. --- Gentileschi, Artemisia. --- Bricci, Plautilla. --- Corvini, Maddalena. --- Vaiani, Anna Maria. --- Vezzi, Virginia. --- Sirani, Elisabetta. --- 17de eeuw. --- Italië.
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Painting
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Musée des beaux-arts [Strasbourg]
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anno 1500-1799
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Italy
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Musée des Beaux-Arts (Straatsburg)
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schilderijen
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16de eeuw
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17de eeuw
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18de eeuw
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Italië
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-Painting, Italian
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-#BIBC:ruil
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painting [image-making] --- Art --- anno 1600-1699 --- France --- Painting, Italian --- Painting --- Peinture italienne --- Peinture --- Exhibitions --- Expositions --- Caravaggio, Michelangelo Merisi da, --- Influence --- verzamelingen --- Caravaggio --- 16de eeuw --- 17de eeuw --- Frankrijk --- Italië --- Painting, Baroque --- Art baroque --- Histoire de la peinture --- Collectors and collecting --- 17e siècle --- Italie --- -Painting, Baroque --- -Painting --- -Oil painting --- Painting, Primitive --- Paintings --- Graphic arts --- Baroque painting --- Paintings, Baroque --- Italian painting --- -Exhibitions --- Oil painting --- Collectors and collecting&delete& --- Painting [Baroque ] --- Italy --- Painting [Italian ] --- Exhibitions. --- CDL --- 75.034 --- Painting - Collectors and collecting - France - Exhibitions --- Painting, Baroque - Italy - Exhibitions --- Painting, Italian - Exhibitions --- Italiaanse school --- Caravaggio. --- 16de eeuw. --- 17de eeuw. --- Frankrijk. --- Italië.
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