Narrow your search

Library

Rubenianum (8)

KMSKA (2)

KU Leuven (1)

RoSa (1)

UGent (1)

ULB (1)

VUB (1)


Resource type

book (8)


Language

English (5)

Dutch (2)

French (1)


Year
From To Submit

2020 (1)

2018 (1)

2015 (1)

2012 (1)

2010 (1)

More...
Listing 1 - 8 of 8
Sort by

Book
Concretization of metaphor in the commedia dell'arte and the modern theatre
Author:
Year: 1966 Publisher: The Hague Mouton & Co.

Loading...
Export citation

Choose an application

Bookmark

Abstract

Keywords

Drama --- metaphor --- commedia dell'arte


Book
'Betemt de jueghd / soo doet sy deugd' : a pedagogical metaphor in seventeenth-century Dutch art

Loading...
Export citation

Choose an application

Bookmark

Abstract


Book
Schilderkunst en kunstenaarsbiografieën als specula : Metafoor, fictie en historiciteit
Author:

Loading...
Export citation

Choose an application

Bookmark

Abstract


Book
A transitory star : the late Bernini and his reception
Authors: ---
ISBN: 9783110359992 Year: 2015 Publisher: Berlin De Gruyter

Loading...
Export citation

Choose an application

Bookmark

Abstract


Book
"Cueillir la rose" : une métaphore visuelle dans la peinture vénitienne du XVIe siècle, de Paris Bordone à Paolo Fiammingo
Author:
Year: 2018

Loading...
Export citation

Choose an application

Bookmark

Abstract


Book
Bernini's revenge? Art, gynaecology and theology at St Peter's, Rome
Author:
Year: 2020

Loading...
Export citation

Choose an application

Bookmark

Abstract


Book
Memory, metaphor, and Aby Warburg's Atlas of Images
Author:
ISBN: 9780801477423 Year: 2012 Publisher: Ithaca Cornell university press

Loading...
Export citation

Choose an application

Bookmark

Abstract

"The work of German cultural theorist and art historian Aby Warburg (1866-1929) has had a lasting effect on how we think about images. This book is the first in English to focus on his last project, the encyclopedic Atlas of Images: Mnemosyne. Begun in earnest in 1927, and left unfinished at the time of Warburg's death in 1929, the Atlas consisted of sixty-three large wooden panels covered with black cloth. On these panels Warburg carefully, intuitively arranged some thousand black-and-white photographs of classical and Renaissance art objects, as well as of astrological and astronomical images ranging from ancient Babylon to Weimar Germany. Here and there, he also included maps, manuscript pages, and contemporary images taken from newspapers. Trying through these constellations of images to make visible the many polarities that fueled antiquity's afterlife, Warburg envisioned the Atlas as a vital form of metaphoric thought. While the nondiscursive, frequently digressive character of the Atlas complicates any linear narrative of its themes and contents, Christopher D. Johnson traces several thematic sequences in the panels. By drawing on Warburg's published and unpublished writings and by attending to Warburg's cardinal idea that "pathos formulas" structure the West's cultural memory, Johnson maps numerous tensions between word and image in the Atlas. In addition to examining the work itself, he considers the literary, philosophical, and intellectual-historical implications of the Atlas. As Johnson demonstrates, the Atlas is not simply the culmination of Warburg's lifelong study of Renaissance culture but the ultimate expression of his now literal, now metaphoric search for syncretic solutions to the urgent problems posed by the history of art and culture."--Publisher's Web site.


Book
Brunelleschi's egg : nature, art, and gender in Renaissance Italy
Author:
ISBN: 9780520261525 Year: 2010 Publisher: Berkeley, Calif. University of California Press

Listing 1 - 8 of 8
Sort by