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History of civilization --- History of Europe --- anno 1600-1699 --- anno 1700-1799 --- anno 1800-1899 --- Europe --- Material culture in literature --- Material culture --- Women consumers --- Women --- Women as consumers --- Consumers --- Culture --- Folklore --- Technology --- History --- Social conditions --- vrouwen --- gender --- cultuurgeschiedenis --- handel --- sociale geschiedenis --- mode --- beeldhouwkunst --- toegepaste kunst --- bibliologie --- More, Hannah --- Jarvis, Fanny --- Fedorovna, Maria (Tsarina van Rusland) --- 1660 - 1830 --- 17de eeuw --- 18de eeuw --- 19de eeuw --- vrouwen. --- gender. --- cultuurgeschiedenis. --- handel. --- sociale geschiedenis. --- mode. --- sculptuur. --- toegepaste kunst. --- bibliologie. --- More, Hannah. --- Jarvis, Fanny. --- Fedorovna, Maria (Tsarina van Rusland). --- 1660 - 1830. --- 17de eeuw. --- 18de eeuw. --- 19de eeuw. --- Reading habits --- Literature --- Fashion --- Writers --- Publishing houses --- Sculpture --- Libraries --- Book --- Consumption --- sculptuur

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cultuursociologie --- Sociology of culture --- 316.7 --- Culture --- Popular culture. --- Folklore --- #SBIB:309H040 --- #SBIB:316.7C140 --- Folk beliefs --- Folk-lore --- Traditions --- Ethnology --- Manners and customs --- Material culture --- Mythology --- Oral tradition --- Storytelling --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Cultural sociology --- Civilization --- Cultuursociologie --(algemeen) --- Populaire cultuur algemeen --- Cultuursociologie: cultuur en globale samenlevingen --- Social aspects --- Culture. --- Folklore. --- 316.7 Cultuursociologie --(algemeen) --- Netherlands --- Popular culture --- C3 --- volkscultuur --- volkskunde --- cultuurgeschiedenis (x) --- Kunst en cultuur --- Book --- Anthropology

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In dit relaas van acht eeuwen feminisme en privaat leven in China gaan de geschiedenis van de vrouwen en die van technologie hand in hand. Het stelt de traditionele misvatting in vraag die Chinese vrouwen in een keurslijf dwingt, waarin zij worden beroofd van alle rechten en vrijheden, dermate belemmerd in hun doen en laten dat ze onmogelijk aan het productieproces konden deelnemen. De auteur stelt het concept gynotechniek voor, een reeks alledaagse technologische hulpmiddelen die de rol van de vrouwen in de maatschappij helpen te bepalen. Zij wil hierbij op een creatieve wijze de morele en sociale principes van de samenleving vertelen in een netwerk van materiële vormen en lichamelijke praktijken.

S11/0710 --- S11/0490 --- S19/0160 --- China: Social sciences--Women: general and before 1949 --- China: Social sciences--Society: general --- China: Natural sciences--Technology, inventions --- Sex role --- Technology --- Women --- History. --- Social aspects --- Social conditions. --- China --- Social conditions --- History --- Physiology: reproduction & development. Ages of life --- Human medicine --- Sociology of the family. Sociology of sexuality --- Sociology of work --- Sociology of environment --- Manufacturing technologies --- Sociology of culture --- Engineering sciences. Technology --- Applied science --- Arts, Useful --- Science, Applied --- Useful arts --- Science --- Industrial arts --- Material culture --- Social aspects&delete& --- 960-1644 --- Qing dynasty, 1644-1912 --- Women - China - Social conditions. --- Technology - Social aspects - China - History. --- China - Social conditions - 960-1644. --- China - Social conditions - 1644-1912. --- Family --- Contraception --- Relationship man and women --- Medical sciences --- Motherhood --- Norms --- Working-class women --- Sexual division of labour --- Patriarchy --- Textile sector --- Housing --- Book

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The history of footbinding is full of contradictions and unexpected turns. The practice originated in the dance culture of China's medieval court and spread to gentry families, brothels, maid's quarters, and peasant households. Conventional views of footbinding as patriarchal oppression often neglect its complex history and the incentives of the women involved. This revisionist history, elegantly written and meticulously researched, presents a fascinating new picture of the practice from its beginnings in the tenth century to its demise in the twentieth century. Neither condemning nor defending foot-binding, Dorothy Ko debunks many myths and misconceptions about its origins, development, and eventual end, exploring in the process the entanglements of male power and female desires during the practice's thousand-year history. Cinderella's Sisters argues that rather than stemming from sexual perversion, men's desire for bound feet was connected to larger concerns such as cultural nostalgia, regional rivalries, and claims of male privilege. Nor were women hapless victims, the author contends. Ko describes how women-those who could afford it-bound their own and their daughters' feet to signal their high status and self-respect. Femininity, like the binding of feet, was associated with bodily labor and domestic work, and properly bound feet and beautifully made shoes both required exquisite skills and technical knowledge passed from generation to generation. Throughout her narrative, Ko deftly wields methods of social history, literary criticism, material culture studies, and the history of the body and fashion to illustrate how a practice that began as embodied lyricism-as a way to live as the poets imagined-ended up being an exercise in excess and folly.

S11/0710 --- S11/0742 --- China: Social sciences--Women: general and before 1949 --- China: Social sciences--Footbinding --- Footbinding --- Bandage des pieds --- History --- Pathology --- Sociology of the family. Sociology of sexuality --- Human physiology --- China --- Binding of feet --- Foot --- Foot-binding --- Deformities, Artificial --- Artificial deformities --- Binding --- Abnormalities --- Social aspects. --- Feet --- Paw --- Paws --- Leg --- age of disavowal. --- beauty. --- china. --- chinese culture. --- chinese history. --- cultural nostalgia. --- dance culture. --- embodied lyricism. --- fangzu. --- fashion and clothing. --- female body. --- female desire. --- femininity. --- footbinding. --- gender expectations. --- gender performance. --- gender studies. --- high status. --- historical. --- history. --- imaginary geography. --- male desire. --- male power. --- male privilege. --- material culture studies. --- medieval court. --- men and women. --- patriarchal oppression. --- political. --- regional rivalry. --- self respect. --- social history. --- tianzu. --- Mutilations --- Images of women --- Female body --- Book

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Gender Hate Online addresses the dynamic nature of misogyny: how it travels, what technological and cultural affordances support or obstruct this and what impact reappropriated expressions of misogyny have in other cultures. It adds significantly to an emergent body of scholarship on this topic by bringing together a variety of theoretical approaches, while also including reflections on the past, present, and future of feminism and its interconnections with technologies and media. It also addresses the fact that most work on this area has been focused on the Global North, by including perspectives from Pakistan, India and Russia as well as intersectional and transcultural analyses. Finally, it addresses ways in which women fight back and reclaim online spaces, offering practical applications as well as critical analyses. This edited collection therefore addresses a substantial gap in scholarship by bringing together a body of work exclusively devoted to this topic. With perspectives from a variety of disciplines and geographic bases, the volume will be of major interest to scholars and students in the fields of gender, new media and hate speech. Debbie Ging is Associate Professor of Media Studies in the School of Communications at Dublin City University, Ireland. Eugenia Siapera is Associate Professor of Digital and Social Media and Deputy Director of the Institute for Future Media and Journalism in the School of Communications at Dublin City University, Ireland.

Culture. --- Gender. --- Technology. --- Digital media. --- Social media. --- Communication. --- Culture and Gender. --- Culture and Technology. --- Digital/New Media. --- Social Media. --- Media and Communication. --- Communication, Primitive --- Mass communication --- Sociology --- User-generated media --- Communication --- User-generated content --- Electronic media --- New media (Digital media) --- Mass media --- Digital communications --- Online journalism --- Applied science --- Arts, Useful --- Science, Applied --- Useful arts --- Science --- Industrial arts --- Material culture --- Cultural sociology --- Culture --- Sociology of culture --- Civilization --- Popular culture --- Social aspects --- Computer crimes. --- Hate crimes. --- Internet --- Misogyny. --- Social media --- Women --- Moral and ethical aspects. --- Crimes against. --- Social problems --- Estudis de gènere --- Antifeminisme --- Mitjans de comunicació de massa --- Investigació sobre gènere --- Investigació en ciències socials --- Diferències entre sexes --- Estudis de dones --- Gènere --- Identitat sexual --- Relacions home-dona --- Rol sexual --- Comunicació de massa --- Mitjans de comunicació --- Comunicació --- Informació --- Sociologia --- Cinematografia --- Dones en els mitjans de comunicació de massa --- Mitjans de comunicació de massa locals --- Mitjans de comunicació digitals --- Multimodalitat --- Premsa --- Publicitat destinada als infants --- Radiodifusió --- Rol sexual en els mitjans de comunicació de massa --- Sexisme en els mitjans de comunicació de massa --- Televisió --- Transmèdia --- Subscripció (Mitjans de comunicació de massa) --- Sexisme --- Feminisme --- Identitat de gènere --- Antifeminism --- Misogyny --- Theory --- Online hate speech. --- Anti-feminism. --- Socialinguistics.