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Arts --- Emotions in art. --- Psychological aspects. --- kunsttheorie --- psychologie --- emoties --- Emotions in art --- Psychological aspects --- passies, emoties, affecties --- kunsttheorie. --- psychologie. --- passies, emoties, affecties.

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This work considers every conceivable aspect of the subject in an analysis of colour in Western culture. It describes the first theories of colour, articulated by philosophers from Democritus to Aristotle, as well as looking at its relgious significance, and the role of colour today.

Aesthetics of art --- Color in art --- Art --- Color --- Color (Philosophy) --- Aesthetics --- History --- Technique --- Psychological aspects --- History. --- Psychological aspects. --- Couleur dans l'art - Histoire. --- Art - Technique - Histoire. --- Couleur - Aspect psychologique. --- Couleur (Philosophie) - Histoire. --- Esthetique - Histoire. --- kleur. --- symboliek. --- cultuurgeschiedenis. --- kleurtheorie. --- art history --- color [perceived attribute] --- art theory --- Couleur dans l'art --- Couleur --- Couleur (Philosophie) --- Esthetique --- kleur --- symboliek --- cultuurgeschiedenis --- kleurtheorie

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Offering a broad and vivid survey of the culture of collecting from the French Revolution to the Belle Époque, The Purchase of the Past explores how material things became a central means of accessing and imagining the past in nineteenth-century France. By subverting the monarchical establishment, the French Revolution not only heralded the dawn of the museum age, it also threw an unprecedented quantity of artworks into commercial circulation, allowing private individuals to pose as custodians and saviours of the endangered cultural inheritance. Through their common itineraries, erudition and sociability, an early generation of scavengers established their own form of 'private patrimony', independent from state control. Over a century of Parisian history, Tom Stammers explores collectors' investments - not just financial but also emotional and imaginative - in historical artefacts, as well as their uncomfortable relationship with public institutions. In so doing, he argues that private collections were a critical site for salvaging and interpreting the past in a post-revolutionary society, accelerating but also complicating the development of a shared national heritage.

Cultural property --- Collectors and collecting --- Collectibles --- Collecting --- Collection and preservation --- Art --- Hobbyists --- Cultural heritage --- Cultural patrimony --- Cultural resources --- Heritage property --- National heritage --- National patrimony --- National treasure --- Patrimony, Cultural --- Treasure, National --- Property --- World Heritage areas --- Psychological aspects --- History --- E-books --- kunsthandel --- geschiedenis --- verzamelingen --- Franse Revolutie --- 1790 - 1890 --- 18de eeuw --- 19de eeuw --- Frankrijk --- Parijs --- Psychological aspects. --- kunsthandel. --- geschiedenis. --- verzamelingen. --- Franse Revolutie. --- 1790 - 1890. --- 18de eeuw. --- 19de eeuw. --- Frankrijk. --- Parijs.

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Music --- Pathology --- Art --- Affective and dynamic functions --- Emoties --- Emoties in de kunst --- Emoties in de muziek --- Emotions --- Emotions dans l'art --- Emotions dans la musique --- Emotions in art --- Emotions in music --- Feelings --- Gevoelens --- Human emotions --- Passies --- Passions --- Sentiments --- Émotions --- Émotivité --- Emotions in art. --- Arts --- Psychological aspects. --- Aspect psychologique --- emoties --- sociale geschiedenis --- psychologie --- religiositeit --- kunsttheorie --- muziek --- geneeskunde --- Emotions in music. --- Emotions. --- Psychology --- Affect (Psychology) --- Affective neuroscience --- Apathy --- Pathognomy --- Psychological aspects --- Miscellanea --- passies, emoties, affecties --- geneeskunde, medische wetenschappen --- passies, emoties, affecties. --- sociale geschiedenis. --- psychologie. --- religiositeit. --- kunsttheorie. --- muziek. --- geneeskunde, medische wetenschappen.

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Some artworks do something to you. They leave you feeling bereft, give you new insights, offer a new way of seeing things, make you happy, hopeful or despairing. This was true in the past, and it remains true today. It is this universal experience that art brings about that is the subject of the exhibition 'Encounters/Ontmoetingen'. KMSKA-curator Paul Vandenbroeck has selected a hundred works from all over the world, from early antiquity to the present day, by well-known and lesser-known artists, from paintings and sculptures to video, installations and textiles. 'Encounters/Ontmoetingen' is not a conventional exhibition. You need no prior knowledge before you walk in. On the contrary, the most important thing is to enter the MAS without preconceptions, and let the art speak for itself. The works are not exhibited according to traditional categories, but grouped into intuitive clusters: sometimes on the basis of aesthetic conventions, sometimes on the basis of a tension between works of diverse origins. The exhibition starts from the notion that art, separately from any idea, thought or belief, has the capacity to touch you, even if you have no idea who the artist is and where the work comes from. To keep the experience pure, there is no text or explanation accompanying the exhibits. All you get as a spectator is the names of the works and the artists. Exhibition: MAS Museum aan de Stroom, Antwerp, Belgium (19.05.-20.08.2017).

art [fine art] --- Affective and dynamic functions --- emotion --- Art --- Exhibitions --- human figures [visual works] --- art theory --- bodies [human and animal components] --- form [composition concepts] --- perception --- Philosophy --- Psychological aspects --- MAD-faculty 17 --- kunst en lichaam --- kunst en cultuur --- bodies [animal components] --- Histoire de l'art --- Esthétique --- Analyse de l'art --- Philosophie de l'art --- art [discipline] --- kunstfilosofie --- kunststromingen --- symbolen --- kunstbeleving