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Rossetti, Dante Gabriel, --- Criticism and interpretation --- Sources --- Rosetti, D. G. --- Rosetti, Dante Gabriel, --- Rosetti, Dante Gabriele, --- Rossetti, D. G. --- Rossetti, Gabriel Charles Dante, --- Rossetti (Family : --- Criticism and interpretation. --- Lyrik. --- Rossetti, Dante Gabriel. --- LANGUAGE ARTS & DISCIPLINES / Linguistics / General. --- Rossetti, Dante Gabriel --- Rossetti, Dante Gabriel, - 1828-1882 - Criticism and interpretation --- Rossetti, Dante Gabriel, - 1828-1882 - Sources --- Rossetti, Dante Gabriel, - 1828-1882
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Rossetti, Dante Gabriel, --- Rosetti, D. G. --- Rosetti, Dante Gabriel, --- Rosetti, Dante Gabriele, --- Rossetti, D. G. --- Rossetti, Gabriel Charles Dante, --- Rossetti (Family : --- Rossetti, Dante Gabriel
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On connaît bien la silhouette des femmes peintes par Dante Gabriel Rossetti, l’un des peintres majeurs du mouvement préraphaélite anglais : mâchoire carrée, cascade de cheveux longs bouclés, teint diaphane… Mais on connaît moins les poèmes composés en regard de ses tableaux ou même écrits directement sur la toile. Poèmes fleuves ou sonnets, ces écrits parlent d’amour éternel et pourtant éphémère, d’une femme idéale rêvée plus que contemplée, d’une amoureuse fatale tout à la fois vénérée et redoutée. Au cœur de l’Angleterre victorienne, l’Anglo-Italien Rossetti serait un nouveau Dante, ou un antique héros à l’image de Persée, qui, pour gagner la main d’Andromède, dut s’emparer de la tête de Méduse, emblème d’une féminité effrayante et dangereuse. Dans ce livre, l’auteur nous invite à retracer le parcours unique d’un des rares auteurs anglais à avoir été à la fois peintre et poète.
Rossetti, Dante Gabriel, --- Aesthetic movement (Art) --- Aesthetic movement (British art) --- Movement, Aesthetic --- Aesthetics --- Art --- Rosetti, D. G. --- Rosetti, Dante Gabriel, --- Rosetti, Dante Gabriele, --- Rossetti, D. G. --- Rossetti, Gabriel Charles Dante, --- Rossetti (Family : --- Aesthetics. --- Rossetti, Dante Gabriel --- Rossetti, Dante Gabriel, - 1828-1882 --- poésie --- peinture --- mythe --- Méduse --- féminité --- femme --- mouvement préraphaélite --- Angleterre victorienne --- héros antique --- Rossetti, dante gabriel (1828-1882 ) --- Esthétique
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A major poet, writer, and painter, Dante Gabriel Rossetti was seen as the dominating cultural presence in the second half of the nineteenth century. He founded the Pre-Raphaelite movement, revised and reimagined Blake's project of marrying images and texts, and was a shaping influence on Modernist aesthetic ideas and practices. His translations are original poetical works in their own right. Jerome McGann, a leading figure in nineteenth- and twentieth-century scholarship, presents a generous selection of Rossetti's poetry, prose, and original translations. The collection, which includes important writings unavailable in any edition of Rossetti ever printed, is accompanied by McGann's learned and critically incisive commentaries and notes.
English literature --- poëzie --- literatuur --- Rossetti, Dante Gabriel --- Literatur. --- Poetry. --- Prose. --- Criticism and interpretation. --- Rossetti, Dante Gabriel. --- Literature, Victorian --- Victorian literature --- Rossetti, Dante Gabriel, --- Rosetti, D. G. --- Rosetti, Dante Gabriel, --- Rosetti, Dante Gabriele, --- Rossetti, D. G. --- Rossetti, Gabriel Charles Dante, --- Rossetti (Family :
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The idea of light and darkness is one of the central ideas of the Symbolist movement, since this is a movement of contrasts. It encompasses the major themes of Symbolism, such as good and evil, beauty and ugliness, the visible and the invisible, and the divine and the earthly. This volume brings together a range of studies in order to understand the notion of light and darkness and a variety of its Symbolist interpretations. It also stresses the interdisciplinary nature of the concepts of light and darkness in Symbolism, as well as the cohabitation and symbiosis of both, which are together or
Light in art. --- Symbolism (Art movement) --- Art, Modern --- Light and darkness in art --- Chiaroscuro --- symbolisme --- toegepaste kunsten --- Point, Armand --- Mackintosh, Charles Rennie --- Redon, Odilon --- Klee, Paul --- Rossetti, Dante Gabriel --- Moreau, Gustave --- Burne-Jones, Edward Coley --- De Braekeleer, Henri --- Lévy-Dhurmer, Lucien --- Nietzsche, Friedrich --- Beardsley, Aubrey --- Mallarmé, Stéphane --- Manet, Édouard --- Dostojewski, Fjodor --- D'Annunzio, Gabriele --- Kafka, Franz --- Annenskij, Innokentij --- 19de eeuw --- 20ste eeuw --- Europa --- Amerika --- symbolisme. --- Point, Armand. --- Mackintosh, Charles Rennie. --- Redon, Odilon. --- Klee, Paul. --- Rossetti, Dante Gabriel. --- Moreau, Gustave. --- Burne-Jones, Edward Coley. --- De Braekeleer, Henri. --- Lévy-Dhurmer, Lucien. --- Nietzsche, Friedrich. --- Beardsley, Aubrey. --- Mallarmé, Stéphane. --- Manet, Édouard. --- Dostojewski, Fjodor. --- D'Annunzio, Gabriele. --- Kafka, Franz. --- Annenskij, Innokentij. --- 19de eeuw. --- 20ste eeuw. --- Europa. --- Amerika.
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Founded by a band of young iconoclasts, the Pre-Raphaelite Brotherhood stunned Victorian England with its revaluation of culture and lifestyle. With Pre-Raphaelitism ascendant in the 1850s and canonical by the 1880s, the movement's refractory reception history is an object lesson in how avant-gardes burst upon the scene, dispense with their antagonistic posture, and become a mainstay of tradition. Wendy Graham traces the critical discourses that greeted the Pre-Raphaelites' debut, shaped their contemporary reception, and continued to inform responses to them well after their heyday. She explains the mechanics of fame and the politics of scandal contributing to the rise of aestheticism, providing a new interpretation of the place of aesthetic counterculture in Victorian England.Critics, Coteries, and Pre-Raphaelite Celebrity sheds new light on Victorian discourses on sexuality and masculinity through a thick description of literary bravado, the emotions of male bonding within cliques, and homoerotic frissons among the creators and reviewers of Pre-Raphaelitism. She threads together the qualities that made William Holman Hunt, John Everett Millais, and Gabriel Rossetti exemplary figures of aesthetic celebrity in the 1850s; Algernon Swinburne and Simeon Solomon in the 1860s; and Edward Burne-Jones and Walter Pater in the 1870s. The book documents the symbiotic relationship between periodical writers and the artists and poets they helped make famous, demonstrating that the origin myth of Bohemian artistic transcendence was connected with the rise of a professional class of journalists. Graham shows that the Pre-Raphaelites innovated many of the phenomena now associated with Oscar Wilde, arguing that they were foundational for him in forging an artistic and personal identity with a full-blown publicity apparatus. Wilde had models. This book is about them.
Art styles --- art [fine art] --- celebrities --- Pre-Raphaelite --- James, Henry --- Rossetti, Dante Gabriel --- United Kingdom --- Arts and society --- Celebrities --- Aesthetes --- Esthetes --- Persons --- Celebrity culture --- Celebs --- Cult of celebrity --- Famous people --- Famous persons --- Illustrious people --- Well-known people --- Fan clubs --- Arts --- Arts and sociology --- Society and the arts --- Sociology and the arts --- History --- Social aspects --- Pre-Raphaelite Brotherhood. --- P.R.B. --- PRB --- Präraffaelitische Bruderschaft --- Pre-Raphaelites (Brotherhood) --- Hermandad Prerrafaelita --- Prerrafaelitas (Brotherhood) --- E-books --- art [discipline]
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Begun by young rebels committed to revolutionizing the creative arts, Pre-Raphaelitism has moved from the margins of nineteenth-century art and literature to the vanguard of interdisciplinary studies. The term is now used to denote the Pre-Raphaelite, Aesthetic, and Decadent movements in art, culture, and literature, but it has remained as difficult to define as ever. Haunted Texts attempts to meet the challenge of defining and illustrating the full spectrum of Pre-Raphaelitism. Working with a diverse range of Pre-Raphaelite poetry, painting, decorative arts, book illustration, and political prose, the ten contributors to Haunted Texts pursue the critical strategies of such leading figures as Christina Rossetti and Dante Rossetti, William Morris and Oscar Wilde, Walter Pater, and Aubrey Beardsley. The essays consider the bibliocritical issues of archival research concerning the personal letters and diaries of the Rossetti family; the technological issues that challenge conventional methods of scholarship; the gender issues concerning constructions of identity derived from the changing conceptions of love, desire, anxiety, and brotherhood; and the interdisciplinary cultural issues that transgress the borders of high art and popular culture. Haunted Texts pays tribute to the scholarship of Professor William Fredeman who devoted much of his career since the 1950s to establishing a critical foundation that would enable future scholars to define their understanding of the complexity of Pre-Raphaelitism.
Pre-Raphaelitism --- Arts, British --- British arts --- Caribbean Artists Movement (Group of artists) --- Pre-raphaelitism --- Great Britain --- Arts [British ] --- 19th century --- Fredeman, William E. --- Whistler, James McNeill, --- Rossetti, William Michael, --- Rossetti, Dante Gabriel, --- Rossetti, Christina Georgina, --- Morris, William, --- Hughes, Arthur, --- Beardsley, Aubrey, --- Rossetti, Dante Gabriel --- Rosetti, D. G. --- Rosetti, Dante Gabriel, --- Rosetti, Dante Gabriele, --- Rossetti, D. G. --- Rossetti, Gabriel Charles Dante, --- Rossetti (Family : --- Rosetti, William Michael, --- Rossetti, W. M. --- Rosetti, Christina, --- Rosetti, Christina G., --- Rossetti, Chr., --- Rossetti, Christina, --- Rossetti, Cristina, --- Alleyn, Ellen, --- A. H. --- H., A. --- Morisu, Wiriamu, --- Morris, Uilʹi︠a︡m, --- Morris, William M., --- Moris, V., --- Морис, В., --- Whistler, James Abbott McNeill --- Uistler, Dzhems Mak Neĭlʹ --- Whistler, --- Whistler, J. McNeill --- Whistler, James A. McNeill --- Whistler, J. A. McN. --- Whistler, J. A. MacNeill --- Whistler, James McNeil --- Beardsley, Aubrey Vincent, --- Berdesli, Ovri, --- Berdsleĭ, Obri, --- Biyazilai, --- Pi-ya-tzu-lai, --- Morris, Uilʹi͡am, --- Whistler, James Abbott McNeill, --- Uistler, Dzhems Mak Neĭlʹ, --- Whistler, James McNeil, --- Great Britain. --- Anglia --- Angliyah --- Briṭanyah --- England and Wales --- Förenade kungariket --- Grã-Bretanha --- Grande-Bretagne --- Grossbritannien --- Igirisu --- Iso-Britannia --- Marea Britanie --- Nagy-Britannia --- Prydain Fawr --- Royaume-Uni --- Saharātchaʻānāčhak --- Storbritannien --- United Kingdom --- United Kingdom of Great Britain and Ireland --- United Kingdom of Great Britain and Northern Ireland --- Velikobritanii͡ --- Wielka Brytania --- Yhdistynyt kuningaskunta --- Northern Ireland --- Scotland --- Wales
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The Portrait of Beatrice examines both Dante's and D. G. Rossetti's intellectual experiences in the light of a common concern about visuality. Both render, in different times and contexts, something that resists clear representation, be it the divine beauty of the angel-women or the depiction of the painter's own interiority in a secularized age. By analyzing Dante's Vita Nova alongside Rossetti's Hand and Soul and St. Agnes of Intercession , which inaugurates the Victorian genre of 'imaginary portrait' tales, this book examines how Dante and Rossetti explore the tension between word and image by creating 'imaginary portraits.' The imaginary portrait-Dante's sketched angel appearing in the Vita Nova or the paintings evoked in Rossetti's narratives-is not (only) a non-existent artwork: it is an artwork whose existence lies elsewhere, in the words alluding to its inexpressible quality. At the same time, thinking of Beatrice as an 'imaginary Lady' enables us to move beyond the debate about her actual existence. Rather, it allows us to focus on her reality as a miracle made into flesh, which language seeks incessantly to grasp. Thus, the intergenerational dialogue between Dante and Rossetti-and between thirteenth and nineteenth centuries, literature and painting, Italy and England-takes place between different media, oscillating between representation and denial, mimesis and difference, concealment and performance. From medieval Florence to Victorian London, Beatrice's 'imaginary portrait' touches upon the intertwinement of desire, poetry, and art-making in Western culture.
Symbolism in literature. --- Women in literature. --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- Signs and symbols in literature --- Symbolism in folk literature --- Dante Alighieri, --- Portinari, Beatrice, --- Rossetti, Dante Gabriel, --- Rossetti, Dante Gabriel --- Rosetti, D. G. --- Rosetti, Dante Gabriel, --- Rosetti, Dante Gabriele, --- Rossetti, D. G. --- Rossetti, Gabriel Charles Dante, --- Rossetti (Family : --- Dante Alighieri --- Alihii︠e︡ri, Dante, --- Alaghieri, Dante, --- Aldigeri, Dante, --- Aligeri, Dante, --- Allighieri, Dante, --- Aligerius, Dantes, --- Alighieri, Dante --- Aligheri, Dante, --- Alighieri, Dante, --- Alleghieri, Dante, --- Durante Alighieri, --- Tan-ting, --- Danding, --- Dāntī Alījyīrī, --- Alīyīrī, Dāntī, --- Dante Alih'i︠e︡ri, --- Dante, --- Dant Aligīeri, --- Aligīeri, Dant, --- Dantte, --- Tantte, --- Dantis Alagherius, --- Danthe Alighieri, --- Alighieri, Danthe, --- Dante Alig'i︠e︡ri, --- Alig'i︠e︡ri, Dante, --- Ailígiéirí, Dainté, --- Dantė Aligjeris, --- Dānté ʼAligiyéri, --- Makākavi Tāntē, --- Tāntē Alikiyari, --- Alikiyari, Tāntē, --- אליגיירי דנטי --- אליגירי, דנטי --- דאנטי אליגיירי --- דאנטי אליגיירי, --- דאנט, --- דנטה אליגיירי, --- דנטה אליגירי, --- דנטי אליגיארי, --- דנטי אליגירי, --- دانتى ألغييري --- دانتي أليجيري،, --- ダンテ, --- Данте Аліґгіері, --- Characters --- Beatrice Portinari. --- In literature. --- Criticism and interpretation. --- Symbolism in literature --- Women in literature
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