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Art --- video recordings --- installations [visual works] --- photography [process] --- sociology --- politics --- humor --- community art --- sculpting --- interactive art --- globalization --- refugees --- Hazoumè, Romuald --- video recordings [physical artifacts] --- video-stills

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African cinema in the 1960's originated mainly from Francophone countries. It resembled the art cinema of contemporary Europe and relied on support from the French film industry and the French state. Beginning in1969 the biennial Festival panafricain du cinéma et de la télévision de Ouagadougou (FESPACO), held in Burkina Faso, became the major showcase for these films. But since the early 1990's, a new phenomenon has come to dominate the African cinema world: mass-marketed films shot on less expensive video cameras. These "Nollywood" films, so named because many originate in southern Nigeria

Film --- Africa --- Video recordings --- Video recordings industry --- Motion pictures --- Vidéos --- Vidéo --- Cinéma --- Social aspects --- Aspect social --- Industrie --- #SBIB:39A8 --- #SBIB:309H1313 --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Video industry --- Video tape production industry --- Motion picture industry --- Videorecordings --- Videos --- Antropologie: linguïstiek, audiovisuele cultuur, antropologie van media en representatie --- Geschiedenis en/of organisatie van het filmwezen: algemeen en per land (met inbegrip van de rol van het filmwezen in de ontwikkelingsproblematiek) --- History and criticism --- Motion pictures -- Social aspects -- Africa, West. --- Video recordings -- Social aspects -- Ghana. --- Video recordings -- Social aspects -- Nigeria. --- Video recordings industry -- Ghana. --- Video recordings industry -- Nigeria. --- Music, Dance, Drama & Film --- Vidéos --- Vidéo --- Cinéma