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A victim of anonymity : the Master of the Saint Bartholomew Altarpiece
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ISBN: 0500550263 9780500550267 Year: 1993 Volume: 25 Publisher: London Thames & Hudson

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Are there miscarriages of justice in art history ? Neil MacGregor believes there are. However great an artist, if his name is lost he will not receive a fair verdict from posterity. No exhibitions will be devoted to his work ; no books will be written about him ; he will not even figure in indexes. Among these neglected geniuses is the 15th century painter known only as the Master of the Saint Bartholomew Alterpiece. He may have been Netherlandish or German ; he may or may not have been a monk. On stylistic grounds an oeuvre of half a dozen paintings, three of them large altarpieces, are attributed to him, and from them a vivid, if hypothetical, personality can be built up : emotional, compassionate, observant, original, humorous. All that is certain is that he was a great painter whose name, if known, would rank with Botticelli or Holbein. In "A victim of anonymity", the director of the National Galley, London, corrects the judgement of history by demonstrating the power of this unacknowleged master. MacGregor makes us look closely at works that are all too easily passed over, showing us a peerless artist whose paintings derive their frame from nothing but their own superlative merits.


Book
[Boekbespr.] Rubens before 1620 : Edited by J.R. Martin [...]
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'To the happier carpenter': Rembrandt's war-heroine Margaretha de Geer, the London public and the right to pictures
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ISBN: 9080169145 Year: 1995 Publisher: Groningen Gerson Lectures Foundation

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Keywords

Rembrandt


Book
Making masterpieces
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ISBN: 1901710017 Year: 1997 Publisher: London BBC Education Production

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Book
Fransk Guldalder : Poussin og Claude og maleriet i det 17.århundredes Frankrig : Mestervaerker fra National Gallery i London og andre samlinger
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ISBN: 8775510723 Year: 1992 Publisher: Kopenhagen Statens Museum for Kunst

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The image of Christ
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ISBN: 9781857092929 1857092929 0300083653 Year: 2000 Publisher: London National Gallery Company Limited

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"This book, and the exhibition it accompanies, express the confidence that modern secular audiences can engage with the masterpieces of Christian art at an emotional as well as a purely aesthetic or historical level. Their aim is to help the viewer understand these pictures by focusing attention on the purpose for which they were made, and exploring why they might have meant to their original viewers."--Jacket.


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Das andere Rubensbuch : Reinhold Baumstark zum Abschied

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