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sculpting --- Sculpture --- Renaissance --- Italian Renaissance-Baroque styles --- patrons --- patronage --- patrons [philanthropists] --- Art patronage --- Sculpture, Italian --- Sculpture, Renaissance --- Renaissance sculpture --- Arts patronage --- Business patronage of the arts --- Corporations --- Maecenatism --- Patronage of art --- History --- Art and industry --- Italiaanse school
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The first exhibition to focus on images of artists from within the Royal Collection, 'Portrait of the Artist' not only show-cases self-portraits by world-renowned artists including Rembrandt, Rubens, Artemisia Gentileschi, Lucian Freud and David Hockney but also features images of artists by their friends, relatives and pupils, including the most reliable surviving likeness of Leonardo da Vinci by his student, Francesco Melzi. Well-known self-portraits intended to advertise the artist's talents will be shown alongside more intimate and personal works. The exhibition will examine a range of themes played out within these objects, from the 'cult' of the artist to the symbolism evoked through images of the artist's studio. The changing status of the artist over the centuries is another theme and the way in this is conveyed, both in the physical works and in the relationships between artist and patron will be highlighted. The role of monarchs in commissioning, collecting and displaying portraits of artists will also be discussed.
portraits --- Art --- painting [image-making] --- Self-portraits --- Portraits --- Art patronage --- Arts patronage --- Business patronage of the arts --- Corporations --- Maecenatism --- Patronage of art --- Art and industry --- Portraiture --- Biography --- Pictures --- History --- Exhibitions --- E-books
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Ouvrage présentant les recherches du programme Pictor ayant pour objectif l?étude comparative du métier de peintre en Europe au XVIe siècle.0L?examen des conditions d?apprentissage et d?exercice de la peinture dans les principaux centres artistiques est essentiel à une époque où le travail était encore largement réglementé. Cette question, longtemps marginale en histoire de l?art et cantonnée à la seule évocation d?ateliers ou d?artistes majeurs, apparaît aujourd?hui comme un préalable indispensable à toute investigation stylistique, et n?a d?intérêt qu?à l?échelle européenne. La définition de l?espace concerné, l?Italie, la France, les Flandres et l?Espagne, tient compte de la réalité de la circulation des peintres à la Renaissance. Cette large zone ne se conçoit que sur un temps suffisamment long (1490-1610) pour faire émerger les éventuelles différences d?évolution entre les régions.0Il s?agit concrètement de créer un corpus de sources sur le métier de peintre et de rassembler l?ensemble des savoirs fractionnés par les historiographies nationales.00Articles en français, anglais, italien, espagnol
Painters --- Painting, European --- Art patronage --- History --- Social conditions --- Arts patronage --- Business patronage of the arts --- Corporations --- Maecenatism --- Patronage of art --- Art and industry --- European painting --- Artists --- Sociology of occupations --- painters [artists] --- schildersambacht --- anno 1500-1599 --- Europe
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History of civilization --- Applied arts. Arts and crafts --- politics --- History --- tapestries --- Tapestry --- Art patronage --- Political aspects --- History. --- Toegepaste kunst. Kunstambachten --- Cultuurgeschiedenis --- politiek --- tapisserieën --- Fiber sculpture --- Tapestries --- Arts patronage --- Business patronage of the arts --- Corporations --- Maecenatism --- Patronage of art --- Decorative arts --- Interior decoration --- Needlework --- Textile fabrics --- Wall hangings --- Art and industry
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Art and state --- Art patronage --- 7.078 --- 7.078 Kunstbescherming. Kunstbevordering --- Kunstbescherming. Kunstbevordering --- Arts patronage --- Business patronage of the arts --- Corporations --- Maecenatism --- Patronage of art --- Art and industry --- Art --- Arts --- Politics and art --- State and art --- Art and society --- Cultural policy --- Education and state --- History --- Government policy --- court art --- court artists --- artists [visual artists]
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The fourteen essays in this collection explore the dominance of patronage in Renaissance politics, religion, theatre, and artistic life.Originally published in 1982.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Art patronage --- Renaissance --- Arts patronage --- Business patronage of the arts --- Corporations --- Maecenatism --- Patronage of art --- Art and industry --- History --- Congresses. --- 7.078.2 --- 7.078 --- 7.078 Kunstbescherming. Kunstbevordering --- Kunstbescherming. Kunstbevordering --- 7.078.2 Kunstbescherming door particulieren: sponsoring; mecenaat --- Kunstbescherming door particulieren: sponsoring; mecenaat --- History&delete& --- Congresses --- History of Europe --- anno 1500-1599 --- Art --- Collectors and collecting
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Gotzkowski, Johann Ernest --- Art dealers --- Art patronage --- Art --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Arts patronage --- Business patronage of the arts --- Corporations --- Maecenatism --- Patronage of art --- Art and industry --- Dealers (Retail trade) --- Collectors and collecting --- Gotzkowsky, Johann Ernst, --- Gotzkowski, Johann Ernst, --- Art, Primitive --- collecting, Germany
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Art patronage --- Arts patronage --- Business patronage of the arts --- Corporations --- Maecenatism --- Patronage of art --- Art and industry --- Ercole --- Este family. --- D'Este, Ercole I, --- Este, Ercole I d', --- Ferrara (Italy) --- Ferrara (Italy : Commune) --- Ferrare (Italy) --- Genealogy. --- History. --- Este, Hercule d', --- Este, Ercole d', --- Hercule --- Hercules --- Art --- urban development --- patronage --- Este, d', Ercole I [Duke of Ferrara, Modena, and Reggio] --- Ferrara [city] --- hofcultuur
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Considers identity creation and artistic development in Rome during the late fifteenth to the late seventeenth century. This book demonstrates how the exceptional quality of Roman court and urban culture - with its elected 'monarchy', its large foreign population, and sense of civic identity - interacted with developments in the visual arts.
Art --- anno 1600-1699 --- anno 1400-1499 --- anno 1500-1599 --- Rome --- Art patronage --- Popes --- Art and society --- Mécénat --- Papes --- Art et société --- Art patronage. --- Mécénat --- Art et société --- popes --- cardinals [prelates] --- patronage --- bishops [prelates] --- Art patrons --- Arts patronage --- Business patronage of the arts --- Corporations --- Maecenatism --- Patronage of art --- Art and industry --- Art and sociology --- Society and art --- Sociology and art --- Social aspects
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Christus, Petrus I --- Panel painting, Flemish --- Art patronage --- -Panel painting, Flemish --- 759.9493 --- 759.03 --- Arts patronage --- Business patronage of the arts --- Corporations --- Maecenatism --- Patronage of art --- Art and industry --- Arts Painting Belgium --- Arts Painting 1400 - 1600 --- Christus, Petrus --- -Criticism and interpretation --- -Christo, Pietro --- Christophori, Pietro --- Criticism and interpretation --- Christus, Petrus, --- Cristus, Pierre, --- Criticism and interpretation. --- Panel painting --- 15th century --- Flanders (Belgium) --- Christus, Petrus. --- Christo, Pietro --- Panel painting, Flemish - 15th century. --- Art patronage - Flanders.
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