Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

9789491819414

kubisme --- avant-garde --- La Section d'Or (Parijs) --- Der Sturm (1910-1932) --- Donas, Marthe --- Archipenko, Alexander --- Cubist --- easel paintings [paintings by form] --- anno 1900-1999 --- Belgium --- Catalogs --- Criticism and interpretation --- Abstracte kunst --- Kubisme --- Avant-garde --- kunst --- twintigste eeuw --- schilderkunst --- 75.071 DONAS --- Donas Marthe --- België --- gender studies --- feminisme --- geometrische abstractie --- abstractie --- tekenkunst --- 75.07 --- 75.037 --- Schilderkunst ; 20ste eeuw ; Marthe Donas --- Avant-garde ; Europa --- Der Sturm --- Vrouwelijke kunstenaars --- Belgische kunstenaars --- Donas, Marthe (mannelijk pseudoniem Tour Donas of Tour d'Onasky) 1885-1967 (°Antwerpen, België) --- Gender studies --- Futurisme ; en invloeden buiten Italië --- Schilderkunst ; schilders --- Schilderkunst ; 1900 - 1950 --- Exhibitions --- Avant-garde (Aesthetics) --- History --- Donas, Marthe, --- Painters --- Painting, Belgian --- kubisme. --- avant-garde. --- La Section d'Or (Parijs). --- Der Sturm (1910-1932). --- Donas, Marthe. --- Archipenko, Alexander. --- Artists --- Painting --- Biographical details --- Book --- paintings [visual works]

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Male bonds were omnipresent in nineteenth-century European artistic scenes, impacting the creation, presentation, and reception of art in decisive ways. Men’s lives and careers bore the marks of their relations with other men. Yet, such male bonds are seldom acknowledged for what they are: gendered and historically determined social constructs. This volume shines a critical light on male homosociality in the arts of the long nineteenth century by combining art history with the insights of gender and queer history. From this interdisciplinary perspective, the contributing authors present case studies of men’s relationships in a variety of contexts, which range from the Hungarian Reform Age to the Belgian fin de siècle. As a whole, the book offers a historicizing survey of the male bonds that underpinned nineteenth-century art and a thought-provoking reflection on its theoretical and methodological implications. --

7.04 --- 392.6 --- 392.6 Seksualiteit. Seksueel leven. Concubinaat. Samenwonen. Prostitutie. Erotiek. Seksuele gebruiken. Liefdeskunst --- Seksualiteit. Seksueel leven. Concubinaat. Samenwonen. Prostitutie. Erotiek. Seksuele gebruiken. Liefdeskunst --- 7.04 Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding --- Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding --- Men in art --- Painting, Modern --- Sculpture, Modern --- Art, Modern --- Themes, motives. --- Themes, motives --- Sociology of the family. Sociology of sexuality --- Art --- anno 1800-1899 --- Europe --- iconography --- male homosexuality --- gender. --- orientalisme. --- (naakte) menselijke figuur; ‘Corpo humano’ (Ripa). --- Grand Tour. --- geschiedenis. --- militaire geschiedenis. --- Dalou, Jules. --- Stevens, Alfred. --- Stevens, Arthur. --- Vuillard, Édouard. --- Roussel, Ker-Xavier. --- Meunier, Constantin. --- Minne, George. --- Bazille, Frédéric. --- Chaperon, Eugène. --- Fuller, Loïe. --- Lambeaux, Jef. --- Van der Stappen, Charles. --- 19de eeuw. --- Gender --- History --- Family --- Homosexuality --- Queer --- Body --- Body care --- Masculinity --- Relationships --- Sexuality --- Friendships --- Book