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Motion pictures --- Women motion picture producers and directors --- History --- Film --- Mexico --- Movies --- Film directors --- Book

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"Without didacticism, Film Fatales addresses the complexity of... issues, problems and conflicts for women directors. We hope this book will make more people aware of both how accomplished women directors are... and how many obstacles women stil face. Film Fatales is not a semiotic text nor a collection of film theory or criticism. Although we have incorporated some criticism into the profiles of these filmmakers as well as some of our own wealth of information on cinema, our primary goal was to present and contextualize the work of these women by allowing them to speak in their own words about their work, what it means and why they do it, as directors who have had to battle in various ways to get their work made, exhibited and distributed." - Page 22.

Women motion picture producers and directors. --- Women motion picture producers and directors --- Productrices et réalisatrices de cinéma --- Interviews --- Entretiens --- Film --- film --- twintigste eeuw --- filmgeschiedenis --- filmregisseurs --- vrouwen --- 791.471 AAAA --- KFL --- Women moving-picture producers and directors --- Motion picture producers and directors --- Women in the motion picture industry --- Movies --- International --- Film directors --- Book

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Feminism and motion pictures. --- Motion pictures --- Women motion picture producers and directors --- Production and direction. --- Film --- United States --- United States of America --- Movies --- Film directors --- Book

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Since the 1980s the number of women regularly directing films has increased significantly in most Western countries: in France, Claire Denis and Catherine Breillat have joined Agnes Varda in gaining international renown, while British directors Lynne Ramsay and Andrea Arnold have forged award-winning careers in feature film. This new volume in the Thinking Cinema series draws on feminist theorists and critics from Simone de Beauvoir on to offer readings of a range of the most important and memorable of these films from the 1990s and 2000s, focusing as it does so on how the films convey women's lives and identities.Mainstream entertainment cinema traditionally distorts the representation of women, objectifying their bodies, minimizing their agency,and avoiding the most important questions about how cinema can 'do justice' to female subjectivity: Kate Ince suggests that the films of independent women directors are progressively redressing the balance, and thereby reinvigorating both the narratives and the formal ambitions of European cinema. Ince uses feminist philosophers to cast a new veil over such films as Sex Is Comedy, Morvern Callar, White Material, and Fish Tank; and includes a timeline ofdevelopments in women's film-making and feminist film theory from 1970 to 2011.

Women in motion pictures. --- Motion pictures --- Women motion picture producers and directors --- Feminist films --- Feminism and motion pictures --- Feminism and motion pictures. --- Feminist films. --- Motion pictures. --- Women motion picture producers and directors. --- History and criticism. --- France. --- Great Britain. --- France --- Great Britain --- Motion pictures and feminism --- Feminist cinema --- Feminist motion pictures --- Women's liberation films --- Women moving-picture producers and directors --- Motion picture producers and directors --- Women in the motion picture industry --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism --- Feminism --- Movie review --- Viewing habits --- Body --- Language use --- Theory --- Book

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Women motion picture producers and directors --- Women in the motion picture industry --- Women in motion pictures --- Productrices et réalisatrices de cinéma --- Femmes dans l'industrie cinématographique --- Femmes au cinéma --- Film --- France --- Movies --- Book