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The history of white people
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ISBN: 9780393049343 Year: 2010 Publisher: New York London : W. W. Norton,

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A mind-expanding and myth-destroying exploration of notions of white race—not merely a skin color but also a signal of power, prestige, and beauty to be withheld and granted selectively Ever since the Enlightenment, race theory and its inevitable partner, racism, have followed a crooked road, constructed by dominant peoples to justify their domination of others. Filling a huge gap in historical literature that long focused on the non-white, eminent historian Nell Irvin Painter guides us through more than two thousand years of Western civilization, tracing not only the invention of the idea of race but also the frequent worship of “whiteness” for economic, social, scientific, and political ends. Our story begins in Greek and Roman antiquity, where the concept of race did not exist, only geography and the opportunity to conquer and enslave others. Not until the eighteenth century did an obsession with whiteness flourish, with the German invention of the notion of Caucasian beauty. This theory made northern Europeans into “Saxons,” “Anglo-Saxons,” and “Teutons,” envisioned as uniquely handsome natural rulers. Here was a worldview congenial to northern Europeans bent on empire. There followed an explosion of theories of race, now focusing on racial temperament as well as skin color. Spread by such intellectuals as Madame de Stael and Thomas Carlyle, white race theory soon reached North America with a vengeance. Its chief spokesman, Ralph Waldo Emerson, did the most to label Anglo-Saxons—icons of beauty and virtue—as the only true Americans. It was an ideal that excluded not only blacks but also all ethnic groups not of Protestant, northern European background. The Irish and Native Americans were out and, later, so were the Chinese, Jews, Italians, Slavs, and Greeks—all deemed racially alien. Did immigrations threaten the very existence of America? Americans were assumed to be white, but who among poor immigrants could become truly American? A tortured and convoluted series of scientific explorations developed—theories intended to keep Anglo-Saxons at the top: the ever-popular measurement of skulls, the powerful eugenics movement, and highly biased intelligence tests—all designed to keep working people out and down. As Painter reveals, power—supported by economics, science, and politics—continued to drive exclusionary notions of whiteness until, deep into the twentieth century, political realities enlarged the category of truly American. A story filled with towering historical figures, The History of White People forcefully reminds us that the concept of one white race is a recent invention. The meaning, importance, and realty of this all-too-human thesis of race have buckled under the weight of a long and rich unfolding of events.

40 ans d'indépendance. Mythes et réalités. Tome IV. Questions politiques.
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ISBN: 2738473237 Year: 2004 Publisher: Lubumbashi Presses Universitaires de Lubumbashi

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Text-aided archaeology
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ISBN: 0849388538 Year: 1992 Publisher: Boca Raton CRC Press

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Modern material culture : the archaeology of us
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ISBN: 0122935802 1483299201 Year: 1981 Publisher: New York Academic Press

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Presenting archaeology to the public : Digging for truths
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ISBN: 9780761989097 0761989080 9780761989080 0761989099 Year: 1997 Publisher: Walnut Creek AltaMira Press

"Building the nation back up" : the politics of identity on the Pine Ridge Indian reservation
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ISBN: 9155440533 Year: 1997 Publisher: Uppsala : Acta universitatis upsaliensis,

Standardmethods for the examination of water & wastewater : 2005.
Authors: --- --- --- --- --- et al.
ISBN: 0875530478 9780875530475 Year: 2006 Publisher: Washington American public health association

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"The Twenty-First Edition has continued the trend to revise methods as issues are identified and contains further refined quality assurance requirements in a number of Parts [sic] and new data on precision and bias. New methods have been added in Parts 2000, 4000, 5000, 6000, 7000, 8000, and 9000, and numerous methods have been revised. Details of these changes appear on the reverse of the title page for each part."--Pref. p. iv.

The Black Atlantic : modernity and double consciousness
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ISBN: 0674076060 9780674076068 Year: 1993 Publisher: Cambridge : Harvard University press,

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Afrocentrism. Eurocentrism. Caribbean Studies. British Studies. To the forces of cultural nationalism hunkered down in their camps, this bold hook sounds a liberating call. There is,Paul Gilroy tells us, a culture that is not specifically African, American, Caribbean, or British, but all of these at once, a black Atlantic culture whose themes and techniques transcend ethnicity and nationality to produce something new and, until now, unremarked. Challenging the practices and assumptions of cultural studies, The Black Atlantic also complicates and enriches our understanding of modernism. Debates about postmodernism have cast an unfashionable pall over questions of historical periodization. Gilroy bucks this trend by arguing that the development of black culture in the Americas arid Europe is a historical experience which can be called modern for a number of clear and specific reasons. For Hegel, the dialectic of master and slave was integral to modernity, and Gilroy considers the implications of this idea for a transatlantic culture. In search of a poetics reflecting the politics and history of this culture, he takes us on a transatlantic tour of the music that, for centuries, has transmitted racial messages and feeling around the world, from the Jubilee Singers in the nineteenth century to Jimi Hendrix to rap. He also explores this internationalism as it is manifested in black writing from the "double consciousness" of W. E. B. Du Bois to the "double vision" of Richard Wright to the compelling voice of Toni Morrison. In a final tour de force, Gilroy exposes the shared contours of black and Jewish concepts of diaspora in order both to establish a theoretical basis for healing rifts between blacks and Jews in contemporary culture and to further define the central theme of his book: that blacks have shaped a nationalism, if not a nation, within the shared culture of the black Atlantic.


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Libertés et sûreté dans un monde dangereux
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ISBN: 9782021005363 2021005364 Year: 2010 Publisher: Paris : Seuil,

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Black music in the Harlem Renaissance : a collection of essays
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ISBN: 0870498002 Year: 1993 Publisher: Knoxville : The University of Tennessee Press,

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