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Sleep, romance, and human embodiment : vitality from Spenser to Milton
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ISBN: 9781107024410 9781139169257 9781316505335 1139169254 113953100X 9781139531009 9781139528726 1139528726 9781139526333 1139526332 1107024412 1139540327 9781139540322 1107236118 9781107236110 1283574802 9781283574808 1139527533 9781139527538 9786613887252 6613887250 1139532197 9781139532198 1316505332 Year: 2012 Publisher: Cambridge : Cambridge University Press,

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Abstract

Garrett Sullivan explores the changing impact of Aristotelian conceptions of vitality and humanness on sixteenth- and seventeenth-century literature before and after the rise of Descartes. Aristotle's tripartite soul is usually considered in relation to concepts of psychology and physiology. However, Sullivan argues that its significance is much greater, constituting a theory of vitality that simultaneously distinguishes man from, and connects him to, other forms of life. He contends that, in works such as Sidney's Old Arcadia, Shakespeare's Henry IV and Henry V, Spenser's Faerie Queene, Milton's Paradise Lost and Dryden's All for Love, the genres of epic and romance, whose operations are informed by Aristotle's theory, provide the raw materials for exploring different models of humanness; and that sleep is the vehicle for such exploration as it blurs distinctions among man, plant and animal.

Memory and forgetting in English Renaissance drama : Shakespeare, Marlowe, Webster
Authors: ---
ISBN: 9780521117357 9780521848428 0521848423 9780511484032 0511132603 9780511132605 0511132069 9780511132063 0511484038 9780511200380 0511200382 1107153034 1281217913 9786611217914 0511132433 0511300794 0521117356 Year: 2005 Publisher: Cambridge : Cambridge University Press,

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Engaging debates over the nature of subjectivity in early modern England, this fascinating and original study examines sixteenth- and seventeenth-century conceptions of memory and forgetting, and their importance to the drama and culture of the time. Garrett A. Sullivan, Jr. discusses memory and forgetting as categories in terms of which a variety of behaviours - from seeking salvation to pursuing vengeance to succumbing to desire - are conceptualized. Drawing upon a range of literary and non-literary discourses, represented by treatises on the passions, sermons, anti-theatrical tracts, epic poems and more, Shakespeare, Marlowe and Webster stage 'self-recollection' and, more commonly, 'self-forgetting', the latter providing a powerful model for dramatic subjectivity. Focusing on works such as Macbeth, Hamlet, Dr. Faustus and The Duchess of Malfi, Sullivan reveals memory and forgetting to be dynamic cultural forces central to early modern understandings of embodiment, selfhood and social practice.

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