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"This monograph studies the constructions of 'impressive' historical descent manufactured to create 'national', regional, or local antiquities in early modern Europe (1500-1700), especially the Netherlands. This was a period characterised by important political changes and therefore by an increased need for legitimation; a need which was met using historical claims. Literature, scholarship, art and architecture were pivotal media that were used to furnish evidence of the impressively old lineage of states, regions or families. These claims related not only to Classical antiquity (in the generally-known sense) but also to other periods that were regarded as periods of antiquity, such as the chivalric age. The authors of this volume analyse these intriguing early modern constructions of appropriate 'antiquities' and investigate the ways in which they were applied in political, intellectual and artistic contexts in Europe, especially in the Northern Low Countries"--
Arts, Classical --- Civilization, Modern --- Classical antiquities --- Classicists --- Influence. --- Classical influences. --- Political aspects --- Study and teaching --- Study and teaching. --- Attitudes. --- Europe. --- Netherlands. --- Politics --- Art --- History of civilization --- Ancient history --- Antique, the --- influence --- anno 1500-1599 --- anno 1600-1699 --- Europe --- Attitudes --- Influence --- Classical influences --- Antiquities, Classical --- Antiquities, Grecian --- Antiquities, Roman --- Archaeology, Classical --- Classical archaeology --- Roman antiquities --- Antiquities --- Archaeological museums and collections --- Art, Ancient --- Classical philology --- Modern civilization --- Modernity --- Civilization --- Renaissance --- Classical arts --- Classical scholars --- Classics scholars --- Hellenists --- Latinists --- Philologists --- Scholars --- History --- 930.85.44 --- 930.85.44 Cultuurgeschiedenis: Renaissance --- Cultuurgeschiedenis: Renaissance --- Civilization, Classical --- Classical antiquities - Study and teaching - Netherlands --- Classical antiquities - Political aspects - Netherlands --- Classicists - Attitudes --- Arts, Classical - Influence --- Civilization, Modern - Classical influences --- Classical antiquities - Study and teaching - Europe --- Classical antiquities - Political aspects - Europe --- cultuurgeschiedenis --- kunst en politiek
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"The Renaissance artist Raphael is known for his extraordinary frescoes, his sublime Madonnas, devotional altarpieces, architectural designs, and his inventive prints and tapestries. It was his use of ancient Roman models - classical sculptures, reliefs and paintings - that formed his much admired classical style, and influenced the styles of many later artists.0In 'Raphael and the Antique' Claudia La Malfa gives a full account of Raphael's prodigious career, from central Italy when he was 17 years old, to Perugia, Siena and Florence, where he first met with Leonardo and Michelangelo, to Rome where he became one of the most feted artists of the Renaissance. This book focuses and highlights Raphael's re-invention of classical models, his draughtsmanship and his concept of art, which he pursued and was still striving to perfect at the time of his death aged only 37, in 1520."
Art, Renaissance. --- Art de la Renaissance --- Raphael, --- Raphaël --- Criticism and interpretation. --- Critique et interprétation. --- Raphael --- Arts, Classical --- Art, Renaissance --- 75.07 --- Raphael (Raffaelo Sanzi(o)) 1483-1520 (° Urbino, Italië) --- Schilderkunst ; eind 15de-begin 16de eeuw ; Rafaël --- Schilderkunst ; Italië ; Hoog-Renaissance ; Rafaël --- Classical arts --- Influence --- Schilderkunst ; schilders A-Z --- Sanzio, Raffaele --- Raffaello Sanzio --- Santi, Raffaello --- Sanzio, Raffaello --- Raffael --- Raffaello --- Urbino, Raffaello da --- Sanctius, Raphae, --- Urbinas, Raphael Sanctius --- Rafaėlʹ --- Raffaele Sanzio --- Sanzi, Raffaello --- invloed van antieke kunst
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