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Kastratensänger standen bislang vor allem im Mittelpunkt des Forschungsinteresses der Musik- und Theaterwissenschaften. Dabei wurden vor allem ihr Wirken auf den Bühnen des italienischen Musiktheaters des 17. und 18. Jahrhunderts oder die Rezeption der hohen Männerstimme auf das barocke Publikum beleuchtet. Die vorliegende geschichtswissenschaftliche Studie konzentriert sich hingegen auf die Personen als soziale Akteure in der Spätphase dieses Phänomens im 18. und frühen 19. Jahrhundert, wobei exemplarisch vier mitteleuropäische Fürstenhöfe (Wien, München, Dresden, Stuttgart) in den Blick genommen werden.In detaillierten Analysen der Lebenswelten des Hofes und der Residenzstadt fächert die Autorin auf, welchen hohen Stellenwert Kastratensänger innerhalb der höfischen Machtrepräsentation bis zum Schluss besaßen, wie sie sich innerhalb höfischer Anstellungsstrukturen immer wieder erneut positionierten, mit den Bewohnern der Residenzstädte interagierten und welche wichtigen Rollen sie gegenüber Familienangehörigen einnahmen.Insbesondere durch die Untersuchung des individuellen Umgangs mit dem vermeintlichen körperlichen Defizit kann sie zeigen, dass die Annahme, Kastraten seien in der Endphase ihres Bestehens grundsätzlich als defizitäre »verstümmelte Körper« wahrgenommen worden, revidiert werden muss. Auf diese Weise leistet die Autorin einen innovativen Beitrag zur Kultur- und Geschlechtergeschichte am Übergang von der Frühen Neuzeit ins 19. Jahrhundert.

Castrati. --- Evirati --- Eunuchs --- Singers --- 1700-1899 --- Central Europe. --- Europe, Central

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Based on original and previously unexamined sources, this book provides a critical and systematic analysis of the role of queens, eunuchs and concubines in medieval Islamic history. Spanning over 600 years, it explores gender and sexual politics and power from the time of the Prophet Muhammad through the Umayyad and Abbasid periods to the Mamluks in the 15th century. Geographically its coverage extends from Iran and Central Asia to North Africa and Spain. Drawing on specific historical case studies and events, it looks at the role of women, mothers, wives, eunuchs, concubines, qahramans and atabegs in the dynamics and manipulation of medieval Islamic politics.

Islamic civilization. --- Eunuchs --- Sex role --- Sex --- Women --- Political activity --- To 1500 --- Islamic Empire. --- Islamic countries. --- Islamic Empire --- Civilization.

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The Castrato is a nuanced exploration of why innumerable boys were castrated for singing between the mid-sixteenth and late-nineteenth centuries. It shows that the entire foundation of Western classical singing, culminating in bel canto, was birthed from an unlikely and historically unique set of desires, public and private, aesthetic, economic, and political. In Italy, castration for singing was understood through the lens of Catholic blood sacrifice as expressed in idioms of offering and renunciation and, paradoxically, in satire, verbal abuse, and even the symbolism of the castrato's comic cousin Pulcinella. Sacrifice in turn was inseparable from the system of patriarchy--involving teachers, patrons, colleagues, and relatives--whereby castrated males were produced not as nonmen, as often thought nowadays, but as idealized males. Yet what captivated audiences and composers--from Cavalli and Pergolesi to Handel, Mozart, and Rossini--were the extraordinary capacities of castrato voices, a phenomenon ultimately unsettled by Enlightenment morality. Although the castrati failed to survive, their musicality and vocality have persisted long past their literal demise [Publisher description]

Castrati. --- Evirati --- Music. --- Singing --- Singing. --- History. --- Eunuchs --- Singers --- 16th century practices. --- bel canto. --- bodily mutations. --- castrated for music. --- castrated males. --- castrated singers. --- castrati and eunuchs. --- castrati musicians. --- castrati vocalists. --- castrati. --- castration. --- castrato voices. --- castrato. --- catholic blood sacrifice. --- cavalli. --- eunuch singers. --- handel. --- high male voices. --- historical body mutations. --- history of castration. --- history of music. --- history of singing. --- mozart. --- music history. --- music. --- nonsexual castration. --- pergolesi. --- pulcinella. --- rossini.

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Why were virtuous Byzantine women described as manly? Why were boys' bodies thought to be closer in constitution to those of women than adult men? Did Byzantines think eunuchs were men? This lively and personal book explains some key aspects of how people of the Medieval Roman Empire (Byzantine Empire) conceived of men and women, masculinity and femininity, and proper behaviour for men and women. By laying bare fundamental ideas about how gender was defined and performed, 'Byzantine Gender' enables readers to understand Byzantine society more fully. And by providing background information about Byzantine gender, it makes it easier to approach and appreciate the fascinating otherness of Byzantine culture.

Sex role --- Byzantine Empire --- Byzantium (Empire) --- Vizantii︠a︡ --- Bajo Imperio --- Bizancjum --- Byzantinē Autokratoria --- Vyzantinon Kratos --- Vyzantinē Autokratoria --- Impero bizantino --- Bizantia --- Social life and customs. --- Civilization. --- Byzantine Empire. --- Eunuchs. --- Femininity. --- Gender. --- Masculinity. --- Gender role --- Sex (Psychology) --- Sex differences (Psychology) --- Social role --- Gender expression --- Sexism --- Gender roles --- Gendered role --- Gendered roles --- Role, Gender --- Role, Gendered --- Role, Sex --- Roles, Gender --- Roles, Gendered --- Roles, Sex --- Sex roles

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The history of Qing palace eunuchs is defined by a tension between the role eunuchs were meant to play and the life they intended to live. This study tells the story of how a complicated and much-maligned group of people struggled to insert a degree of agency into their lives. Rulers of the Qing dynasty were determined to ensure the eunuchs' subservience and to limit their influence by imposing a management style based upon strict rules, corporal punishment, and collective responsibility. Few eunuchs wielded significant political power or lived in a lavish style during the Qing dynasty. Emasculation and employment in the palace placed eunuchs at the center of the empire, yet also subjected them to servile status and marginalization by society. Seeking more control over their lives, eunuchs serving the Qing repeatedly tested the boundaries of subservience to the emperor and the imperial court. This portrait of eunuch society reveals that Qing palace eunuchs operated within two parallel realms, one revolving around the emperor and the court by day and another among the eunuchs themselves by night where they recreated the social bonds--through drinking, gambling, and opium smoking--denied them by their palace service. Far from being the ideal servants, eunuchs proved to be a constant source of anxiety and labor challenges for the Qing court. For a long time eunuchs have simply been cast as villains in Chinese history. Inside the World of the Eunuch goes beyond this misleadingly one-dimensional depiction to show how eunuchs actually lived during the Qing dynasty.

Eunuchs --- S04/0680 --- S11/0741 --- Men --- China: History--Qing: general: 1644 - 1912 --- China: Social sciences--Eunuch --- China --- Cina --- Kinë --- Cathay --- Chinese National Government --- Chung-kuo kuo min cheng fu --- Republic of China (1912-1949) --- Kuo min cheng fu (China : 1912-1949) --- Chung-hua min kuo (1912-1949) --- Kina (China) --- National Government (1912-1949) --- China (Republic : 1912-1949) --- People's Republic of China --- Chinese People's Republic --- Chung-hua jen min kung ho kuo --- Central People's Government of Communist China --- Chung yang jen min cheng fu --- Chung-hua chung yang jen min kung ho kuo --- Central Government of the People's Republic of China --- Zhonghua Renmin Gongheguo --- Zhong hua ren min gong he guo --- Kitaĭskai︠a︡ Narodnai︠a︡ Respublika --- Činská lidová republika --- RRT --- Republik Rakjat Tiongkok --- KNR --- Kytaĭsʹka Narodna Respublika --- Jumhūriyat al-Ṣīn al-Shaʻbīyah --- RRC --- Kitaĭ --- Kínai Népköztársaság --- Chūka Jinmin Kyōwakoku --- Erets Sin --- Sin --- Sāthāranarat Prachāchon Čhīn --- P.R. China --- PR China --- PRC --- P.R.C. --- Chung-kuo --- Zhongguo --- Zhonghuaminguo (1912-1949) --- Zhong guo --- Chine --- République Populaire de Chine --- República Popular China --- Catay --- VR China --- VRChina --- 中國 --- 中国 --- 中华人民共和国 --- Jhongguó --- Bu̇gu̇de Nayiramdaxu Dundadu Arad Ulus --- Bu̇gu̇de Nayiramdaqu Dumdadu Arad Ulus --- Bu̇gd Naĭramdakh Dundad Ard Uls --- BNKhAU --- БНХАУ --- Khi︠a︡tad --- Kitad --- Dumdadu Ulus --- Dumdad Uls --- Думдад Улс --- Kitajska --- China (Republic : 1949- ) --- Court and courtiers --- History. --- History