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Christian religion --- Sculpture --- Painting --- anno 1400-1499 --- anno 1500-1599 --- altarpieces --- Altaarstukken [Renaissance- ] --- Altarpieces [Renaissance ] --- Renaissance altarpieces --- Renaissance-altaarstukken --- Renaissanceretabels --- Retabels [Renaissance- ] --- Retables de la Renaissance --- Altarpieces, Renaissance --- 726.593 --- 247.2 --- 75:726.593 --- -Art, Christian --- Altaren --- Altaar. Tabernakel. Retabel. Ambon --- Geschilderde altaarstukken. Retabels. Diptieken. Triptieken --- -Altaren --- 75:726.593 Geschilderde altaarstukken. Retabels. Diptieken. Triptieken --- 247.2 Altaar. Tabernakel. Retabel. Ambon --- 726.593 Altaren --- -Renaissance altarpieces --- Christian art and symbolism --- Renaissance --- Iconography --- History of civilization --- Art et symbolisme chrétiens --- Modern period, 1500 --- -Altarpieces, Renaissance. --- Christian art and symbolism - Modern, 1500 --- -Altarpieces [Renaissance ] --- -Altarpieces, Renaissance --- -Christian religion --- Altarpieces, Renaissance. --- Christian art and symbolism - Modern, 1500-
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sculpting --- Sculpture --- History --- altars [religious building fixtures] --- altarpieces --- Religious architecture --- anno 1500-1799 --- anno 1700-1799 --- anno 1600-1699 --- Flanders --- Arts religieux --- Religieuze kunst --- Altarpieces, Flemish. --- Altarpieces, Baroque --- Altarpieces, Rococo --- 726.593 --- Altaren --- 726.593 Altaren --- altars [religious fixtures] --- Altarpieces, Baroque - Belgium - Flanders. --- Altarpieces, Rococo - Belgium - Flanders. --- Vlaamse school --- Belgique --- Eglises --- Meubles --- Autels --- 17e-18e siecles --- Flandre
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Painting --- anno 1600-1699 --- Antwerp --- Gdansk --- 726.593 --- 7 <09> <490> "15" --- 247.2 --- Altaren --- Kunstgeschiedenis. Kunsthistorie--?<490>--?"15" --- Altaar. Tabernakel. Retabel. Ambon --- 247.2 Altaar. Tabernakel. Retabel. Ambon --- --?"15""">7 <09> <490> "15" Kunstgeschiedenis. Kunsthistorie--?<490>--?"15" --- 726.593 Altaren --- Gdansk (Région). Rétables anversois. 16e s. --- Gdansk (Streek). Retabels (Antwerpse). 16e eeuw. --- Altarpieces, Flemish --- Altarpieces --- Antwerpen --- Retables --- Pologne --- Relations --- Pays-bas --- 16e siecle --- retables [altar appendage] --- Antwerpse school --- artistic relations
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Zum Ende des 15. und Beginn des 16. Jahrhunderts entstehen in Brüssel, Antwerpen und Mechelen gross- und kleinformatige Altaraufsätze, die in wenigen Jahren zu gefragten Produkten des Exportes werden und heute noch in grosser Zahl in ganz Europa in Klöstern, Pfarrkirchen und Kathedralen zu finden sind. Jedes der drei Produktionszentren bevorzugte dabei einen bestimmten Grundtypus des technischen und motivischen Aufbaus seiner kleinformatigen Retabel, von denen 56 Exemplare für diese Untersuchung berücksichtigt werden konnten. Das genaue Untersuchen der oft engen Übereinstimmung der Retabel in Stil und Aufbau erlaubt einen neuen Versuch der Künstleridentifikation, der sich von den althergebrachten Begriffen des Meisters und seiner Werkstatt entfernt und dafür eine Neugruppierung und neue Kontextualisierung der Objekte erarbeitet. Dabei liegt ein besonderes Augenmerk auf der erkennbaren Standardisierung der Herstellung durch Vorfertigung, Motivwiederholung und Arbeitsteilung.
Altarpieces, Flemish --- Retables flamands --- Malines --- 75:726.593 --- 73 <493> "14/15" --- Geschilderde altaarstukken. Retabels. Diptieken. Triptieken --- Beeldhouwkunst. Sculptuur--België--15/16e eeuw. Periode 1400-1599 --- 73 <493> "14/15" Beeldhouwkunst. Sculptuur--België--15/16e eeuw. Periode 1400-1599 --- 75:726.593 Geschilderde altaarstukken. Retabels. Diptieken. Triptieken --- Mechelen --- Altarpieces --- 73.046.3 --- 73.046.3 Religieuze beeldhouwkunst --- Religieuze beeldhouwkunst --- Predellas --- Reredos --- Retables --- Screens (Church decoration) --- Sculpture --- Painting --- anno 1400-1499 --- anno 1500-1599 --- Antwerp --- Brussels --- Altarpieces - Belgium - 15th century --- Altarpieces - Belgium - 16th century
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The impressive altarpiece in the church of Saint-Denis in Liège is one of the most prestigious but also one of the most enigmatic witnesses to the rich Brabantine altarpiece production at the end of the Middle Ages. The interdisciplinary study carried out during its restoration at the Royal Institute for Cultural Heritage (KIK-IRPA) in Brussels between 2012 and 2014 allowed to resolve some of the questions involved and to propose new refreshing hypotheses. The attribution to the Borman, the most prestigious Brussels sculptor family, was refined, as was its dating in the early 1530s, when the vocabulary of Italian Renaissance began to invade the art of the Meuse banks simultaneously with the still well-anchored Gothic style.00This volume provides a broad platform for the exceptional character of the partial polychromy of the altarpiece, highlighted by the investigation conducted at the KIK-IRPA. This research was nourished by many comparative reflections. The abundant and varied studies presented here, mainly originate from an international conference held in October 2015. In addition, the restoration at KIK-IRPA, between 2016 and 2019, of some of the painted panels that initially adorned the shutters of the altarpiece, also allowed a beneficial reconsideration of the participation of the great Liège painter Lambert Lombard and some local workshop. Starting from an amazing work, they represent an important part of the artistic activity in Liège revived by Prince-Bishop Érard de La Marck.
Conferences - Meetings --- Sculpture --- Painting --- restoration [process] --- altarpieces --- monochrome --- polychrome --- Luik, Saint-Denis --- Borman [Family] --- Lombard, Lambert --- C3 --- religieuze kunst --- kerkelijk meubilair --- KADOC - Documentatie- en Onderzoekscentrum voor Religie, Cultuur en Samenleving (1977-) --- 247.2 --- 75:726.593 --- Kunst en cultuur --- Altaar. Tabernakel. Retabel. Ambon --- Geschilderde altaarstukken. Retabels. Diptieken. Triptieken --- 75:726.593 Geschilderde altaarstukken. Retabels. Diptieken. Triptieken --- 247.2 Altaar. Tabernakel. Retabel. Ambon --- Altarpieces --- Polychromy --- Saint-Denis (Church : Liège, Belgium) --- Saint-Denis altarpiece (Liège, Belgium) --- Altarpieces, Gothic --- Conservation and restoration --- Saint-Denis altarpiece (Liège, Belgium) --- Altarpieces - Belgium - Liège --- Polychromy - Belgium - Liège --- houtsculptuur
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Dit cahier presenteert (in het tweede gedeelte) zo'n vijftig retabels, bewaard in Belgische kerken, kastelen en andere gebouwen. Na een korte beschrijving van het monument waar het retabel zich thans bevindt, komen de iconografie, de stijl en daaraan gekoppeld het productiecentrum, de bewaringstoestand en de eventuele behandelingen aan bod. Een bibliografie sluit elke bespreking af. Het eerste gedeelte daarentegen gaat in op een aantal algemene aspecten van de retabelproductie : historiek, functie, iconografie, productiewijze en -centra, arbeidsorganisatie, ambachtslui (beeldsnijders en schilders), materialen, technieken, onderzoek, conservering en restauratie.
Arts religieux --- Belgique --- België --- Monumenten --- Monuments --- Religieuze kunst --- Altarpieces, Flemish --- Sculpture, Medieval --- Retables flamands --- Sculpture médiévale --- Retabels --- Sculpture médiévale --- religieuze iconografie --- 75:726.593 --- 247.2 --- 625.3 Beeldhouwkunst --- 73 --- Geschilderde altaarstukken. Retabels. Diptieken. Triptieken --- Altaar. Tabernakel. Retabel. Ambon --- beeldhouwkunst, numismatiek, kunstsmeedwerk en kunstdrijfwerk --- kerkelijk meubilair --- 247.2 Altaar. Tabernakel. Retabel. Ambon --- 75:726.593 Geschilderde altaarstukken. Retabels. Diptieken. Triptieken --- #A0010A --- 581 Monumentenbescherming, cultureel erfgoed --- beeldhouwkunst --- retabels --- History --- Sculpture --- retables [altar appendage] --- Applied arts. Arts and crafts --- Belgium --- Flanders --- restauratie --- 15de eeuw --- 16de eeuw --- Vlaanderen --- Brabant --- Altarpieces --- Flanders (County) --- Criticism and interpretation --- 729 --- Beeldsnijkunst--Brabant (hertogdom) --- Vlaamse school --- Brabantse school --- sculpture [visual works] --- religieuze kunst --- sculptuur. --- religieuze iconografie. --- restauratie. --- 15de eeuw. --- 16de eeuw. --- Vlaanderen. --- Brabant. --- België. --- sculptuur
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This study examines the coming together of the opulent Burgundian court, an affluent urban bourgeoisie, and an increasingly expanding community of painters, and the effects of this dynamic social configuration on the newly emerging art of oil painting. Members of the urban patriciante were influenced by the nobility's culture of display and found that painting effectively served their needs for representations of their aspirations for social advancement. In commissioning altarpieces for ecclesiastical interiors, patrons were also concerned to include their portraits and coats of arms in an effort to promote the status and prestige associated with their families.
Painting --- anno 1200-1499 --- Bruges --- Peinture médiévale --- Mécénat --- Peinture médiévale --- Art patronage --- Painting, Flemish --- Painting, Medieval --- History --- painting [image-making] --- schilderkunst --- verzamelaars --- mecenaat --- sociale geschiedenis --- middeleeuwen --- Zuidelijke Nederlanden --- Brugge --- Peinture flamande --- Mécénat --- Painting [Flemish ] --- Belgium --- Bruges (Belgium) --- Painting [Medieval ] --- Painting, Flemish - Belgium - Bruges. --- Painting, Medieval - Belgium - Bruges. --- Art patronage - Belgium - Bruges. --- Early Netherlandish --- middeleeuwen, middeleeuwse geschiedenis (historisch tijdvak) --- Painting, Flemish - Belgium - Bruges --- Painting, Medieval - Belgium - Bruges --- Art patronage - Belgium - Bruges --- 75 <493-17> --- 7.026 --- 75:726.593 --- 930.85.42 --- 930.85.42 Cultuurgeschiedenis: Middeleeuwen --- Cultuurgeschiedenis: Middeleeuwen --- 75:726.593 Geschilderde altaarstukken. Retabels. Diptieken. Triptieken --- Geschilderde altaarstukken. Retabels. Diptieken. Triptieken --- 7.026 Kunstwerken: copiëren; reproduceren; facsimile's --- Kunstwerken: copiëren; reproduceren; facsimile's --- 75 <493-17> Schilderkunst--Vlaanderen. Vlaams Gewest. Nederlandstalige Gemeenschap in België --- Schilderkunst--Vlaanderen. Vlaams Gewest. Nederlandstalige Gemeenschap in België --- Brugse school --- Zuidelijke Nederlanden. --- Brugge.
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sculpting --- History --- retabels --- Sculpture --- Gothic [Medieval] --- retables [altar appendages] --- gotische beeldhouwkunst --- anno 1200-1799 --- anno 1500-1599 --- Flanders --- Altarpieces, Flemish. --- Painting, Medieval --- Christian art and symbolism --- Wood-carving, Medieval --- Retables flamands --- Peinture médiévale --- Art et symbolisme chrétiens --- Sculpture sur bois médiévale --- beeldhouwwerken --- geschiedenis --- handel --- iconografie --- middeleeuwen --- Zuidelijke Nederlanden --- C3 --- kunstboek --- middeleeuwen (x) --- Vlaams Gewest [gewest in land België - BE] --- religieuze kunst --- restauratie [kunst ; gebouwen] --- Europa [werelddeel] --- 73.033.5 --- Retabels ; Vlaanderen ; Gotiek en Renaissance --- Beeldhouwkunst ; retabels ; altaarstukken ; 14de tot 16de eeuw --- #GGSB: Religieuze kunst --- 75:726.593 --- #gsdbA --- 75:726.593 Geschilderde altaarstukken. Retabels. Diptieken. Triptieken --- Geschilderde altaarstukken. Retabels. Diptieken. Triptieken --- Kunst en cultuur --- Beeldhouwkunst ; Laat-middeleeuwse beeldhouwkunst ; Gotiek --- retables [altar appendage] --- Peinture médiévale --- Art et symbolisme chrétiens --- Sculpture sur bois médiévale --- Altarpieces, Flemish --- Flemish altarpieces --- Altarpieces [Medieval ] --- Flanders (Belgium) --- Altarpieces [Flemish ] --- Applied arts. Arts and crafts --- Painting --- Flemish [culture or style] --- sculpturen --- middeleeuwen, middeleeuwse geschiedenis (historisch tijdvak) --- Religieuze kunst --- houtsnijwerk --- sculpturen. --- retabels. --- geschiedenis. --- handel. --- iconografie. --- middeleeuwen, middeleeuwse geschiedenis (historisch tijdvak). --- Zuidelijke Nederlanden.
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