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En proposant une ethnographie de situations observées localement, cet ouvrage entend aller à l’encontre d’une vision universaliste vs particulariste de la globalisation. Envisageant les catégories forgées par et pour le Nord comme étant avant tout situées – ce qu’elles sont par définition –, il interroge à nouveau frais les processus de traduction, c’est-à-dire d’appropriation créative, de ces catégories qui s’ancrent dans des lieux et des histoires, et produisent de nouveaux imaginaires qui, à leur tour, circulent pour participer pleinement de la globalisation. Il questionne les logiques et les valeurs sous-jacentes aux pratiques, qui sont autant de leviers de l’identité, de la cohésion sociale et de la mobilisation collective. Il examine enfin les capacités d’actions, mais aussi les contraintes des musiciens et des danseurs qui réévaluent ainsi le rapport entre le local et le global selon les moyens qui sont à leur disposition et leurs stratégies propres. Au final, sans jamais minimiser les forces uniformisatrices de la globalisation, cet ouvrage analyse, à travers le prisme du champ artistique, la fabrique de « modernités multiples » à la fois distinctes de celle du Nord et en dialogue permanent avec elle.
Performing arts --- Dance --- Body image --- Art and globalization
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Image processing --- Traitement d'images --- Illustrations, images, etc. --- Analyse --- Analyse d'image --- Image analysis --- 552.1 --- GG Cartography --- Rock characteristics and properties generally. Physical and physicochemical petrology --- 552.1 Rock characteristics and properties generally. Physical and physicochemical petrology --- Analyse. --- Digitalisation
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Mind and body. --- Psychobiology. --- Identity (Psychology) --- Genetic psychology. --- Social evolution. --- Body image. --- Body schema. --- Identity (Psychology). --- Individuum. --- Soziologie. --- Beeld [Lichaams] --- Body [Human ]--Psychological aspects --- Body and mind --- Body image --- Body schema --- Corps [Image du ] --- Esprit et corps --- Geest en lichaam --- Image [Body ] --- Image corporelle --- Image du corps --- Lichaamsbeeld --- Lichaamsschema --- Mind --- Mind and body --- Mind-cure --- Schéma corporel --- Somatopsychics --- Philosophy and psychology of culture --- Sociology of culture --- Genetic psychology --- Psychobiology --- Social evolution --- Cultural evolution --- Cultural transformation --- Culture, Evolution of --- Culture --- Evolution --- Social change --- Biological psychology --- Biopsychology --- Biology --- Human behavior --- Psychology --- Biological psychiatry --- Body and soul (Philosophy) --- Human body --- Mind-body connection --- Mind-body relations --- Brain --- Dualism --- Philosophical anthropology --- Holistic medicine --- Mental healing --- Parousia (Philosophy) --- Phrenology --- Psychophysiology --- Self --- Personal identity --- Personality --- Ego (Psychology) --- Individuality --- Human genetics --- Psychological aspects
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Exhibitions --- Human figure in art --- Corps humain --- Image du corps --- Technologie et arts --- Technique --- Inventions utopiques --- Innovations --- Anthropologie --- Expositions --- Dans l'art --- Philosophie --- Aspect social
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Mass communications --- Art --- Sociology of culture --- #SBIB:052.GIFT --- #SBIB:309H520 --- #SBIB:316.7C120 --- 316.772.22 --- Audiovisuele communicatie: algemene werken --- Cultuursociologie: algemene en theoretische werken --- Audio-visuele, visuele communicatie. Beeldcommunicatie--(communicatiesociologie) --- Image (Philosophy) --- Photography. --- Semiotics and the arts. --- Visual perception. --- Psychoanalyse --- cultuur en religie --- 316.772.22 Audio-visuele, visuele communicatie. Beeldcommunicatie--(communicatiesociologie) --- Image (Philosophy). --- cultuur en religie. --- Cultuur en religie. --- Photography --- Semiotics and the arts --- Visual perception --- Optics, Psychological --- Vision --- Perception --- Visual discrimination --- Arts and semiotics --- Arts --- Philosophy --- Psychological aspects
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Cults --- Cultes --- Africa, West --- Afrique occidentale --- Religion --- Image of God --- 291.211 --- Aanbidding en verering: animisme; fetisjisme; totemisme --- -Africa, Western --- West Africa --- Western Africa --- -Religion --- 291.211 Aanbidding en verering: animisme; fetisjisme; totemisme --- Africa, Western --- Religion. --- Africa, West - Religion --- Animisme --- Dieux africains --- Fétichisme --- Objets rituels --- Aspect sociologique
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Art. --- Art contemporain --- Image --- Média --- Perception de l'art --- Théorie de l'art --- Art --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Art, Primitive
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Artists --- Art, West African --- West African art --- Persons --- Biennale di Venezia --- Venice Biennale --- International Art Exhibition --- Art Biennale --- Iconography --- Art --- Painting --- painting [image-making] --- Dia, Tamessir --- Dimé, Moustapha --- Faye, Mor --- Santoni, Gérard --- Watts, Ouattara --- anno 1900-1999 --- Africa --- Contemporary [style of art] --- hedendaagse kunst --- West Africa --- #breakthecanon --- culturele diversiteit (kunst)
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Large-scale comparisons are out of fashion in anthropology, but this book suggests a bold comparative approach to broad cultural differences between Africa and Melanesia. Its theme is personhood, which is understood in terms of what anthropologists call 'embodiment'. These concepts are applied to questions ranging from the meanings of spirit possession, to the logics of witchcraft and kinship relations, the use of rituals to heal the sick, 'electric vampires', and even the impact of capitalism. There are detailed ethnographic analyses, and suggestive comparisons of classic African and Melanesian ethnographic cases, such as the Nuer and the Melpa. The contributors debate alternative strategies for cross-cultural comparison, and demonstrate that there is a surprising range of continuities, putting in question common assumptions about the huge differences between these two parts of the world.
Human body --- Corps humain --- Social aspects --- Symbolic aspects --- Aspect social --- Aspect symbolique --- #SBIB:39A9 --- Body, Human --- -Body, Human --- Human beings --- Body image --- Human anatomy --- Human physiology --- Mind and body --- Medische antropologie / gezondheid / handicaps --- -Social aspects --- -Symbolic aspects --- -Human body --- -Medische antropologie / gezondheid / handicaps --- -#SBIB:39A9 --- Social Sciences --- Anthropology --- Body, Human - Social aspects - Melanesia - Congresses --- Body, Human - Social aspects - Africa - Congresses --- Body, Human - Symbolic aspects - Africa - Congresses --- Body, Human - Symbolic aspects - Melanesia - Congresses
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This volume examines the dynamic relationship between the body, clothing, and identity in sub-Saharan Africa and raises questions that have previously been directed almost exclusively to a Western and urban context. Unusual in its treatment of the body surface as a critical frontier in the production and authentification of identity, Clothing and Difference shows how the body and its adornment have been used to construct and contest social and individual identities in Nigeria, Zimbabwe, Tanzania, Kenya, and other African societies during both colonial and post-colonial times.Grounded in the insights of anthropology and history and influenced by developments in cultural studies, these essays investigate the relations between the personal and the public, and between ideas about the self and those about the family, gender, and national groups. They explore the bodily and material creation of the changing identities of women, spirits, youths, ancestors, and entrepreneurs through a consideration of topics such as fashion, spirit possession, commodity exchange, hygiene, and mourning.By taking African societies as its focus, Clothing and Difference demonstrates that factors considered integral to Western social development—heterogeneity, migration, urbanization, transnational exchange, and media representation—have existed elsewhere in different configurations and with different outcomes. With significance for a wide range of fields, including gender studies, cultural studies, art history, performance studies, political science, semiotics, economics, folklore, and fashion and textile analysis/design, this work provides alternative views of the structures underpinning Western systems of commodification, postmodernism, and cultural differentiation.Contributors. Misty Bastian, Timothy Burke, Hildi Hendrickson, Deborah James, Adeline Masquelier, Elisha Renne, Johanna Schoss, Brad Weiss
#SBIB:39A5 --- #SBIB:39A73 --- #SBIB:309H53 --- #SBIB:316.7C121 --- Kunst, habitat, materiële cultuur en ontspanning --- Etnografie: Afrika --- Niet-verbale communicatie --- Cultuursociologie: gedragspatronen, levensstijl --- Clothing and dress --- Human body --- Identity (Psychology) --- History --- Psychological aspects. --- Social aspects --- Personal identity --- Body, Human --- Apparel --- Clothes --- Clothing --- Clothing and dress, Primitive --- Dress --- Dressing (Clothing) --- Garments --- Psychological aspects --- Personality --- Self --- Ego (Psychology) --- Individuality --- Human beings --- Body image --- Human anatomy --- Human physiology --- Mind and body --- Beauty, Personal --- Manners and customs --- Fashion --- Undressing
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