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Installations, architectural models, drawings, prints and gigantic sculptures are waiting for you at this autumn?s major exhibition. Thomas Schütte is one of the most seminal artists of his generation, and is known mainly for his sculptures. The exhibition 'Thomas Schütte. United enemies' takes the artist?s sculptural works from the past two decades as a starting point. Schütte explores shifts of scale ? juxtaposing the intimate and personal with the monumental. A colossal steel figure outside the museum entrance, Vater Staat (2010), observes visitors as they arrive. The key work in the exhibition ? the monumental bronze sculptures United Enemies (2011) ? originate in his small, sketchy figures with heads of modelling clay made nearly twenty years earlier. Thomas Schütte was born in 1954 in Oldenburg, north-west Germany. He was enrolled at the Kunstakademie Düsseldorf in 1973. Among his fellow students were many of today?s internationally acclaimed artists, including Thomas Ruff (b. 1958) and Katarina Fritsch (b. 1956). The works from his student years are distinctly influenced by 1970s minimalism and conceptualism. Exhibition: Moderna Museet, Stockholm, Sweden (08.10.2016-15.01.2017).

Sculpture --- Painting --- woodcuts [prints] --- faces [animal components] --- sculpture [visual work] --- architecture [discipline] --- maquettes [sculptures] --- easel paintings [paintings by form] --- Schütte, Thomas --- Schütte, Thomas, --- sculpture [visual works] --- MAD-faculty 17 --- hedendaagse kunstenaars --- tentoonstellingscatalogus --- faces [human components] --- paintings [visual works]

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History of the law --- sculpture [visual work] --- Art --- easel paintings [paintings by form] --- Exhibitions --- sculpture [visual works] --- iconography --- prints [visual works] --- PXL-Business 2019 --- rechtsgeschiedenis

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guidebooks --- Art --- public art --- sculpture [visual works] --- MAD-faculty 19 --- hedendaagse kunst en cultuur --- publieke kunst

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Bruce Nauman is widely acknowledged as a central figure in contemporary art, and the stringent questioning of values --both aesthetic and moral-- that has long sustained his project remains urgent today. For more than fifty years, Nauman has explored how mutable experiences of time, space, sound, movement, and language provide an insecure foundation for our understanding of our place in the world. This richly illustrated catalogue, which includes rare and previously unpublished images, offers a comprehensive view of the artist's work in all media --including drawings; early fiberglass sculptures; sound environments; architecturally scaled, participatory constructions; rhythmically blinking neons; and a recent 3-D video that harks back to one of Nauman's earliest performances. A wide range of authors --artists, curators, and historians of art, architecture, and film-- focus on topics that have been largely neglected, such as the architectural structures that posit real or imaginary spaces as models for ethical inquiry and mechanisms of control. Curator Kathy Halbreich's introductory essay explores Nauman's many acts of disappearance, withdrawal, and deflection as revelatory of his central formal and intellectual concerns. Eighteen further contributions tease out the various themes that run through this protean and elusive artist's work.

performance art --- Sculpture --- texts [documents] --- installations [visual works] --- light art --- neon sculpture --- sculpture [visual works] --- photography [process] --- painting [image-making] --- drawing [image-making] --- Nauman, Bruce --- Postmodernism --- Process art --- Neon lighting in art --- Neon sculpture --- Video art --- Installations (Art) --- Sculpture, Abstract --- Male artists --- kunst --- eenentwintigste eeuw --- twintigste eeuw --- Verenigde Staten --- installaties --- video --- videokunst --- video-installaties --- Nauman Bruce --- 7.071 NAUMAN --- Men artists --- Abstract sculpture --- Sculpture, Neon --- Art, Procedural --- Art, Process --- Procedural art --- Post-modernism --- Postmodernism (Philosophy) --- Nauman, Bruce, --- Criticism and interpretation. --- Themes, motives. --- Exhibitions --- Artists --- Sculpture, Modern --- Glass sculpture --- Art, Modern --- Arts, Modern --- Avant-garde (Aesthetics) --- Modernism (Art) --- Philosophy, Modern --- Post-postmodernism --- 7.07 --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- 778.5.07 --- Conceptuele kunst ; videokunst ; 1965-2017 ; Bruce Nauman --- Body Art --- Process Art --- Tentoonstellingscatalogi ; New York ; MOMA --- Nauman, Bruce °1941 (°Fort Wayne, Indiana, Verenigde Staten) --- Videokunstenaars, laserkunstenaars, computerkunstenaars, klank en beeld kunstenaars --- MAD-faculty 18 --- hedendaagse kunstenaars

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Focuses on contemporary sculpture. This book presents objects which are derived from various conceivable materials and vary from abstract arrangements to re-configurations of everyday forms in magnificent transformations of the mundane, such as giant electric sockets, to the recurring theme of the human body.

sculpting --- beeldhouwkunst --- Sculpture --- anno 2000-2009 --- Sculpture, Modern --- 73.039 --- Beeldhouwkunst ; 2000 - 2050 --- Beeldhouwkunst ; installaties ; 21ste eeuw ; naslagwerken --- Kunstverzamelingen ; the Saatchi Collection --- departement Beeldende Kunst 10 --- hedendaagse kunst --- sculpturen