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Archeology --- Private houses --- Brussels --- Coudenberg palace (Brussels, Belgium) --- History --- Brussels (Belgium) --- Buildings, structures, etc. --- Coudenbergpaleis (Brussel) --- 718.2 --- 920 --- Brussel geschiedenis --- archeologie --- geschiedenis België --- histoire Belgique
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Delen, van, Jan --- Catholic church buildings --- Belgium --- Brussels (Belgium) --- Buildings, structures, etc. --- Sculptors --- Biography --- 17th century
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Mansions --- Architecture --- Hôtels particuliers --- Grand-Place (Brussels, Belgium) --- Grand-Place (Bruxelles, Belgique) --- Buildings, structures, etc. --- Constructions --- Hôtels particuliers --- Conservation and restoration --- Belgium --- Brussels (Belgium) --- History --- 17th century --- Grote markt van Brussel (Belgium) --- Private houses --- History of Belgium and Luxembourg --- Brussels --- Décoration intérieure --- Bruxelles (belgique) -- grand-place --- Conservation et restauration --- Belgique --- Bruxelles (belgique) --- 17e siècle --- Histoire
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The Seven Sorrows Devotion in its urban context: A ground-breaking interdisciplinary study of the Seven Sorrows confraternity of Brussels. 0Devotion to the Virgin of Seven Sorrows flourished in the Low Countries in the late fifteenth and early sixteenth centuries under the auspices of the court of Philip the Fair. Quickly becoming a widespread phenomenon, the Seven Sorrows devotion generated dramatic plays, artistic works, music, and numerous miracles. Underlying the popularity of the devotion was the network of confraternity chapters dedicated to the Virgin of Sorrows. Of these chapters, the Seven Sorrows confraternity of Brussels was singled out, receiving the special patronage of Philip the Fair, Maximilian I, and Margaret of Austria. Taking the confraternity of Brussels as a focal point, this volume examines the Seven Sorrows devotion in its urban context. The essays of this collection explore the artistic, musical, and dramatic products of the Seven Sorrows devotion as created in and by the civic networks and artistic channels of Brussels. The structure of the confraternity and its historical importance for the city are also demonstrated. As an important counterpoint to work in Italian confraternity studies, this volume is the first interdisciplinary study of a confraternity in the Low Countries in English.
Christian church history --- Christian special devotions --- Christian religious orders --- History of civilization --- anno 1600-1699 --- anno 1500-1599 --- Brussels --- Sorrows of the Blessed Virgin Mary, Devotion to --- Dévotion aux douleurs de la Vierge Marie --- History --- Histoire --- History. --- Brussels (Belgium) --- Belgium --- Church history. --- Civilization. --- Church history --- Civilization --- Dévotion aux douleurs de la Vierge Marie --- Sorrows of the Blessed Virgin Mary [Devotion to ] --- 16th century --- 17th century --- Music --- Bruderschaft. --- Sieben Schmerzen Mariä. --- Sorrows of the Blessed Virgin Mary, Devotion to. --- Belgium. --- Brüssel. --- Sorrows of the Blessed Virgin Mary, Devotion to - Belgium - Brussels - History --- Brussels (Belgium) - History --- Brussels (Belgium) - Church history --- Belgium - Civilization
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History --- Applied arts. Arts and crafts --- anno 1500-1599 --- Tapestry [Renaissance ] --- Belgium --- Brussels (Belgium) --- Tapestry --- Flanders (Belgium) --- Tapestry, Renaissance - Belgium - Brussels. --- Tapestry - Belgium - Brussels. --- Tapestry, Renaissance - Flanders. --- Tapestry - Flanders.
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The Habsburg Court of Brussels remains one of the few early modern princely courts that have never been thoroughly studied by historians. Yet it offers a unique case, particularly with regard to the first decades of the seventeenth century. Once home to the Dukes of Burgundy, the ancient palace on the Coudenberg hill in Brussels became the principal residence of the Habsburg governors in the Low Countries and, in the period 1598-1621, that of Archduke Albert and his wife, the Spanish Infanta Isabella Clara Eugenia. Eager to reassert the dynasty's authority in these parts, the Archdukes ruled the Habsburg Netherlands as sovereign princes in their own right. Based on the author's prize-winning dissertation, this book vividly brings to life the splendour of their court and unravels the goals and ambitions of the men and women who lived and worked in the palace.
Albert & Isabella [Archdukes] --- Cour de Habsbourg --- --Courtisan --- --Academic collection --- 929.5 ARENBERG --- Geschiedenis van België: 17de eeuw; Spaanse tijd (1555/1585-1713) --- Genealogie--ARENBERG --- 929.5 ARENBERG Genealogie--ARENBERG --- 949.3.022 Geschiedenis van België: 17de eeuw; Spaanse tijd (1555/1585-1713) --- --Habsburg, House of --- Benelux countries --- Academic collection --- 949.3.022 --- History of Belgium and Luxembourg --- anno 1600-1699 --- anno 1500-1599 --- Brussels --- --Bruxelles --- --1598-1621 --- History --- Brussels (Belgium) --- Social life and customs --- Court and courtiers --- Politics and government --- Isabel Clara Eugenia, --- Albrecht --- Netherlands --- Pays-Bas --- Histoire --- Albert --- Isabel Clara Eugenia --- Habsburg [House of ] --- Courts and courtiers --- 17th century --- Belgium --- 1555-1648 --- 1568-1648 (Guerre de quatre-vingts ans) --- Geschiedenis van België en Luxemburg --- Albrecht & Isabella [Aartshertogen] --- Brussel --- Courtisan --- Habsburg, House of - History --- Bruxelles --- Brussels (Belgium) - Social life and customs --- Brussels (Belgium) - Court and courtiers --- Brussels (Belgium) - Politics and government --- Benelux countries - Court and courtiers --- Habsburg, House of
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Das ab 1401 errichtete Brüsseler Rathaus setzte mit seiner reichen Gestaltung und Ausstattung neue Maßstäbe für den Kommunalbau in den Niederlanden, aber auch in weiten Teilen Europas. Die vorliegende Studie widmet sich der Frage nach den Ursachen für die außergewöhnliche Qualität dieses Rathauses. Sie beleuchtet die historische Ausgangssituation des Bauvorhabens, nähert sich den Intentionen der Bauherren und arbeitet die Bedeutung des Bauwerks im Kontext der öffentlichen Architektur Westeuropas heraus. Die Studie eröffnet damit neue Deutungsperspektiven für den mittelalterlichen Kommunalbau und entwirft ein ungeahnt vielschichtiges Bild des Brüsseler Rathauses, dessen besondere Qualität nicht allein auf seiner kommunalen Funktion als Sitz der Ratsherrschaft, sondern auch auf der territorialen Bedeutung Brüssels als Hauptstadt des Herzogtums Brabant gründet: Das Brüsseler Rathaus war Repräsentationsbau für Rat, Stadt und Land.
Public buildings --- city halls --- historic buildings --- Brussel, Stadhuis --- Brussels --- City halls --- Public architecture --- Architecture, Medieval --- Brussels (Belgium) --- Buildings, structures, etc. --- Middle Ages --- Architecture, Public --- Civic architecture --- Architecture --- Town halls --- Municipal buildings --- Brussels, City hall
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En 1909, le banquier et mécène néerlandais David van Buuren (1886-1955) s'installe à Bruxelles. Sa carrière dans le monde de la finance suit un cours parallèle à celui des grandes évolutions politiques, économiques et culturelles du xxe siècle. En 1922, il épouse une Belge, Alice Piette (1890-1973) : c'est le début de trente années de bonheur au cours desquelles la villa Art Déco du couple, avenue Errera à Bruxelles, va peu à peu atteindre sa destinée culturelle. Mécène, David van Buuren soutient les arts sans compter. Après son décès, Alice poursuit son ouvre et, en 1970, elle lègue la maison, les ouvres d'art et les jardins à une fondation. Cette fondation deviendra le Musée van Buuren, concrétisation d'un vieux rêve des occupants des lieux. La villa, construite dans le style de l'École d'Amsterdam, est un musée vivant. Mobilier rare, tapis, vitraux, sculptures et tableaux de maîtres s'y trouvent encore aujourd'hui à leur emplacement d'origine, dans l'intimité d'une demeure pleine de souvenirs.L'impressionnante collection de tableaux du Musée van Buuren couvre cinq siècles d'histoire de la peinture, avec entre autres des ouvres d'anciens maîtres flamands et italiens, des deux fils de P. Bruegel, de l'École de Rembrandt, de Guardi, Fantin-Latour, Ensor, Van Gogh, Signac, Van Dongen, Foujita, Ernst, Permeke, Wouters et Desmet. David van Buuren était l'unique mécène de Gustave van de Woestijne, dont le musée possède toujours 32 tableaux. Le jardin est un régal pour les yeux. La propriété s'étend aujourd'hui sur 1,5 hectare. Avec des endroits tels que la pittoresque roseraie ou le Jardin du cour, cette oasis de verdure au cour de Bruxelles offre une grande unité de style avec la maison.
Art --- Museum David en Alice Van Buuren [Brussel] --- anno 1900-1999 --- Art, European. --- Art deco (Architecture) --- Decoration and ornament --- Gardens --- Art européen --- Art déco (Architecture) --- Décoration et ornement --- Jardins --- Private collections --- Art deco. --- Design. --- Art déco --- Architecture --- Buuren, David van, --- Buuren, Alice van --- Art collections. --- Homes and haunts --- Musée David & Alice van Buuren (Brussels, Belgium) --- Museum van Buuren (Brussel) --- tuinarchitectuur --- Buuren, David van --- Buyssens, Jules --- Pechère, René --- Private collection --- Design --- Homes and haunts, --- Musée David & Alice van Buuren (Brussels, Belgium). --- Art européen --- Art déco (Architecture) --- Décoration et ornement --- Art déco --- Musée David & Alice van Buuren (Brussels, Belgium) --- van Buuren Museum [Brussels] --- Art, European --- Gardening --- Art deco --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Art, Modern --- European art --- Nouveaux réalistes (Group of artists) --- Zaj (Group of artists) --- Architecture, Art deco --- Art deco architecture --- Architecture, Modern --- Buuren,David van, --- Buuren, David-Michel van, --- Van Buuren, David, --- Van Buuren, Alice --- Piette, Alice --- Musée David et Alice van Buuren (Brussels, Belgium) --- Van Buuren Museum (Brussels, Belgium) --- van Buuren, Alice --- van Buuren, David --- Belgium --- Brussels (Belgium) --- Musée Van Buuren --- Ecole d'amsterdam --- Collection --- Van Buuren, David --- Govaerts, Léon --- Van Vaerenbergh, Alex --- Van De Woestijne, Gustave --- Uccle --- David en Alice van Buurenmuseum [Brussel] --- Art, Primitive --- Art - Private collections --- Museum van Buuren (Brussel). --- Buuren, Alice van. --- Buuren, David van. --- Buyssens, Jules. --- Pechère, René.
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Painting, Flemish --- Stone carving --- Peinture flamande --- Sculpture en pierre --- Weyden, Rogier van der, --- Van der Weyden, Rogier --- Van der Weyden, Rogier, --- Sculpture --- Pasture, de le, Roger --- anno 1400-1499 --- Brussels --- Criticism and interpretation --- Belgium --- Brussels (Belgium) --- History --- 15th century --- Sculpture [Medieval ] --- Sculpture [Flemish ] --- Technique --- Sculpteurs sur pierre --- Sculpture [Belgian ] --- Sculpture en pierre -- Belgique -- Bruxelles -- Histoire -- 15e siècle
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Bien que peu préservé, le travail de l'orfèvre bruxellois du XVIIe siècle est suffisamment connu et décrit. Par ailleurs, aucune recherche exhaustive n'a encore été publiée sur les producteurs de ces œuvres d'art. Voici le résultat de nombreuses années de recherches archivistiques systématiques sur la vie et le travail de 466 orfèvres ayant exercé la profession dans la capitale du Brabant au cours de ce siècle.
Applied arts. Arts and crafts --- jewelers [people in crafts] --- anno 1600-1699 --- Brussels --- Silverwork --- Silversmiths --- Brussels (Belgium) --- Biography --- Biography. --- Goldsmiths --- History --- Orfèvres --- 777.42 --- Edelsmeedkunst--Brussel --- Zilversmeedkunst--België--geschiedenis --- Goudsmeedkunst--België--geschiedenis --- Goldsmiths - Belgium - Brussels - History - 17th century - Dictionaries --- Orfèvres
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