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Gogh, van, Vincent --- Art and nature --- Art et nature --- Kunst en natuur --- Nature (Aesthetics) --- Nature (Esthétique) --- Nature dans l'art --- Nature in art --- Natuur (Esthetica) --- Natuur in de kunst --- Gogh, Vincent van --- Van Gogh, Vincent --- Religion --- Nature --- Religious aspects --- Christianity --- Gogh, Vincent van, 1853-1890 - Religion. --- Nature - Religious aspects - Christianity. --- Van Gogh, Vincent.
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Cet ouvrage de la collection "Guide des arts" permet au lecteur de s'informer sur l'iconographie et la symbolique des multiples composantes de la nature: des notices explicatives illustrées apportent des informations sur les personnalités et sur les scènes et épisodes qui l'illustrent. Nombreuses reproductions de tableaux
Nature in art --- Symbolism in art --- Art --- Nature dans l'art --- Symbolisme dans l'art --- Themes, motives --- Thèmes, motifs --- iconografie --- symboliek --- natuur --- Animal (thème) --- Arbre --- Fantastique --- Fleur (thème) --- Iconographie --- Nature --- Nature morte --- Nature, thème --- Symbole --- Zoologie --- Botanique --- Histoire --- Histoire de l'art --- Iconographie païenne --- Mythologie --- Symbolique --- Thèmes, motifs --- iconografie. --- symboliek. --- natuur.
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Nature protection --- General ecology and biosociology --- Archeology --- landscape protection --- landscape archaeology --- cultural landscapes --- cultuurgeschiedenis --- Extinction (Biology). --- Nature conservation --- History. --- natuurwetenschappen --- klimaatbehoud, klimaatbescherming --- museumbeleid
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natuur --- ecologie --- beeldende kunsten --- landschappen --- Art --- ecology --- Nature --- durability --- natuur. --- ecologie. --- beeldende kunsten. --- landschappen. --- natuurbescherming
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The work of the great French painter Nicolas Poussin (1594& 1665) is most often associated with classically inspired settings and figures depicting solemn scenes from mythology or the Bible. Yet he also created some of the most influential landscapes in Western art, endowing them with a poetic quality that has been admired by artists as different as Constable, Turner, and Ce;zanne. As the British critic William Hazlitt noted in 1844, & This great and learned man might be said to see nature through the glass of time .& This beautiful catalogue presents the first in-depth examination of Poussin's landscapes. Featured here are more than 40 paintings, ranging from the artist's early Venetian-inspired pastorals to his grandly structured and austere works, designed as metaphors or allegories for the processes of nature. Also included are approximately 60 drawings and essays by internationally renowned scholars who examine the painter's visual, literary, and philosophical influences as well as his relationships with his patrons and his place in the art-historical canon.
Baroque --- barok --- landschapsschilderkunst --- Poussin, Nicolas --- Poussin, Nicolas, --- natuur --- landschappen --- Arcadië --- Landscape in art --- Landscapes in art --- Nature (Aesthetics) --- Art --- Nature --- landscapes [representations] --- Italian Renaissance-Baroque styles --- ideaal landschap --- italianisanten --- natuur. --- italianisanten. --- landschappen. --- Arcadië. --- Poussin, Nicolas.
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Sculpture --- sculpture [visual works] --- bronzes [visual works] --- forming [physical activity] --- Nature --- materials [substances] --- gypsum --- human figures [visual works] --- Moore, Henry
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Gardens in art --- Painting --- Landscape painting --- Nature (Aesthetics) --- Jardins dans l'art --- Peinture --- Peinture de paysages --- Nature (Esthétique) --- Themes, motives --- Thèmes, motifs --- tuinen --- Painting, Modern --- Histoire de la peinture --- Impressionnisme --- Jardin privé --- Histoire des jardins --- Egypte --- Nature (Esthétique) --- Thèmes, motifs --- tuin --- tuin.
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fotografie --- Kotzsch, August --- Photography, Artistic --- Nature photography --- Landscape photography --- Still-life photography --- 77.071 KOTZSCH --- CDL --- Photography, Still-life --- Photography --- Photography, Landscape --- Outdoor photography --- Photography of nature --- Natural history --- Nature study --- Photography, Biological --- Landscapes --- Technique --- Scientific applications --- Kotzsch, August, --- Kotzsch, Carl Friedrich August, --- Loschwitz (Dresden, Germany) --- History --- Exhibitions --- Exhibitions. --- Pictorial works --- Kotzsch, August.
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La dernière grande manifestation autour de "La nature morte de l'Antiquité au XXe siècle" fut organisée en 1952 à Paris par Charles Sterling. "Les Choses" rend hommage à ce grand historien de l'art, en actualisant le point de vue et en intégrant tout ce qui a renouvelé nos perspectives, tant en histoire de l'art ancien et contemporain, qu'en littérature, poésie, philosophie, archéologie, botanique ou écologie. Elargissant les frontières chronologiques et géographiques, l'ouvrage ouvre des fenêtres sur d'autres cultures qui ont représenté les choses en majesté. Il convoque des artistes contemporains qui s'inspirent de leurs prédécesseurs en modifiant notre regard sur le passé. Longtemps déconsidéré, le genre de la nature morte, assimilé à la trivialité de la vie quotidienne voire à la mécréance, doit être reconsidéré à la faveur de notre attachement grandissant aux choses ainsi qu'aux relations nouvelles qui s'établissent entre le vivant et le non vivant.
Nature morte. --- Représentation (esthétique). --- Still-life in art --- kunst --- stillevens --- vanitas --- schilderkunst --- beeldhouwkunst --- tekenkunst --- prentkunst --- video --- film --- trompe-l'oeil --- objecten --- 7.049 --- installaties --- keramiek --- Nature morte dans l'art --- Art --- History --- art history --- still lifes --- stillevens. --- iconografie. --- iconografie --- Nature morte --- Catalogues d'exposition --- Ecologie --- Botanique --- Histoire de l'art
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