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Art --- Staatliche Kunsthalle Karlsruhe --- Museology --- anno 1970-1979 --- anno 1980-1989 --- anno 1990-1999 --- museumbeleid --- Vey, Horst --- Museologie --- Kunst --- museumbeleid. --- Vey, Horst.
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History of Germany and Austria --- anno 1940-1949 --- anno 1980-1989 --- anno 1960-1969 --- anno 1950-1959 --- anno 1970-1979 --- anno 1990-1999 --- Austria --- gelaatsuitdrukkingen --- historische figuren --- 20ste eeuw --- Oostenrijk --- gelaatsuitdrukkingen, fysionomie --- gelaatsuitdrukkingen, fysionomie. --- historische figuren. --- 20ste eeuw. --- Oostenrijk.
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Painting --- figurative art --- Art styles --- easel paintings [paintings by form] --- anno 1980-1989 --- Germany: West --- figuratieve kunst --- neo-avantgarde --- schilderkunst --- 1980 - 1990 --- 20ste eeuw --- Duitsland --- figuratieve kunst. --- neo-avantgarde. --- schilderkunst. --- 1980 - 1990. --- 20ste eeuw. --- Duitsland.
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Geïnspireerd op L’Idée, het baanbrekende werk van Frans Masereel uit 1920, lanceerde het Masereelfonds een open oproep aan burgers om hoopvolle ideeën voor de toekomst in te zenden. Een kunstenaarscollectief van Pierre Muylle, Alain Platel, Gerda Dendooven, Ben Benaouisse en Lisaboa Houbrechts selecteerde uit 116 inzendingen een twintigtal ideeën en ging in gesprek met de bedenkers ervan. Met dit inspirerende boek viert het Masereelfonds zijn vijftigjarig bestaan. Dit boek verbindt vooruitstrevende ideeën van vroeger, morgen en nu. Het is een ode aan diegenen die aan de norm ontsnappen, aan hen die met hun visionaire ideeën de toekomst van de maatschappij van koers doen veranderen. Historische teksten over de strijd voor maatschappelijke verandering worden gekoppeld aan visionaire teksten van toonaangevende stemmen zoals onder meer Milo Rau, Jean Paul Van Bendegem, Steven Vromman, Delphine Lecompte en prikkelende cartoons van het collectief The Cartoonist.
Political philosophy. Social philosophy --- Sociology of cultural policy --- anno 1970-1979 --- anno 1980-1989 --- anno 1990-1999 --- anno 2000-2099 --- Flanders --- Masereelfonds --- Masereelfonds (1971- ). --- geschiedenis. --- Masereel, Frans. --- Masereelfonds. --- Masereelfonds (1971- ) --- geschiedenis --- Masereel, Frans
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In 1980, Jan Hoet organised the contemporary art exhibition Art in Europe after '68 in Ghent. The show's unprecedented reception positioned the Museum of Contemporary Art internationally, while the major acquisitions it generated sustainably defined the identity of the collection. The publication advances a historical and critical evaluation of Art in Europe after '68 and its legacy. It retraces the pathway from the opening of the museum in 1976 to this first international event and reflects on the questions its heritage raises today.
Art --- anno 1980-1989 --- anno 1960-1969 --- anno 1970-1979 --- Europe --- hedendaagse kunst --- S.M.A.K. (Gent) --- Hoet, Jan --- 1968 --- 20ste eeuw --- Europa --- Art, European --- 20.70 European art. --- Art, European. --- Hoet, Jan. --- Stedelijk Museum voor Actuele Kunst (Ghent, Belgium) --- History --- 1900-1999 --- SMAK (Gent). --- 1968. --- 20ste eeuw. --- Europa.
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'Maisons d'art moderne : privéverzamelingen in België, 1945-1980' is the doctoral research of Tanguy Eeckhout (1981?2018, BE). Eeckhout takes the reader on a journey through the history of private art-collections in Belgium starting in the 1920?s. He describes two generations of art collectors: the post-war generation that made their collections publicly available and a second generation that made way for Belgium on the international art scene. This publication offers an exclusive look into the relationship between collectors and artists and highlights the influence of these private collectors on the development of public art institutions and the art press in Belgium. This publication is described by Rik Vannevel (Museum Dhondt-Dhaenens) as ?Not only ground-breaking research into private art collections in Belgium, but also a tribute for a passionate art researcher.? The research focuses on sixteen prominent Belgian private collections: Fernand Graindorge, Bertie & Gigi Urvater, Gustave Van Geluwe, Max Janlet, Bénédict & Alla Goldschmidt, Tony Herbert, Gustave Nellens, Maurits Naessens, Jules & Irma Dhondt-Dhaenens, Philippe Dotrement, Hubert & Marie-Thérèse Peeters, Roger & Hilda Matthys-Colle, Herman & Nicole Daled, Anton& Annick Herbert, Sylvio Perlstein and Charles & Jeanne Vandenhove. https://borgerhoff-lamberigts.be/boeken/maisons-dart-moderne
Art --- avant-garde --- private collections --- art collections --- anno 1940-1949 --- anno 1950-1959 --- anno 1960-1969 --- anno 1970-1979 --- anno 1980-1989 --- Belgium --- Kunstcollecties --- België --- Collections --- Collectors and collecting --- Biography --- 7.074 --- Kunstverzamelaars ; België --- Kunstverzamelingen ; België --- Kunstverzamelaars --- Art, Modern --- Kunstcollectie --- privécollecties --- moderne kunst --- 1945 - 1980 --- 20ste eeuw --- Hedendaagse kunst --- Kunstverzamelaar --- privécollecties. --- moderne kunst. --- 1945 - 1980. --- 20ste eeuw. --- België. --- private collections [object groupings]
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History --- sculpting --- Art --- Sculpture --- art history --- Iveković, Sanja --- Jovanovski, Zarko --- Bijelic, Milivoj --- Kožarić, Ivan --- Martinis, Dalibor --- Ruzic, Branko --- Gotovac, Tomislav --- Richter, Vjenceslav --- Sokic, Damir --- Drinkovic, Slavomir --- Džamonja, Dušan --- Ilic, Aleksandar --- Petercol, Goran --- Srnec, Aleksandar --- Dimitrijević, Braco --- Picelj, Ivan --- Delimar, Vlasta --- Gruppe Gorgon --- anno 1950-1959 --- anno 1900-1999 --- Yugoslavia --- Croatia --- hedendaagse kunst --- 1950 - 1990 --- 20ste eeuw --- Joegoslavië --- Kroatië --- sculpture [visual works] --- anno 1960-1969 --- anno 1970-1979 --- anno 1980-1989 --- Ružić, Branko --- Drinković, Slavomir --- 1950 - 1990. --- 20ste eeuw. --- Joegoslavië. --- Kroatië.
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Keyser, de, Raoul --- anno 2000-2009 --- anno 1980-1989 --- anno 1960-1969 --- anno 1970-1979 --- anno 1990-1999 --- De Keyser, Raoul --- Keyser, Raoul De --- schilders --- schilderkunst --- België --- De Keyser Raoul --- 75.071 DE KEYSER --- 75.07 --- 75(493) --- De Keyser, Raoul °1930 (°Deinze, België) --- Schilderkunst ; 1964-2004 ; Raoul De Keyser --- De Nieuwe Visie --- Belgische kunstenaars --- Schilderkunst ; schilders --- Schilderkunst ; België --- Keyser, Raoul de, --- Painting --- De Keyser, Raoul, --- Criticism and interpretation. --- Criticism and interpretation --- Catalogs --- De Keyser, Raoul.
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History --- avant-garde --- art history --- art [fine art] --- cultural centers [buildings] --- museology --- Art styles --- Iconography --- Museology --- Art --- anno 1970-1979 --- anno 1980-1989 --- anno 1900-1999 --- Belgium --- Antwerp --- museums [buildings] --- Sociology of cultural policy --- Contemporary [style of art] --- International Culture Center [Antwerp] --- Art contemporain --- Hedendaagse kunst --- 620 Kunst --- 613 Musea --- Art and society --- Internationaal Cultureel Centrum. --- ICC --- 7.038(493) --- kunst 20e eeuw --- kunstgeschiedenis --- België --- kunstgeschiedenis België - kunst na 1945 --- ICC (Internationaal Cultureel Centrum) --- Internationaal Cultureel Centrum-ICC (Antwerpen) --- hedendaagse kunst --- museumbeleid --- 1970 - 1990 --- 20ste eeuw --- Internationaal Cultureel Centrum-ICC (Antwerpen). --- hedendaagse kunst. --- museumbeleid. --- 1970 - 1990. --- 20ste eeuw. --- art [discipline]
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prentkunst --- Graphic arts --- anno 2000-2009 --- anno 1980-1989 --- anno 1990-1999 --- Flanders --- verzameling GIMV --- grafiek --- hedendaagse kunst --- Vlaanderen --- 625.2 Grafische vormgeving --- 76 <493-17> "19" --- Grafische kunsten. Grafiek. Prentkunst--Vlaanderen. Vlaams Gewest. Nederlandstalige Gemeenschap in België--20e eeuw. Periode 1900-1999 --- 76 <493-17> "19" Grafische kunsten. Grafiek. Prentkunst--Vlaanderen. Vlaams Gewest. Nederlandstalige Gemeenschap in België--20e eeuw. Periode 1900-1999 --- prints [visual works] --- Prints, Belgian --- Belgian prints --- GIMV (Firm) --- Art collections --- Belgium --- Flanders (Belgium) --- 20th century --- verzameling GIMV. --- hedendaagse kunst. --- Vlaanderen.
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