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attribution --- authorship

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Attributing old master paintings is one of the most difficult tasks of the art historian. Moreover, the stakes can be high, especially when the painting in question might be that of a famous master. The difference in price between an authentic old master painting and a work 'in the manner of' a well-known painter can add up to several million dollars. The fingerprint of an Old Master discusses issues regarding attribution of Dutch and Flemish paintings of the seventeent-century. Rembrandt's David and Jonathan (Hermitage, St. Petersburg), de-attributed by the Rembrandt Research Project in 1989, provides an unique oppurtunity to compare seventeenth- and twentieth-century conoisseurship. An analysis of the painting based on terms of seventeenth-century art theory shows that the painting must have been successful according to contemporary standards of appreciation, that is, worthy of carrying Rembrandt's name.

Painting --- attribution --- connoisseurship --- forgeries [derivative objects] --- anno 1600-1699 --- Netherlands --- Painting, Dutch --- Painting, Flemish --- Peinture hollandaise --- Peinture flamande --- Attribution. --- Attribution --- Rembrandt Harmenszoon van Rijn, --- Authorship.

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The earliest poems extant under the title Homeric Hymns date from the seventh century BCE. Comic poems in the Homeric Apocrypha include the Battle of Frogs and Mice (probably not earlier than first century CE). Lives of Homer include a version of The Contest of Homer and Hesiod that dates from the second century BCE.

Homer --- Hymns, Greek (Classical) --- Greek poetry --- Poets, Greek --- Hymnes grecs anciens --- Poésie grecque --- Poètes grecs --- Translations into English --- Biography --- Traductions anglaises --- Biographies --- Homer. --- Authorship. --- Homeric hymns --- Translations into English. --- Authorship --- -Poets, Greek --- Greek poets --- Greek literature --- -Authorship --- Inni omerici --- Homērikoi hymnoi --- Hymni Homerici --- Languages & Literatures --- Greek & Latin Languages & Literatures --- Homeros --- Homère --- Homerus --- Poésie grecque --- Poètes grecs --- Hóiméar --- Hūmīrūs --- Gomer --- Omir --- Omer --- Omero --- Ho-ma --- Homa --- Homérosz --- האמער --- הומירוס --- הומר --- הומרוס --- هومر --- هوميروس --- 荷马 --- Ὅμηρος --- Гамэр --- Hamėr --- Омир --- Homero --- 호메로스 --- Homerosŭ --- Homērs --- Homeras --- Хомер --- ホメーロス --- ホメロス --- Гомер --- Homeri --- Hema --- Pseudo-Homer --- Pseudo Omero --- Greek hymns --- Authoring (Authorship) --- Writing (Authorship) --- Literature --- Hymns, Greek (Classical) - Translations into English --- Greek poetry - Translations into English --- Poets, Greek - Biography - Early works to 1800. --- Griekse literatuur --- klassieke literatuur

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Early modern pamphlets serve as an important vehicle for examining print culture, particularly the historical entanglement between the technology of print and a developing capitalism. Attention to the controversies surrounding their circulation reveals that pamphlets became a focus for anxieties about print culture in general. Alexandra Halasz combines close readings of pamphlets by Robert Greene, Thomas Nashe, Gabriel Harvey, Thomas Deloney and John Taylor, among others, with a discussion of the history and deployment of print technology and its specifically English organization as a monopoly. Taking account of the theoretical and historical issues surrounding textual property, authorship and publicity, The Marketplace of Print, first published in 1997, is both a work of historical recovery and a reflection on the ongoing problems of the relationship between the marketplace and the public sphere.

History --- Book history --- Graphic arts --- pamphlets --- anno 1500-1799 --- Great Britain --- England --- 094.1 <41> --- 094:93 <041> --- 094:93 <041> Oude drukken i.v.m. geschiedenis--Brochures. Pamfletten. Essays --- Oude drukken i.v.m. geschiedenis--Brochures. Pamfletten. Essays --- 094.1 <41> Oude drukken: bibliografie----Europa--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- Oude drukken: bibliografie----Europa--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- prints [visual works] --- Authorship --- Pamphlets --- Printing --- Public opinion --- Printing, Practical --- Typography --- Booklets --- Leaflets --- Street literature --- Vertical files (Libraries) --- Opinion, Public --- Perception, Public --- Popular opinion --- Public perception --- Public perceptions --- Judgment --- Social psychology --- Attitude (Psychology) --- Focus groups --- Reputation --- Authoring (Authorship) --- Writing (Authorship) --- Literature --- Publishing --- Social aspects --- Arts and Humanities --- cultuurgeschiedenis

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In the seventeenth century, the concept of creativity was far removed from most of the fundamental ideas about the creative act - notions of human imagination, inspiration, originality and genius - that developed in the eighteenthand nineteenth centuries. Instead, in this period, students learned their crafts by copying and imitating past masters and did not consciously seek to break away from tradition. Most new material was made on the instructions of apatron and had to conform to external expectations; and basic tenets that we tend to take for granted-such as the primacy and individuality of the author-were apparently considered irrelevant in some contexts. This aim of this interdisciplinary collection of essays is to explore what it meant to create buildings and works of art, music and literature in seventeenth-century England and to investigate the processes by which such creations came into existence. Through a series of specific case studies, the book highlights a wide range of ideas, beliefs and approaches to creativity that existed in seventeenth-century England and places them in the context of the prevailing intellectual, social and cultural trends of the period. In so doing, it draws into focus the profound changes that were emerging in the understanding of human creativity in early modern society - transformations that would eventually lead to the development of a more recognisably modern conception of the notion of creativity. The contributors work in and across the fields of literary studies, history, musicology, history of art and history of architecture, and their work collectively explores many of the most fundamental questions about creativity posed by the early modern English 'creative arts'. REBECCA HERISSONE is Head of Music and Senior Lecturer in Musicology at the University of Manchester. ALAN HOWARD is Lecturer in Music at the University of East Anglia.

History of civilization --- anno 1600-1699 --- England --- Creative ability. --- Creation (Literary, artistic, etc.) --- Music --- Kreativität. --- History --- History and criticism. --- England. --- Civilization --- creativity --- History and criticism --- Creativeness --- Creativity --- Ability --- Creative ability in art --- Creative ability in literature --- Art --- Imagination --- Inspiration --- Literature --- Creative ability --- Originality --- Authorship. --- Crafts. --- Creative Act. --- Creativity. --- Early Modern Society. --- Genius. --- Human Imagination. --- Inspiration. --- Originality. --- Patron. --- Seventeenth-Century England.