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Nadia Radwan explores a key moment of the development of modern Egyptian art, when the foundations of a new artistic practice are defined in the early 20th century. Based on field work and unexplored archival material, this work focuses on a generation of painters and sculptors commonly referred to as the pioneers (al-ruwwad). Trained in institutions, such as the School of Fine Arts in Cairo, their production is inscribed in a project of artistic renaissance and reflects multiple transcultural interactions between Egypt and Europe. This publication thus re-evaluates these artists that opened the path to Egyptian modernism and sheds light their yet understudied production.
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First published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
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An Archaeology of Art and Writing offers an in-depth treatment of the image as material culture. Centring on early Egyptian bone, ivory, and wooden labels-one of the earliest inscribed and decorated object groups from burials in the lower Nile Valley-the research is anchored in the image as the site of material action. A key aim of this book is to outline a contextual and reflexive approach to early art and writing as a complement to the traditional focus on iconographic and linguistic meanings. Archaeological and anthropological approaches are integrated with social theories of practice and agency to develop a more holistic perspective that situates early Egyptian imagery in relation to its manufacture, use and final deposition in the funerary context. The dialectical relationships between past embodied practitioners and materials, production techniques, and compositional principles are examined for the insight they provide into changes and continuities in early Egyptian graphical expression across time and space. The electronic version of this book is accompanied by an online database of the inscribed labels, enabling the reader to explore via hyperlinks the fascinating body of evidence that underpins this innovative study. Kathryn Piquette lectures on the archaeology of ancient Egypt and the Near East at the University of Reading. She also lectures in digital humanities at University College London, where she serves as a senior research consultant in advanced digital imaging techniques for cultural heritage. Recent publications include the co-edited Writing as Material Practice: Substance, surface and medium.
Art, Egyptian. --- Writing --- Archaeology. --- Social sciences. --- History.
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Egyptian wit and humor. --- Egyptian literature. --- Art, Egyptian.
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How do we understand current events in Egypt? Prior to January 25, 2011, when asked about unusual images, sights, or sounds, Cairene responses ranged from a litany of complaints to well-rehearsed, guidebook descriptions of picturesque neighborhoods and magnificent ruins. Occasionally, however, a thoughtful resident would remain silent, leaving visitors and guests to accept the surrounding smiles, shrugs, honking horns, blaring loudspeakers, and strings of expletives as background ambience. Du...
Art, Egyptian --- Egyptology. --- Protests (Egypt : 2011-) --- 2000 - 2099 --- Egypt --- Antiquities
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Surrealism --- Art, Egyptian --- Surréalisme --- Art égyptien --- Art, Egyptian. --- Surrealism. --- Art and Freedom Group (Egypt). --- 1900-1999. --- Egypt.
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Amelia Edwards' English translation of the Manual of Egyptian Archaeology by the renowned French Egyptologist Gaston Camille Charles Maspero was originally published in 1887. The fifth edition reissued here appeared in 1902, ten years after Edwards' death, under the auspices of Maspero. Edwards' translation was important for generating public interest in Egyptology in Britain. It is a classic work of popular Egyptology that has served for years as an indispensable guide for students, amateur enthusiasts & professionals, & was long relied upon by British tourists visiting Egypt's ancient sites. The book contains chapters on civil & military architecture, religious architecture, ancient tombs, Egyptian painting & sculpture, & industrial art. There are detailed sections on the various materials used including stone, clay, glass, wood, ivory, leather, textile fabrics, iron, lead, & bronze.
History & Archaeology --- Regions & Countries - Africa --- Art, Egyptian. --- Egypt --- Antiquities. --- Antiquities --- Egyptian art
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Art, Egyptian --- Art, Roman --- Art, Egyptian. --- Art, Roman. --- Roman art --- Classical antiquities --- Egyptian art --- Egyptian influences. --- Italy --- Rome (Empire) --- 709.3 --- Catalogs --- Egyptian influences --- Arts Ancient World --- Catalogs. --- Art égyptien --- Art romain --- Catalogues --- Influence égyptienne --- Art, Egyptian - Catalogs --- Art, Egyptian - Italy - Rome --- Art, Roman - Catalogs --- Art, Roman - Egyptian influences
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Richard A. Fazzini has inspired and mentored many scholars of Egyptology through his tireless efforts as curator and then chairman of the Brooklyn Museum's Department of Egyptian, Classical and Ancient Middle Eastern Art (ECAMEA); field archaeologist of the Pricinct of Mut at Karnak; scholar; and teacher, The 35 contributions to this volume in his honor represent the variety of Professor Fazzini's own research interests namely in ancient Egyptian art, religious iconography, and archaeology, particularly of the New Kingdom, Third Intermediate Period, and Late Period. Reflections on Professor Fazzini's scholarship and teaching are accompanied by an extensive bibliography of his works.
Art, Egyptian. --- Egyptian art --- Mut --- Maut --- Mout --- Egypt --- Antiquities. --- Religion. --- Mut (Egyptian deity) --- Art, Egyptian --- Mut - (Egyptian deity) --- Egypt - Antiquities --- Egypt - Religion --- Art égyptien --- Égypte --- Religion égyptienne --- Antiquités --- Jusqu'à 332 av. J.-C.
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