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Painting, Dutch --- Peinture hollandaise --- Exhibitions --- Expositions --- 1800 - 1850 --- Dutch painting --- golden age [mythology] --- Painting --- Art --- anno 1800-1899 --- Netherlands --- schilderkunst --- 19de eeuw --- Nederland --- Painting [Modern ] --- 19th century --- Painting [Dutch ] --- 1800 - 1850. --- 19de eeuw. --- Nederland. --- Hollandse school

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Vermeer, Johannes --- muziek --- ontspanning --- Fabritius, Carel --- Steen, Jan --- 17de eeuw --- Noordelijke Nederlanden --- 78.04.3 London --- 78.79 --- Exhibitions --- Zonder onderwerpscode: muziek --- Painting --- musical instruments --- music [performing arts] --- golden age [mythology] --- music [performing arts genre] --- muziek. --- ontspanning. --- Vermeer, Johannes. --- Fabritius, Carel. --- Steen, Jan. --- 17de eeuw. --- Noordelijke Nederlanden.

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golden age [mythology] --- Painting --- easel paintings [paintings by form] --- Museum of Fine Arts [Ghent] --- anno 1600-1699 --- Netherlands --- Museum voor Schone Kunsten Gent --- geschiedenis --- 17de eeuw --- Nederlanden --- Holland --- Gent --- 7 <492> --- Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--Nederland --- 7 <492> Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--Nederland --- Museum voor Schone Kunsten Gent. --- geschiedenis. --- 17de eeuw. --- Nederlanden. --- Holland. --- Gent. --- MSK: Museum of Fine Arts [Ghent]

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Niederlande im 17. Jahrhundert: Während Aufträge von Adel und Kirche ausblieben, konnte sich ein erstarkendes Bürgertum erstmals Ölgemälde leisten. Den Ansprüchen des neuen, hauptsächlich bürgerlichen Marktes folgend, mussten sich Künstler und ihre Werkstätten in ihren Themen, Techniken und Methoden neu orientieren und spezialisierten sich auf Seestücke, Landschaften mit Kühen, Jagd- oder Prunkstillleben als Markenzeichen.00Absurde Preise, gierige Händler, überschätzte Künstler: Der schädliche Einfluss des heutigen Kunstmarktes scheint allgegenwärtig. Und doch ist der Handel mit Kunst eine Form der gesellschaftlichen Auseinandersetzung mit dieser und damit eine wesentliche Voraussetzung ihres Bestehens. Der Geburtsort des Kunsthandels bürgerlicher Gesellschaften waren die Niederlande des sogenannten Goldenen Zeitalters, wo Historienbilder und mythologische Szenen Stillleben, Landschafts- und Genrebildern wichen und die Preise von wenigen Gulden bis hin zu Höchstsummen reichten. Der Band zeigt, wie der Kunstmarkt die Kunst des Goldenen Zeitalters geprägt hat, und zieht Vergleiche mit der heutigen Situation.00Exhibition: Bucerius KUNST Forum, Hamburg, Germany (23.09.2017-07.01.2018).

art market --- golden age [mythology] --- drawings [visual works] --- Art --- easel paintings [paintings by form] --- anno 1700-1799 --- Netherlands --- Europe --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Marketing --- History --- Conferences - Meetings --- Arts --- Aesthetics --- Renialme, de, Johannes --- Marseus van Schrieck, Otto --- kunsthandel --- mecenaat --- De Renialme, Johannes --- Rembrandt van Rijn --- Ruisdael, Jacob van --- van Goyen, Jan --- 17de eeuw --- Europa --- Noordelijke Nederlanden --- Art, Primitive --- Rembrandt --- kunsthandel. --- mecenaat. --- Rembrandt. --- van Ruisdael, Jacob. --- van Goyen, Jan. --- De Renialme, Johannes. --- Marseus van Schrieck, Otto. --- 17de eeuw. --- Noordelijke Nederlanden. --- Europa. --- van Ruisdael, Jacob

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Taste is a well known but largely underestimated phenomenon. Yet it is one of the factors that has shaped our knowledge and view of art. Why is Rembrandt van Rijn today considered to be one of the greatest painters in European art while Gerard de Lairesse, Rembrandt's younger contemporary and one of the best-selling painters of his day, is now forgotten? This book is a systematic and quantitative study of taste. More specifically it focuses on the painters of the seventeenth-century Low Countries and follows the changes in consumer evaluation of them from the seventeenth century up to 2008. Proceeding from the same starting point as Gerald Reitlinger in his monumental The Economics of Taste, it uses the prices paintings have fetched at auction as a basis for tracing trends in the taste of the art-buying public. Whereas Reitlinger's approach was rather intuitive, this study develops a sound methodological basis for researching taste and auction prices. It is not only quantitative methods and properties of auction prices that require a specific approach: in historical research quantitative data and analyses are only reliable when they can also be tested against qualitative or historical sources. Based on a statistical analysis, various "universal" painters, such as Rubens and Rembrandt, are defined. In addition, however, specific genres such as landscape, portrait, history painting, and so on are analysed. In the case of eighty-three painters there is sufficient information to allow the profiling of individual price trends. But other quantitative data drawn from the examination of collections or catalogues raisonnés prove an additional source of information when compared with auction prices. This book shows what big data and statistics can mean to our understanding of art.

taste [aesthetics] --- Art auctions --- Painting, Flemish --- Painting, Netherlandish --- Data processing --- Prices --- golden age [mythology] --- Painting --- History --- prices --- art market --- auctions --- Netherlands --- Flanders --- 7.078 --- 351.852 --- 351.852 Overheidstaken, administratieve maatregelen i.v.m. musea, verzamelingen, bibliotheken, archieven --- Overheidstaken, administratieve maatregelen i.v.m. musea, verzamelingen, bibliotheken, archieven --- 7.078 Kunstbescherming. Kunstbevordering --- Kunstbescherming. Kunstbevordering --- economische geschiedenis --- genres --- kunsthandel --- veilingen --- Bakhuizen, Ludolf --- Berchem, Nicolaes Pietersz --- Brouwer, Adriaen --- Brueghel, Jan (de Oude) --- Brueghel, Pieter (de Jonge) --- Craesbeeck, Joos van --- De Lairesse, Gérard --- Dou, Gerrit --- Jordaens, Jacob --- Laer, Pieter van --- Miel, Jan --- Mieris, Frans van (de Oude) --- Ostade, Adriaen van --- Palamedesz., Palamedes (I) --- Rembrandt van Rijn --- Rijckaert, David (III) --- Rubens, Peter Paul --- Snayers, Peter --- Teniers, David (II) --- Van Dyck, Anthony --- Van Poelenburgh, Cornelis --- Wouwerman, Philips --- 17de eeuw --- Noordelijke Nederlanden --- Vlaanderen --- Zuidelijke Nederlanden --- van Dyck, Anthony --- van Poelenburgh, Cornelis --- de Lairesse, Gérard --- van Craesbeeck, Joos --- van Ostade, Adriaen --- van Mieris, Frans (de Oude) --- Rembrandt --- Brueghel, Jan I --- Brueghel, Pieter II --- kunsthandel. --- economische geschiedenis. --- veilingen. --- genres. --- Rubens, Peter Paul. --- Rembrandt. --- van Dyck, Anthony. --- Teniers, David II. --- Bakhuizen, Ludolf. --- Berchem, Nicolaes. --- Wouwerman, Philips. --- van Poelenburgh, Cornelis. --- Brueghel, Jan I. --- Jordaens, Jacob. --- de Lairesse, Gérard. --- Brouwer, Adriaen. --- van Craesbeeck, Joos. --- Brueghel, Pieter II. --- Rijckaert, David (III). --- van Ostade, Adriaen. --- Dou, Gerrit. --- van Mieris, Frans (de Oude). --- Snayers, Peter. --- Palamedesz., Palamedes (I). --- Laer, Pieter van. --- Miel, Jan. --- 17de eeuw. --- Noordelijke Nederlanden. --- Vlaanderen. --- Zuidelijke Nederlanden. --- auctions [sales events] --- Hollandse school --- receptiegeschiedenis --- Vlaamse school --- schilderkunst, Nederlanden --- Teniers, David II --- Berchem, Nicolaes --- Dou, Gerard