Listing 1 - 5 of 5 |
Sort by
|
Choose an application
Choose an application
Justice in art --- Law in art --- Law --- Symbolism in law --- History
Choose an application
Justice Blindfolded gives an overview of the history of 'justice' and its iconography through the centuries. Justice has been portrayed as a woman with scales, or holding a sword, or, since the fifteenth century, with her eyes bandaged. This last symbol contains the idea that justice is both impartial and blind, reminding indirectly of the bandaged Christ on the cross, a central figure in the Christian idea of fairness and forgiveness. In this rich and imaginative journey through history and philosophy, Prosperi manages to convey a full account of the ways justice has been described, portrayed and imagined. Translation of Giustizia bendata. Percorsi storici di un'immagine (Einaudi, 2008).
History of the law --- Iconography --- History of civilization --- law [discipline] --- allegory [artistic device] --- rechtvaardigheid --- gerechtigheid --- gerechtigheidstafereel --- Justice in art --- Justice (Personification) --- Justice --- Injustice --- Conduct of life --- Law --- Common good --- Fairness --- E-books --- Justice. --- Justice in art.
Choose an application
Peint en 1808 pour une salle d’audience du Palais de Justice de Paris, le tableau de Pierre-Paul Prud’hon, La Justice et la Vengeance divine poursuivant le Crime, a toujours été considéré comme un chef-d’œuvre du romantisme français, mais a rarement été étudié sous l’angle de l’histoire du droit pénal. Pourtant, les débats contemporains autour de la question du libre arbitre jouèrent un rôle fondamental dans le choix de son iconographie. Selon la conception invoquée par Prud’hon, l’homme agissant librement est pleinement responsable de ses actes, y compris de ses crimes – responsabilité qui confère au législateur le droit moral de fixer des sanctions, même sévères. Les réflexions d’Emmanuel Kant revêtent dans ce contexte une importance majeure. Prud’hon en eut probablement connaissance par l’intermédiaire du commanditaire du tableau, Nicolas-Thérèse-Benoît Frochot, préfet du département de la Seine, auquel est attribuée ici la paternité du programme iconographique. À travers la présente monographie, Thomas Kirchner montre combien cette célèbre peinture est l’exact reflet des discussions juridiques et philosophiques qui animèrent la France révolutionnaire, et donnèrent naissance au nouveau Code pénal et à un nouveau Code d’instruction criminelle. Das von Pierre-Paul Prud’hon 1808 für einen Gerichtssaal des Pariser Palais de Justice angefertigte Gemälde La Justice et la Vengeance divine poursuivant le Crime wurde schon immer als ein Hauptwerk der französischen Romantik betrachtet, selten jedoch auf seinen rechtsgeschichtlichen Kontext befragt. Dabei spielten die zur Zeit seiner Entstehung geführten Diskussionen um den freien Willen des Menschen eine grundlegende Rolle für seine ikonografische Wahl. Prud’hon setzt sich darin mit der Auffassung auseinander, dass der frei handelnde Mensch voll für seine Taten, auch die Verbrechen, verantwortlich ist, was wiederum dem Gesetzgeber das moralische Recht einer selbst harten Bestrafung gibt. In diesem Zusammenhang waren die…
Penal Code. --- Code pénal --- histoire de l’art --- jurisprudence --- peinture --- romantisme --- Justice in art --- Revenge in art --- Crime in art --- Law --- Prud'hon, Pierre Paul, - 1758-1823. - Divine justice and vengeance pursuing crime --- Prud'hon, Pierre-Paul, - 1758-1823 --- Criminology. Victimology --- Iconography --- Painting --- criminology --- law [discipline] --- iconography --- easel paintings [paintings by form] --- Prud'hon, Pierre-Paul
Choose an application
"Picturing Punishment examines representations of criminal bodies as they moved in, out, and through publicly accessible spaces in the city during punishment rituals in the seventeenth-century Dutch Republic. Once put to death, the criminal cadaver did not come to rest. Its movement through public spaces indicated the potent afterlife of the deviant body, especially its ability to transform civic life. Focusing on material culture associated with key sites of punishment, Anuradha Gobin argues that the circulation of visual media related to criminal punishments was a particularly effective means of generating discourse and formulating public opinion, especially regarding the efficacy of civic authority. Certain types of objects related to criminal punishments served a key role in asserting republican ideals and demonstrating the ability of officials to maintain order and control. Conversely, the circulation of other types of images, especially inexpensive paintings and prints, had the potential to subvert official messages. As Gobin shows, visual culture thus facilitated a space in which potentially dissenting positions could be formulated while also bringing together seemingly disparate groups of people in a quest for new knowledge. Combining a diverse array of sources including architecture, paintings, prints, anatomical illustrations, and preserved body parts, Picturing Punishment demonstrates how the criminal corpse was reactivated, reanimated, and in many ways reintegrated into society."--
Art, Dutch --- Crime --- Crime. --- Criminals --- Dead in art. --- Justice in art. --- Prosecution in art. --- Punishment in art. --- Punishment --- Punishment. --- Themes, motives --- Themes, motives. --- History --- Death --- 1600-1699. --- Netherlands. --- History of the law --- Criminology. Victimology --- Iconography --- History of the Netherlands --- punishing --- dead [people] --- visual culture --- criminals --- anno 1600-1699 --- Art --- Torture --- Exécution --- Mort --- Criminalité --- XVIIe s. -- 1601-1700 --- Pays-Bas --- Dead in art --- Justice in art --- Prosecution in art --- Punishment in art --- Penalties (Criminal law) --- Penology --- Corrections --- Impunity --- Retribution --- Crime and criminals --- Delinquents --- Offenders --- Persons --- Criminal justice, Administration of --- Criminology --- City crime --- Crimes --- Delinquency --- Felonies --- Misdemeanors --- Urban crime --- Social problems --- Criminal law --- Transgression (Ethics) --- Dutch art --- Nieuwe Ploeg (Group of artists) --- Ploeg (Group of artists) --- Social aspects --- Austrian Netherlands --- Aynacha Jach'a Markanaka --- Batavia --- Belanda --- Beulanda --- Çheer Injil --- Çheer y Vagheragh --- Eben Eyong --- Háland --- Herbehereak --- Herbehereetako Erresumaren --- Hò-làn --- Holand --- Holanda --- Holandija --- Holandska --- Hōlani --- Holenda --- Holland --- Holland Királyság --- Hollandi --- Hollandia --- Hōrana --- Huēyitlahtohcāyōtl in Tlanitlālpan --- Huland --- Hulanda --- Iseldiroedd --- Iseldiryow --- Ísiltír --- Izelvroio --- Karaleŭstva Nidėrlandy --- Katō Chōres --- Kē-tē-kok --- Keninkryk fan 'e Nederlannen --- Kerajaan Landa --- Kéyah Wóyahgo Siʼánígí --- Keyatiya Nederlandan --- Kingdom of the Netherlands --- Koninkrijk der Nederlanden --- Konungsríkið Holland --- Kraljevina Holandija --- Kralojstwo Nederlandow --- Kralstvo Holandija --- Kralstvo Niderlandii͡ --- Landa --- Madalmaad --- Mamlakat Hūland --- Mamlekhet Artsot ha-Shefelah --- Nederilande --- Nederlaand --- Nederlân --- Nederland --- Nederlande --- Nederlandene --- Nederlandia --- Nederlando --- Nederlands --- Néderlandzk --- Nederlatt --- Nederlendin Nutg --- Nedŏlland --- Neerlande --- Nethiland --- Niadaland --- Niderland --- Niderland Krallığı --- Niderlanddar --- Niderlande --- Nīderlandeja --- Nīderlandes Karaliste --- Niderlandʺi͡as --- Niderlandʺi͡as Korolʹuv --- Niderlandii͡ --- Niderlandla --- Niderlandlany Korolevstvosu --- Niderlandsem --- Niderlandsen Patshalăkh --- Niderlandtæ --- Niderlandtar --- Niderlandtar Korollege --- Niderlandty Kʺarolad --- Niderlandy --- Niderlandyn Vant Uls --- Niðurlond --- Niederlande --- Nirlan --- Nižozemska --- Nizozemsko --- Nyderlandai --- Nyderlandų Karalyst --- Olanda --- Ollandia --- Oostenrijkse Nederlanden --- Oranda --- Oranda Ōkoku --- Ot͡si͡azorksshi Nederlatt --- Paes Bass --- Paesi Bassi --- Paîs Bas --- Pais Basse --- Países Baixos --- Países Bajos --- Países Baxos --- Paisis Bajus --- Països Baixos --- Paixi Basci --- Pajjiżi l-Baxxi --- Payis-Bâs --- Payises Bashos --- Pays-Bas autrichiens --- Pays-Bas espagnols --- Pays-Bas méridionaux --- Peyiba --- Reeriaght ny Çheer Injil --- Reĝlando Nederlando --- Regni Nederlandiarum --- Regno del Paises Basse --- Regnu di i Paesi Bassi --- Reino di Hulanda --- Reino dos Países Baixos --- Ríocht na hÍsiltíre --- Royaume des Pays-Bas --- Southern Netherlands --- Spanish Netherlands --- The Netherlands --- Tìrean Ìsle --- Tlanitlālpan --- Ubuholandi --- Ubuhorandi --- Ufalme wa Nchi za Chini --- Uholanzi --- Ulanda --- Ulanna --- Vasileio tōn Katō Chōrōn --- Walanda --- Zuidelijke Nederlanden --- 1600-1699 --- Dutch Republic. --- Renaissance. --- afterlife. --- art and crime. --- art history. --- criminals. --- deviance. --- early modern. --- execution rituals. --- gallows. --- history of crime. --- material culture. --- public spectacles. --- punishment.
Listing 1 - 5 of 5 |
Sort by
|