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Private houses --- Castles --- Historic buildings --- monument historique --- Benelux countries --- Castles. --- Historic buildings.
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ceremonies --- History of civilization --- Stage design. Scenography --- anno 1600-1699 --- anno 1500-1599 --- Belgium --- Netherlands --- Benelux countries --- Social life and customs --- Manners and customs
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Early Modern Low Countries (EMLC) is a multidisciplinary, international, and open access journal dedicated to the study of the early modern Low Countries. The journal publishes state-of-the-art scholarship on any aspect of the turbulent history of this region between 1500 and 1830. Rigorously peer-reviewed, the journal aims to provide a common venue for scholars around the world.
early modern history --- low countries --- cultural history --- social history --- art history --- History of the Netherlands --- History of Belgium and Luxembourg --- Benelux countries --- Benelux countries. --- History --- Low countries --- Netherlands, Belgium & Luxembourg --- History of the Low Countries --- anno 1500-1599 --- anno 1600-1699 --- anno 1700-1799 --- Art --- Hollandse school --- Vlaamse school --- Netherlandish --- Netherlands --- Flanders --- Belgium
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houtsnijwerk --- miniaturen --- gotiek --- 15de eeuw --- 16de eeuw --- Nederlanden --- common boxwood [wood] --- carvings [visual works] --- prayer nuts --- Sculpture --- Exhibitions --- Wood-carving [Gothic ] --- Benelux countries --- Art [Medieval ] --- Small sculpture --- Technique --- houtsnijwerk. --- miniaturen. --- gotiek. --- 15de eeuw. --- 16de eeuw. --- Nederlanden.
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The Flemish tapestries collected by the Habsburg rulers of the Low Countries are among the most beautiful art works of the Renaissance period. This book places these important tapestries in their historical and cultural context. Part I of the book examines the relationship between the Habsburgs and the tapestry industry in the Low Countries, the roles of the artists who designed the tapestries, the weavers who made them, and of the tapissiers, the court officials who looked after the royal tapestry collections. This is followed by four chapters which document and survey the collections formed by the Habsburg rulers of the Low countries: Margaret of Austria, the Emperor Charles V, Mary of Hungary and Philip II of Spain. Part II of the book is a detailed catalogue of thirteen of the most important surviving Habsburg sets. These include such important tapestries as the Honours, the Hunts of Maximilian, the Armorials of Charles V, the Seven Deadly Sins, the History of Vertumnus and Pomona and the Apocalypse.
Tapestry [Flemish ] --- Tapisserie flamande --- Wandtapijtkunst [Vlaamse ] --- Tapestry, Flemish --- tapestries --- Applied arts. Arts and crafts --- Habsburg [Dynasty] --- anno 1500-1599 --- Brussels --- Tapestry --- Europe --- History --- Habsburg [House of ] --- Art collections --- Tapestry [Renaissance ] --- Flanders (County) --- Benelux countries
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Recent scholarship on the Middle Ages has highlighted the importance of individualistic tendencies in devotion in both the lay world and religious communities. This interaction between individualization and religious agency has been scrutinized in numerous studies, focusing on the beginnings during the so-called ?Twelfth-Century Renaissance?, and further development in the later medieval and early modern periods.0However, there has hitherto been relatively little scholarship on the phenomenon in the 'Devotio Moderna': the flourishing of more personalized forms of devotion in north-western Europe during the later Middle Ages. The essays in this volume redress this gap by exploring the processes of inwardness and the emergent individualization of religious practices in the late medieval Low Countries. The essays explore issues including the early impact of the printing press on devotion; meditational aids such as identification with Christ, prayer cycles, practices of remembrance, and devout songs; and the tension between inner devotion and the ideal of communal piety in male and female religious communities. They also discuss some leading individuals of the Devotio movement.0By addressing the 'Devotio Moderna' and its contexts - the emergence of inwardness, individualization, and religious agency in the late medieval Low Countries and surrounding areas - the essays in this volume help to enhance and expand our knowledge of devotion in the late Middle Ages, both in lay circles and in religious communities, and they show the distinct contribution of the Low Countries to the European phenomenon of more personalized forms of devotion. Recent scholarship on the Middle Ages has highlighted the importance of individualistic tendencies in devotion in both the lay world and religious communities. This interaction between individualization and religious agency has been scrutinized in numerous studies, focusing on the beginnings during the so-called ?Twelfth-Century Renaissance?, and further development in the later medieval and early modern periods.0However, there has hitherto been relatively little scholarship on the phenomenon in the 'Devotio Moderna': the flourishing of more personalized forms of devotion in north-western Europe during the later Middle Ages. The essays in this volume redress this gap by exploring the processes of inwardness and the emergent individualization of religious practices in the late medieval Low Countries. The essays explore issues including the early impact of the printing press on devotion; meditational aids such as identification with Christ, prayer cycles, practices of remembrance, and devout songs; and the tension between inner devotion and the ideal of communal piety in male and female religious communities. They also discuss some leading individuals of the Devotio movement.0By addressing the 'Devotio Moderna' and its contexts - the emergence of inwardness, individualization, and religious agency in the late medieval Low Countries and surrounding areas - the essays in this volume help to enhance and expand our knowledge of devotion in the late Middle Ages, both in lay circles and in religious communities, and they show the distinct contribution of the Low Countries to the European phenomenon of more personalized forms of devotion.
Christian special devotions --- History of the Low Countries --- anno 1200-1499 --- Devotion --- History. --- Netherlands --- Church history. --- 271.8 --- 271.8 Congregatie van Windesheim. Moderne devotie. Broeders en zusters van het gemene leven --- Congregatie van Windesheim. Moderne devotie. Broeders en zusters van het gemene leven --- 940.1 --- 949.19.01 --- 949.19.01 Geschiedenis van de Nederlanden:--Middeleeuwen (5de-15de eeuw) --- Geschiedenis van de Nederlanden:--Middeleeuwen (5de-15de eeuw) --- 940.1 Geschiedenis van Europa: Middeleeuwen:--(ca.375-1492) --- Geschiedenis van Europa: Middeleeuwen:--(ca.375-1492) --- Devotio moderna --- Individualism --- Devotional exercises --- Church history --- History --- Religious aspects --- Christianity --- Benelux countries --- Kerkgeschiedenis --- 600-1500 (Middeleeuwen) --- Devotio moderna - Benelux countries - History - To 1500 --- Individualism - Benelux countries - Religious aspects - Christianity - History - To 1500 --- Devotional exercises - History --- Church history - Middle Ages, 600-1500 --- Benelux countries - Church history --- New devotions --- Humanism --- Mysticism --- Reformation --- Renaissance --- Early movements
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History --- urban history --- history [discipline] --- economics --- industry [economic concept] --- Nederlanden --- Italy --- History of Italy --- History of the Low Countries --- anno 1200-1799 --- Belgique --- België --- Economie --- Geschiedenis van de nieuwe tijden --- Histoire des temps modernes --- Italie --- Italië --- Maatschappij --- Nederland --- Pays-Bas --- Société --- Industries --- Industrialization --- Cities and towns, Medieval. --- -Industries --- -Industrialization --- -Benelux countries --- -Italy --- 945.05 --- 949.19.01 --- 338 <09> --- -Cities and towns, Medieval --- Academic collection --- BE / Belgium - België - Belgique --- IT / Italy - Italië - Italie --- NL / Netherlands - Nederland - Pays Bas --- 331.12 --- Medieval cities and towns --- Industrial production --- Industry --- Economics --- Industrial development --- Economic development --- Economic policy --- Deindustrialization --- Geschiedenis van Italië: stadsstaten; Renaissance--(1300-1492) --- Geschiedenis van de Nederlanden:--Middeleeuwen (5de-15de eeuw) --- Economische geschiedenis --- Geschiedenis van de industrie. --- Geografie --- Landschapskunde --- Historische geografie --- Algemeen. --- 338 <09> Economische geschiedenis --- 949.19.01 Geschiedenis van de Nederlanden:--Middeleeuwen (5de-15de eeuw) --- 945.05 Geschiedenis van Italië: stadsstaten; Renaissance--(1300-1492) --- Cities and towns, Medieval --- Geschiedenis van de industrie --- Benelux countries --- Industries, Primitive --- Industrialization - Benelux countries --- Industries - Italy --- Industries - Benelux countries --- Industrialization - Italy --- Benelux countries - - Industries --- Italy - Industries --- ITALIE --- HISTOIRE ECONOMIQUE --- BELGIQUE --- PAYS-BAS --- CONDITIONS SOCIALES --- 16E-19E SIECLES --- 14E-19E SIECLES
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Manufacturing technologies --- brocade [textile] --- illusionism --- Applied arts. Arts and crafts --- anno 1400-1499 --- anno 1500-1599 --- Netherlands --- Flanders --- Textile fabrics in art --- Painting, Netherlandish --- Sculpture --- Sculpture, Netherlandish --- Polychromy --- Color decoration and ornament --- Textiles et tissus dans l'art --- Peinture flamande --- Sculpture néerlandaise --- Polychromie --- Décoration et ornement en couleurs --- Catalogs --- Themes, motives --- Catalogues --- Thèmes, motifs --- Sculpture néerlandaise --- Décoration et ornement en couleurs --- Thèmes, motifs --- Painting --- Benelux countries --- History --- 16th century --- 15th century --- Catalogs. --- Textile fabrics in art - Catalogs --- Painting, Netherlandish - 15th century - Themes, motives - Catalogs --- Painting, Netherlandish - 16th century - Themes, motives - Catalogs --- Sculpture, Netherlandish - 15th century - Themes, motives - Catalogs --- Sculpture, Netherlandish - 16th century - Themes, motives - Catalogs --- Polychromy - Benelux countries - Catalogs --- Color decoration and ornament - Benelux countries - Catalogs --- beeldhouwkunst, Nederlanden --- Peinture --- 16e siècle --- Benelux --- 15e siècle --- illusie --- brocade (techniek) --- tin --- polychromie --- schildertechnieken --- 15de eeuw --- 16de eeuw --- Zuidelijke Nederlanden --- Europa
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Guilds --- Corporations --- --Pays-Bas --- --Belgique --- --Condition économique --- --Condition sociale --- --Histoire économique et sociale --- --History. --- Benelux countries --- Economic conditions. --- 338 <09> <492> --- Economische geschiedenis--Nederland --- 338 <09> <492> Economische geschiedenis--Nederland --- History. --- 338 <09> <493> --- Craft guilds --- Gilds --- Labor organizations --- Merchant companies --- Workers' associations --- Artisans --- Employers' associations --- Labor unions --- 338 <09> <493> Economische geschiedenis--België --- Economische geschiedenis--België --- History --- Societies, etc. --- Low countries --- guilds --- Sociology of work --- History of the Low Countries --- anno 1500-1799 --- Histoire --- Belgium --- Netherlands --- Belgique --- Pays-Bas --- Economic conditions --- Social conditions --- Conditions économiques --- Conditions sociales --- Sociologie van de arbeid --- Geschiedenis van de Nederlanden --- gilden --- Guilds - Benelux countries - History. --- Condition économique --- Condition sociale --- Histoire économique et sociale --- Benelux countries - Economic conditions.
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In Gardens of Love and the Limits of Morality in Early Netherlandish Art , Andrea Pearson charts the moralization of human bodies in late medieval and early modern visual culture, through paintings by Jan van Eyck and Hieronymus Bosch, devotional prints and illustrated books, and the celebrated enclosed gardens of Mechelen among other works. Drawing on new archival evidence and innovative visual analysis to reframe familiar religious discourses, she demonstrates that depicted topographies advanced and sometimes resisted bodily critiques expressed in scripture, conduct literature, and even legislation. Governing many of these redemptive greenscapes were the figures of Christ and the Virgin Mary, archetypes of purity whose spiritual authority was impossible to ignore, yet whose mysteries posed innumerable moral challenges. The study reveals that bodily status was the fundamental problem of human salvation, in which artists, patrons, and viewers alike had an interpretive stake.
Christian moral theology --- Art --- visual culture --- anno 1400-1499 --- anno 1500-1599 --- Netherlands --- Flanders --- Iconography --- Human figure in art --- Art, Netherlandish --- Art and morals --- Arts and religion --- Netherlandish art --- Human body in art --- Composition (Art) --- Figurative art --- Anatomy, Artistic --- Figure drawing --- Figure painting --- Ethics and art --- Morals and art --- Ethics --- Arts --- Religion and the arts --- Religion --- Religious aspects --- Human figure in art. --- Art, Netherlandish. --- gardens [open spaces] --- gardens of love --- De liefdestuin --- Art and morals - Benelux countries --- Arts and religion - Benelux countries --- Hollandse school --- kunst en godsdienst --- Vlaamse school
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