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prentkunst --- Graphic arts --- graphic arts --- graphic artists --- Museum of Modern Art [New York, N.Y.] --- 76.02 --- 769 <73 NEW YORK> --- Technieken van de grafische kunsten --- Prentenverzamelingen--Verenigde Staten van Amerika. VSA. USA--NEW YORK --- 769 <73 NEW YORK> Prentenverzamelingen--Verenigde Staten van Amerika. VSA. USA--NEW YORK --- 76.02 Technieken van de grafische kunsten --- prints [visual works] --- MAD-faculty 14 --- schilderkunst --- tekenkunst
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With a searing body of work ranging from drawings and films to prints, tapestries, and sculptures, William Kentridge (b. 1955) has offered a fresh and distinctive glimpse of the daily lives of South Africans - both during the apartheid regime and after its collapse. This extraordinary catalogue, produced in close collaboration with the artist, investigates the five primary themes that have engaged Kentridge over the course of his career: Soho and Felix: works featuring Kentridge's best-known characters, the businessman Soho Eckstein and his alter ego, the anxiety-ridden Felix Teitlebaum; Ubu and the Procession: inspired by Ubu Roi, these projects reflect the excitement, conflict, and rapid social changes in post-apartheid South Africa; Artist in the Studio: an examination of Kentridge's practice and his emergence as an installation artist; The Magic Flute: work related to the artist's set designs for Mozart's opera; The Nose: Kentridge's most recent production, including work inspired by his staging of the Shostakovich opera for New York's Metropolitan Opera in spring 2010." "Kentridge has created a DVD especially for this publication; it includes fragments from significant film projects (both known and newly completed) as well as commentary that sheds further light on the artist's work.
Kentridge, William --- (069) --- 7.07 --- Beeldende kunst ; animatiefilm ; 1980-2009 ; William Kentridge --- DVD's --- Houtskooltekeningen --- Kentridge, William °1955 (°Johannesburg, Zuid-Afrika) --- Kortfilms --- Kunst en politiek ; Zuid-Afrika ; apartheid --- Schaduwbeelden --- Tentoonstellingscatalogi ; San Francisco ; Museum of Modern Art --- 7.071 KENTRIDGE --- Kentridge William --- Zuid-Afrika --- animatie --- film --- grafiek --- kunst --- tekenkunst --- twintigste eeuw --- 737.8 --- animatiefilm --- schilderkunst --- (Musea. Collecties) --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- schilder- en tekenkunst, 20e eeuw, overige landen, kunstenaars afzonderlijk --- Exhibitions --- Kentridge, William, --- Themes, motives --- Thèmes, motifs --- departement Beeldende Kunst 10 --- hedendaagse kunstenaars --- beeldende kunsten --- tentoonstellingscatalogus --- Kentridge, William, - 1955- - Thèmes, motifs - Expositions --- Kentridge, William, - 1955 --- -Kentridge, William
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Over the past two decades, geopolitical borders have shifted and new technologies have forged channels of communication around the world. The Western art world has become part of a much broader field, opening itself to new continents and allowing for a significant crosspollination of post-Conceptual strategies and vernacular modes. Printed materials, in both innovative and traditional forms, have played a key role in the exchange of ideas and sources. Print/Out, published in conjunction with an exhibition at The Museum of Modern Art, examines the evolution of artistic practices related to printmaking, from a recent resurgence of traditional printing techniques — often used alongside digital technologies — to the proliferation of self-published artists' projects. Print/Out features focused sections on ten artists and publishers — Ai Weiwei, Ellen Gallagher, Martin Kippenberger, Lucy McKenzie, Aleksandra Mir, museum in progress, Edition Jacob Samuel, SUPERFLEX, Robert Rauschenberg, and Rirkrit Tiravanija — as well as rich illustrations of printed projects from the last twenty years by major artists such as Trisha Donnelly, Felix Gonzalez-Torres, Thomas Schütte, and Kelley Walker.
printmaking --- prentkunst --- hedendaagse kunst --- Graphic arts --- grafische vormgeving --- Contemporary [style of art] --- drukkunst --- graphic design --- anno 2000-2009 --- anno 1990-1999 --- Prints --- Multiple art --- Estampe --- Multiples (Art) --- Exhibitions. --- Expositions --- Museum of Modern Art (New York, N.Y.) --- 76.039 --- 7.05 --- Grafiek ; 21ste eeuw ; 1995-2012 --- Tentoonstellingscatalogi ; New York ; MOMA --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- grafiek --- Abramovic Marina --- Weiwei Ai --- Burden Chris --- Donnelly Trisha --- Dunham Carroll --- Samuel Jacob --- Gallagher Ellen --- General idea --- Gillick Liam --- Gonzalez-Torres Felix --- Hirst Damien --- Kippenberger Martin --- Kuitca Guillermo --- Marclay Christian --- Martinez Daniel Joseph --- Mckenzie Lucy --- Mehretu Julie --- Mir Aleksandra --- Mullican Matt --- Museum in progress --- Nara Yoshimoto --- Pardo Jorge --- Parreno Philippe --- Permanent food --- Rauschenberg Robert --- Schütte Thomas --- Siena James --- Slavs and Tatars --- Smith Josh --- Superflex --- Tiravanija Rirkrit --- Tobias Gert --- Tobias Uwe --- Walker Cara --- Walsh Dan --- West Franz --- White Pae --- Wool Christopher --- Xu Bing --- Yuskavage Lisa --- 76.036/039 --- Grafische kunst ; 2000 - 2050 --- Kunst ; het boek als kunstobject ; Kunstenaarsboeken, geïllustreerde boeken, boekbanden --- Exhibitions --- prints [visual works] --- MAD-faculty 14 --- hedendaagse schilderkunst --- hedendaagse tekenkunst
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