Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Visual representations of music were ubiquitous in Renaissance Italy. Church interiors were enlivened by altarpieces representing biblical and heavenly musicians, placed in conjunction with the ritual song of the liturgy. The interior spaces of palaces and private houses, in which musical recreations were routine, were adorned with paintings depicting musical characters and myths of the ancient world, and with scenes of contemporary festivity in which music played a central role. Musical luminaries and dilettantes commissioned portraits symbolising their personal and social investment in musical expertise and skill. Such visual representations of music both reflected and sustained a musical culture. The strategies adopted by visual artists when depicting music in any guise betray period understandings of music shared by artists and their clients. At the same time, Renaissance Italians experienced music within a visual environment that prompted them to think about music in particular ways. This book offers the first detailed survey of the representation of music in the art of Renaissance Italy, and in the process opens up new vistas within the social and cultural history of Italian Renaissance music and art.  

Iconography --- Music --- musical instruments --- music [performing arts] --- Italian Renaissance-Baroque styles --- anno 1400-1499 --- anno 1500-1599 --- Italy --- Music in art. --- Art et musique. --- Musical instruments in art. --- Instruments de musique --- Art, Renaissance --- Art de la Renaissance --- Art, Italian --- Art italien --- Art. --- Art et musique --- Music in art --- Musical instruments in art --- Musicians --- Art, Renaissance - Italy --- Art, Italian - 15th century --- Art, Italian - 16th century --- Musicians - Pictorial works --- music [performing arts genre]

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

History of civilization --- music [discipline] --- Art --- anno 1700-1799 --- anno 1400-1499 --- anno 1600-1699 --- anno 1500-1599 --- Venice --- Music --- Music in art --- Musique --- Musique dans l'art --- History and criticism --- Social aspects --- Histoire et critique --- Aspect social --- music [performing arts] --- muziekgeschiedenis --- Venetiaanse school --- music [performing arts genre]

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

1919-1923(Tome I) - 1960(Tome X). 20 Français. 12 Irr. 02 EX. 34 H

lutes [chordophones] --- luiten --- Music --- luitmuziek --- Lassus, Orlandus --- Luit --- Lute --- Luth --- Lute music --- Vocal music --- Music publishing --- Luth, Musique de --- Musique vocale --- Musique --- History and criticism --- Instrumental settings --- History --- Histoire et critique --- Arrangements instrumentaux --- Edition --- Histoire --- Lasso, Orlando di, --- De Lassus, Orlando --- Criticism and interpretation --- Art --- Revue --- Woestijne,Gustave van de, --- History and criticism. --- Criticism and interpretation. --- 780.903 --- Arts Music 1450 - 1900 --- Lassus, Orland de, --- Lassus, Roland de, --- Lassus, Orlande de, --- Di Lasso, Orlando, --- Lassus, Orlandus de, --- Lassus, Orlandus, --- Delattre, Roland, --- De Lassus, Orlando, --- Lasso, Orlando di --- 78.24 --- 78.44.2.2 --- Orlando Lassus --- di Lasso, Orlando --- de Lassus, Orlande --- de Lassus, Roland --- Lassus, Rolandus --- Delattre, Roland --- de Lâtre, Roland --- Lute music - History and criticism --- Lasso, Orlando di, - 1532-1594 - Criticism and interpretation --- 16e eeuw --- Lassus, Orlande de --- Arrangementen --- Lasso, Orlando di, - 1532-1594 --- Lassus, roland de (1532-1594) --- Luth, musique de --- Critique et interprétatione

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

In the construction of a private princely identity before the eyes of a select public in the study rooms of Italian Renaissance rulers, ideals of sober recreation met with leisured reality. 'Echoing Helicon' reconstructs, through the interpretation of painted and intarsia decoration, the roles played by music in such settings.

Music --- mecenaat --- music [discipline] --- studiolos --- patronage --- Italian Renaissance-Baroque styles --- court art --- painting [image-making] --- History of civilization --- Este, d', Alfonso --- Este, d', Leonello --- Este, d', Isabella --- anno 1400-1499 --- anno 1500-1599 --- Italy --- Studiolos --- Art and music. --- Music in art. --- Musique --- Art et musique --- Musique dans l'art --- History and criticism. --- Histoire et critique --- Este family --- Este, Leonello d', --- Isabella d'Este, --- Alfonso --- Art patronage. --- music [performing arts] --- Art and music --- Music in art --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Music and art --- Musical iconography --- Social aspects --- History --- History and criticism --- Iconography --- Isabelle d'Este, --- Gonzaga, Isabella d'Este, --- Mantua, Isabella d'Este, --- D'Este Gonzaga, Isabella, --- D'Este, Isabella, --- Este, Isabella d', --- Isabella, --- D'Este, Leonello, --- D'Este, Alfonso --- Este, Alfonso I d', --- Ferrara, Alfonso I d'Este, --- Music, Dance, Drama & Film --- Music History & Criticism, General --- Social aspects. --- music [performing arts genre]

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

The late eighteenth century witnessed a flourishing exchange between music and visual art which was expressed in the creative as well as commercial cultures of the time. Nevertheless, there has been relatively little research to actively consider and thoroughly examine the symbiotic relationship between looking and listening during the period. In this volume, nine prominent scholars employ a set of interdisciplinary methodological tools in order to come to a comprehensive understanding of the rich tapestry of eighteenth-century musical taste, performance, consumption and aesthetics. While the link between visual material and musicological study lies at the heart of the research presented in this collection of essays, the importance of the textual element, as it denoted the process of thinking about music and the various ways in which that was symbolically and often literally visualized in writing and print culture, is also closely examined. Through a critical analysis of a number of important contemporary sources as well as current scholarship and research, the authors draw conclusions that extend well beyond the scope of their immediate material and closely-formulated questions. The conversation opened up in the chapters of this volume will hopefully break new ground on which the interrelationship between art and music, and more broadly between visual art and other forms of creative practice, may be studied and debated

Musique --- Art and music --- Music --- Musical criticism --- Music appreciation --- History --- Music appreciation. --- Art and music. --- Music in art. --- Music. --- Musik. --- Wiener Klassik. --- History and criticism --- Influence --- Influence. --- Social aspects --- Social aspects. --- 1700-1799. --- 18th century --- Kunst --- muziek --- visuele cultuur --- anno 1700-1799 --- Art --- music [performing arts] --- visual culture --- 78 --- 78.26 --- music [performing arts genre]