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Refresh the Book contains reflections on the multimodal nature of the book, focusing on its changing perception, functions, forms, and potential in the digital age. Offering an overview of key concepts and approaches, such as liberature, technotexts, and bookishness, this volume of essays addresses the specificity of the printed book as a complex cultural phenomenon. It discusses diverse forms of representation and expression, both in literary and non-literary texts, as well as in artist's books. Of special interest are these aspects of the book which resist remediation into the digital form. Finally, the volume contains an extensive section devoted to artistic practice as research, discussing the book as the synthesis of the arts, and site for performative aesthetic activity. --

Artists' books --- Artists' books --- Books --- Books --- Book design --- Book design --- Publishers and publishing --- History --- History --- History --- History --- History --- History --- Technological innovations.

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An independent print-media practitioner, He Hao has been working with distinctive and representative artists in the Chinese contemporary art world, including Ai Weiwei, Xu Bing, etc., and designed more than 100 high-quality books and catalogs since 2003. Recording the current state of art development in China, his works have become an archive of significance. He Hao's practice shows an Asian trend in today's graphic design: the replacement of transplanted Modernism with a contemporaneity informed by the culture and lifestyle of contemporary China and the East.

Book design --- Design, Book --- Books --- Graphic design (Typography) --- Format --- He, Hao, --- 何浩,

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Comment écrit-on pour le théâtre ? Ou, plus précisément, comment le texte de théâtre investit-il l’espace de la page ? Comment se dispose-t-il sur le papier ? Quelle forme emprunte-t-il ? L’objectif de ce volume collectif est d’étudier la question de la disposition du texte dramatique sur un large empan, de la fin du xixe siècle à aujourd’hui, dans ses multiples enjeux. Cette perspective paraît essentielle pour aborder une période extraordinairement riche du théâtre. En dépassant à ses débuts la traditionnelle opposition du vers et de la prose, elle a permis de définir de nouveaux horizons d’écriture - et donc de lecture et de représentation. Actuellement, comme en écho, on ne compte plus les exemples d’auteurs dramatiques qui exploitent, dans l’édition de leurs œuvres, les possibilités typographiques disponibles avec la généralisation des traitements de texte. L’ouvrage, principalement composé d’études monographiques centrées sur des exemples français, propose un parcours problématisé sur cette riche matière jusque-là peu explorée.

Drama - History and criticism - Congresses --- Layout (Printing) - History - Congresses --- Graphic design (Typography) - History - Congresses --- Book design - History - Congresses --- Theater --- théâtre contemporain --- vers --- écriture dramatique --- théâtre symboliste --- vers libre --- Drama --- Layout (Printing) --- Graphic design (Typography) --- Book design

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When a reader picks up a book, the essence of the text has been translated into the visual space of the cover. Using Umberto Eco's bestseller The Name of the Rose as a case study, this is the first study of book cover design as a form of intersemiotic translation based on the purposeful selection of visual signs to represent verbal signs. As an act of translation, the cover of a book ought to be an 'equivalent representation' of the text. But in the absence of any established interpretive criteria, how can equivalence between the visual and the verbal be determined and interpreted? R

Graphics industry --- Semiotics --- Book design. --- Semiotics and the arts. --- Semiotics and the arts --- Book design --- Languages & Literatures --- Philology & Linguistics --- #KVHA:Vertaalwetenschap --- #KVHA:Book design --- Literaire vertaling en non-verbale communicatie --- Vertalen en paratekst --- Vertalen en cultuur --- Vertalen en non-verbale communicatie --- Vertalen en semiotiek --- Eco, Umberto, --- Literaire vertaling en non-verbale communicatie. --- Vertalen en paratekst. --- Vertalen en cultuur. --- Vertalen en non-verbale communicatie. --- Vertalen en semiotiek. --- Design, Book --- Arts and semiotics --- Arts --- Books --- Graphic design (Typography) --- Format

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Rereading one of the most influential architectural books of the twentieth century--as intellectual project, graphic design landmark, and prescient introduction to issues of concern today.

Architectural writing --- Book design --- Design, Book --- Books --- Graphic design (Typography) --- Architecture --- Authorship --- Communication in architectural design --- History --- Format --- Venturi, Robert. --- Criticism, Textual.