Listing 1 - 10 of 26 | << page >> |
Sort by
|
Choose an application
Feminist films --- Experimental films --- Feminist cinema --- Feminist motion pictures --- Women's liberation films --- Motion pictures --- History and criticism. --- Rainer, Yvonne, --- Film --- Rainer, Yvonne --- United States --- United States of America --- Film directors --- Book
Choose an application
Offers intersectional, intergenerational, and international perspectives on nonfiction film- and video-making by and about women, examining practices that range from activist documentaries to avant-garde experiments. Concentrating primarily on the period between the 1970s and 1990s, the contributions revisit major figures, contexts, and debates across a polycentric, global geography. They explore how the moving image has been a crucial terrain of feminist struggle--a way of not only picturing the world but remaking it. The contributors consider key decolonial filmmakers, including Trinh T. Minh-ha and Sarah Maldoror; explore collectively produced films with ties to women's liberation movements in different countries; and investigate the cinematic expressions of tensions and alliances between feminism and anti-imperialist struggles. They grapple with the need for a broader more inclusive definition of the term “feminism”; meditate on the figure of the grandmother; reflect on realist aesthetics; and ask what a feminist film historiography might look like. The book, illustrated with film stills and other images, many in color, offers ten original texts, two conversations, and eight short essays composed in response to historical texts written by filmmakers. The historical texts, half of which are published in English for the first time, appear alongside the essays. --From publisher description.
Nonfiction films --- Feminist films --- kunst --- film --- feminisme --- film en feminisme --- kunst en feminisme --- documentaire --- vrouwen --- activisme --- Ahwesh Peggy --- Akerman Chantal --- 791.43 --- Feminist cinema --- Feminist motion pictures --- Women's liberation films --- Motion pictures --- Nonstory films --- History and criticism --- Films documentaires --- Cinéma et femmes. --- Femmes vidéastes. --- Réalisatrices de cinéma. --- History and criticism. --- Documentary films --- Women motion picture producers and directors --- Féminisme et cinéma --- Femmes vidéastes --- Catalogues d'exposition --- Féminisme --- Cinéma --- Philosophy and psychology of culture --- Film --- feminism --- documentary films --- documentary filmmakers --- cultuurkritiek --- documentary film --- Movies --- Art history --- Film directors --- Book --- Decolonization --- Documentaries --- Intersectionality --- Feminism and motion pictures. --- Feminist films. --- Femmes au cinéma. --- Femmes dans l'industrie cinématographique. --- Films autres que de fiction --- Films féministes --- Féminisme et cinéma. --- Nonfiction films. --- Productrices et réalisatrices de cinéma. --- SOCIAL SCIENCE / Feminism & Feminist Theory. --- Women in motion pictures. --- Women in the motion picture industry. --- Women motion picture producers and directors. --- filmmakers. --- Histoire et critique.
Choose an application
Sexualité --- Films érotiques --- Sex in motion pictures. --- Erotic films --- Au cinéma --- Histoire et critique --- History and criticism. --- History and criticism --- Au cinéma. --- Histoire et critique. --- Sexology --- Film --- anno 1900-1999 --- United States --- United States of America --- Movies --- Sexuality --- Book --- Imaging
Choose an application
Pornography --- Erotic films --- Social aspects --- History and criticism --- Pornographic films --- Social aspects. --- History and criticism. --- Sociology of the family. Sociology of sexuality --- Sociology of culture --- Fiction --- Film --- Mass communications --- United States --- Japan --- Pornography - Social aspects --- Erotic films - History and criticism --- United States of America --- Race --- Movies --- Homosexuality --- Comic strips --- Internet --- Book
Choose an application
Since the 1980s the number of women regularly directing films has increased significantly in most Western countries: in France, Claire Denis and Catherine Breillat have joined Agnes Varda in gaining international renown, while British directors Lynne Ramsay and Andrea Arnold have forged award-winning careers in feature film. This new volume in the Thinking Cinema series draws on feminist theorists and critics from Simone de Beauvoir on to offer readings of a range of the most important and memorable of these films from the 1990s and 2000s, focusing as it does so on how the films convey women's lives and identities.Mainstream entertainment cinema traditionally distorts the representation of women, objectifying their bodies, minimizing their agency,and avoiding the most important questions about how cinema can 'do justice' to female subjectivity: Kate Ince suggests that the films of independent women directors are progressively redressing the balance, and thereby reinvigorating both the narratives and the formal ambitions of European cinema. Ince uses feminist philosophers to cast a new veil over such films as Sex Is Comedy, Morvern Callar, White Material, and Fish Tank; and includes a timeline ofdevelopments in women's film-making and feminist film theory from 1970 to 2011.
Women in motion pictures. --- Motion pictures --- Women motion picture producers and directors --- Feminist films --- Feminism and motion pictures --- Feminism and motion pictures. --- Feminist films. --- Motion pictures. --- Women motion picture producers and directors. --- History and criticism. --- France. --- Great Britain. --- France --- Great Britain --- Motion pictures and feminism --- Feminist cinema --- Feminist motion pictures --- Women's liberation films --- Women moving-picture producers and directors --- Motion picture producers and directors --- Women in the motion picture industry --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism --- Feminism --- Movie review --- Viewing habits --- Body --- Language use --- Theory --- Book
Choose an application
Sociology of work --- Photography --- anno 1900-1909 --- anno 1910-1919 --- Netherlands --- Theses --- Documentary films --- Documentary photography --- Factory system --- Women --- Documentary films--Netherlands. --- Documentary photography--Netherlands. --- Women--Employment--Netherlands--History. --- History and criticism. --- Employment --- History --- anno 1900-1999 --- anno 1800-1899 --- History and criticism --- Human females --- Wimmin --- Woman --- Womon --- Womyn --- Females --- Human beings --- Femininity --- Manufactures --- Photography, Documentary --- Documentaries, Motion picture --- Documentary videos --- Factual films --- Motion picture documentaries --- Moving-pictures, Documentary --- Documentary mass media --- Nonfiction films --- Actualities (Motion pictures) --- Movies --- Working-class women --- Images of women --- Women's movements --- Book --- Turn of the century --- Imaging
Choose an application
Had men in de gouden jaren van de stille cinema echt genoeg aan slechts 'gezichten', zoals een fictieve filmdiva uit de film Sunset Boulevard (1950) ons wil laten geloven? Mooi zijn en zwijgen betoogt dat stille film veel meer was dan enkel de mooie snoetjes van de grote sterren. Het nieuwe medium liet zich immers ook kenmerken door zijn ongetemde humor, krachtige maatschappijkritiek, progressieve ideeën, narratieve speelsheid en picturale schoonheid. Bovendien waren er in de stille periode achter de schermen historisch veel vrouwen aan de slag in creatieve en leidinggevende functies.Dit boek beschrijft de verwondering en veelzijdigheid van deze vandaag wat ongekende en onbeminde cinema en heeft daarbij bijzondere aandacht voor de markantste vrouwen van het Amerikaanse stille scherm.
#SBIB:309H1320 --- #SBIB:309H1326 --- #SBIB:309H1328 --- De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- Films met een ideologische en spiegelfunctie --- Film --- silent films --- anno 1800-1899 --- anno 1900-1999 --- United States --- 791.43.01 --- 791.43.037 --- 791.43(7) --- Film ; stille film ; stomme film --- Films ; van vrouwen --- Filmkunst ; theorie, filosofie, esthetica --- Filmkunst ; filmproduktie ; 1900 - 1950 --- Filmkunst ; Noord-Amerika --- United States of America --- Movies --- Book
Choose an application
Productrices de cinéma --- Feminism and motion pictures --- Women motion picture producers and directors --- Deren, Maya, --- Clarke, Shirley, --- Wieland, Joyce, --- Deren, Maya. --- Clarke, Shirley. --- Wieland, Joyce --- Clarke, Shirley --- Films expérimentaux --- Féminisme et cinéma --- Experimental films --- Histoire et critique --- History and criticism. --- History --- Film --- Deren, Maya --- anno 1900-1999 --- United States --- Histoire et critique. --- United States of America --- Movie review --- Movies --- Film directors --- Book
Choose an application
From pornography to autobiography, from the Cold War to the sexual revolution, from rural roots and mythologies to the queer meccas of Vancouver, Toronto, and Montreal, The Romance of Transgression in Canada is a history of sexual representation on the large and small screen in English Canada and Quebec. Thomas Waugh identifies the queerness that has emerged at the centre of our national sex-obsessed cinema, filling a gap in the scholarly literature. In Part One he explores the explosive canon of artists such as Norman McLaren, Claude Jutra, Colin Campbell, Paul Wong, John Greyson, Patricia Rozema, Lea Pool, Bruce Labruce, Esther Valiquette, Marc Paradis, and Mirha-Soleil Ross. Part Two is an encyclopaedia of short essays covering 340 filmmakers, video artists, and institutions. The Romance of Transgression in Canada is both a scholarly account and a celebration of Canadian LGBTQ films - moving images that have scandalized conservative politicans, but are the envy of queer cultural festivals around the world.
Homosexuality in motion pictures. --- Gays in motion pictures. --- Lesbians in motion pictures. --- Motion pictures --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism. --- History and criticism --- Sociology of the family. Sociology of sexuality --- Film --- History --- Canada --- Homosexuality --- Video --- Book --- Imaging --- Gay people in motion pictures.
Choose an application
""Written with unequivocal enthusiasm for film, feminism and theory, ""Women and Film"" is a welcome and useful guide to a complex area.""--""The Arts""
Women in motion pictures. --- Women in the motion picture industry. --- Feminist films --- Feminist cinema --- Feminist motion pictures --- Women's liberation films --- Motion pictures --- Motion picture industry --- History and criticism. --- Developmental psychology --- Sociology of the family. Sociology of sexuality --- Sexology --- Film --- Movie review --- Movies --- Homosexuality --- International --- Masculinity --- Film directors --- Theory --- Images of women --- Féminité --- Actors --- Book --- Courses
Listing 1 - 10 of 26 | << page >> |
Sort by
|